Afterword

The reality of the Indian Mutiny constantly defies imagination. Those familiar with the history of the time will recognize countless details in this novel of actual events taken from the mass of diaries, letters and memoirs written by eyewitnesses, in some cases with the words of the witness only slightly modified; certain of my characters also had their beginnings in this material. Among the writers whom I have cannibalized in this way are Maria Germon and the Rev. H. S. Polehampton of Lucknow, F. C. Scherer, and the admirable Mark Thornhill who was the Collector at Muttra at the time of the Mutiny. The verses admired by Mr Hopkins at the meeting of the Krishnapur Poetry Society are taken from an epic poem by Samuel Warren Esq celebrating the Great Exhibition, a work which had a great success in its day, though dismissed by one reviewer as “the ravings of a madman in the Crystal Palace”.

Lastly, I am most grateful to Mrs Anthony Storr for letting me see family letters relating to the Mutiny. I wish also to acknowledge my debt to Professor Owen Chadwick’s work on the Victorian Church and to M. A. Crowther’s _Religious Controversy of the Mid-Nineteenth Century_, and to the historians, too numerous to mention individually, on whom I have relied for the facts of Victorian life to support my fiction.