Then to Joe it all rushed away, roaring, dying, leaving him in the center of the floor, the shattered chair clutched in his hand, looking down at his adopted father. McEachern lay on his back. He looked quite peaceful now. He appeared to sleep: bluntheaded, indomitable even in repose, even the blood on his forehead peaceful and quiet.
Joe was breathing hard. He could hear it, and also something else, thin and shrill and far away. He seemed to listen to it for a long time before he recognised it for a voice, a woman’s voice. He looked and saw two men holding her and she writhing and struggling, her hair shaken forward, her white face wrung and ugly beneath the splotches of savage paint, her mouth a small jagged hole filled with shrieking. “Calling me a harlot!” she screamed, wrenching at the men who held her. “That old son of a bitch! Let go! Let go!” Then her voice stopped making words again and just screamed; she writhed and threshed, trying to bite the hands of the men who struggled with her.
Still carrying the shattered chair Joe walked toward her. About the walls, huddling, clotted, the others watched him the girls in stiff offcolors and mail-order stockings and heels; the men, young men in illcut and boardlike garments also from the mail-order, with hard, ruined hands and eyes already revealing a heritage of patient brooding upon endless furrows and the slow buttocks of mules. Joe began to run, brandishing the chair. “Let her go!” he said. At once she ceased struggling and turned on him the fury, the shrieking, as if she had just seen him, realised that he was also there.
“And you! You brought me here. Goddamn bastard clodhopper. Bastard you! Son of a bitch you and him too. Putting him at me that never ever saw—” Joe did not appear to be running at anyone in particular, and his face was quite calm beneath the uplifted chair. The others fell back from about the woman, freeing her, though she continued to wrench her arms as if she did not yet realise it.
“Get out of here!” Joe shouted. He whirled, swinging the chair; yet his face was still quite calm. “Back!” he said, though no one had moved toward him at all. They were all as still and as silent as the man on the floor. He swung the chair, backing now toward the door. “Stand back! I said I would kill him some day! I told him so!” He swung the chair about him, calmfaced, backing toward the door. “Don’t a one of you move, now,” he said, looking steadily and ceaselessly at faces that might have been masks. Then he flung the chair down and whirled and sprang out the door, into soft, dappled moonlight. He overtook the waitress as she was getting into the car in which they had come. He was panting, yet his voice was calm too: a sleeping face merely breathing hard enough to make sounds. “Get on back to town,” he said. “I’ll be there soon as I …” Apparently he was not aware of what he was saying nor of what was happening; when the woman turned suddenly in the door of the car and began to beat him in the face he did not move, his voice did not change: “Yes. That’s right. I’ll be there soon as I—” Then he turned and ran, while she was still striking at him.
I He could not have, known where McEachern had left the horse, nor for certain if it was even there. Yet he ran straight to it, with something of his adopted father’s complete faith in an infallibility in events. He got onto it and swung it back toward the road. The car had already turned into the road. He saw the taillight diminish and disappear.
The old, strong, farmbred horse returned home at its slow and steady canter. The youth upon its back rode lightly, balanced lightly, leaning well forward, exulting perhaps at that moment as Faustus had, of having put behind now at once and for all the Shalt Not, of being free at last of honor and law. In the motion the sweet sharp sweat of the horse blew, sulphuric; the invisible wind flew past. He cried aloud, “I have done it! I have done it! I told them I would!”
He entered the lane and rode through the moonlight up to the house without slowing. He had thought it would be dark, but it was not. He did not pause; the careful and hidden rope were as much a part of his dead life now as honor and hope, and the old wearying woman who had been one of his enemies for thirteen years and who was now awake, waiting for him. The light was in hers and McEachern’s bedroom and she was standing in the door, with a shawl over her nightdress. “Joe?” she said. He came down the hall fast. His face looked as McEachern had seen it as the chair fell. Perhaps she could not yet see it good. “What is it?” she said. “Paw rode away on the horse. I heard …” She saw his face then. But she did not even have time to step back. He did not strike her; his hand on her arm was quite gentle. It was just hurried, getting her out of the path, out of the door. He swept her aside as he might have a curtain across the door.
“He’s at a dance,” he said. “Get away, old woman.” She turned, clutching the shawl with one hand, her other against the door face as she fell back, watching him as he crossed the room and began to run up the stairs which mounted to his attic. Without stopping he looked back. Then she could see his teeth shining in the lamp. “At a dance, you hear? He’s not dancing, though.” He laughed back, into the lamp; he turned his head and his laughing, running on up the stairs, vanishing as he ran, vanishing upward from the head down as if he were running headfirst and laughing into something that was obliterating him like a picture in chalk being erased from a blackboard.
She followed, toiling up the stairs. She began to follow almost as soon as he passed her, as if that implacable urgency which had carried her husband away had returned like a cloak on the shoulders of the boy and had been passed from him in turn to her. She dragged herself up the cramped stair, clutching the rail with one hand and the shawl with the other. She was not speaking, not calling to him. It was as though she were a phantom obeying the command sent back by the absent master. Joe had not lighted his lamp. But the room was filled with refracted moonglow, and even without that very likely she could have told what he was doing. She held herself upright by the wall, fumbling her hand along the wall until she reached the bed and sank onto it, sitting. It had taken her some time, because when she looked toward where the loose plank was, he was already approaching toward the bed, where the moonlight fell directly, and she watched him empty the tin can onto the bed and sweep the small mass of coins and bills into his hand and ram the hand into his pocket. Only then did he look at her as she sat, backfallen a little now, propped on one arm and holding the shawl with the other hand. “I didn’t ask you for it,” he said. “Remember that. I didn’t ask, because I was afraid you would give it to me. I just took it. Don’t forget that.” He was turning almost before his voice ceased. She watched him turn into the lamplight which fell up the stair, descending. He passed out of sight, but she could still hear him. She heard him in the hall again, fast, and after a while she heard the horse again, galloping; and after a while the sound of the horse ceased.
A clock was striking one somewhere when Joe urged the now spent old horse through the main street of town. The horse had been breathing hard for some time now, but Joe still held it at a stumbling trot with a heavy stick that fell rhythmically across its rump. It was not a switch: it was a section of broom handle which had been driven into Mrs. McEachern’s flower bed in front of the house for something to grow on. Though the horse was still going through the motion of galloping, it was not moving much faster than a man could walk. The stick too rose and fell with the same spent and terrific slowness, the youth on the horse’s back leaning forward as if he did not know that the horse had flagged, or as though to lift forward and onward the failing beast whose slow hooves rang with a measured hollow sound through the empty and moondappled street. It—the horse and the rider—had a strange, dreamy effect, like a moving picture in slow motion as it galloped steady and flagging up the street and toward the old corner where he used to wait, less urgent perhaps but not less eager, and more young.