When dusk arrived, Tug found himself at the edge of the sprawling park adjacent to the University of Carrollboro in the city's center, one hundred acres of path-laced greenery, wild as Nature intended in spots.
Slumped against a foliage-rich oak tree atop a dry carpet of last year's leaves (trees stayed seasonally green longer these days), Tug polished off a can of Coke. Dispirited and enervated, he mused on this latest failure.
Why hadn't he gotten Pete to nail down the location of the Tom Pudding? If the place was unknown, he should have discarded the option, despite its romantic allure. But having chosen to search, why couldn't he accomplish this simple task? It was as if the world always turned a cold shoulder to him. Why couldn't he ingratiate himself with anyone? Was he too prickly, too proud? Would he die a bitter, lonely, unrequited fellow?
Tug's thoughts turned to a wordless pall along with the descent of darkness. He stewed for several hours.
Then lilting ocarina music infiltrated his blue funk.
Tug had heard ocarina music intermittently for the past three days: from street musicians, lunchtime amateurs, kids in playgrounds, commercial loudspeakers. Fipple flute music provided the background buzz of Ocarina City, and he mostly paid little attention to it.
But he had never heard an ocarina sound like this. The music conjured up vivid pictures of foreign locales, an almost sensory buzz.
From out the bushes of the park emerged a dim figure, source of the strangely gorgeous sounds. Tug strained his eyes-
He saw Pete's Nubian Princess.
The black woman was bundled up against the cold in a crazyquilt assortment of shawls and scarves. Tug suspected the patterned garments would be gaudy and colorful by day. Lithe, tall, thin, she moved like a swaying giraffe. Her indistinctly perceived facial features seemed more Arabic or Semitic than Negroid. Her hair was a dandelion explosion.
She stopped a few yards away from Tug and continued to play, a haunting melody unfamiliar to the man.
Tug got to his feet. What were the odds he'd encounter such an exotic creature, given that the whole of North America hosted perhaps only ten thousand Africans at any given moment, and those mostly diplomats and businessmen? Could she be a foreign student attending Carrollboro's University? Unlikely, given the prestige of schools in Songhai, Kanen-Bornu and the Oyo Empire. Nor was it likely she'd be a shorebird, given that Africa 's displaced coastal citizens had all been taken care of at home.
Tug took a step toward the outré apparition. The woman ceased playing, smiled (teeth very white against dark skin), turned, then resumed playing and began to walk into the undergrowth.
Tug could do nothing but follow. Had not an ounce of will left otherwise.
Deeper into the park she led him. Tug could smell water. But not the semi-stagnant Canal water. Fresh, running water. He realized that they must be approaching the Cunhestiyuh River as it cut through the park and city.
Sure enough, they were soon at its banks, and could not cross. The woman led the way leftward along the shore until they reached a line of thick growth perpendicular to the river. Employing a non-obvious gap amidst the trees and bushes, she stepped through, Tug just steps behind.
No more ocarina music, and the woman had vanished.
Tug became more aware of his surroundings, as if awaking from a dream.
He stood on the edge of an artificial embankment. He suddenly realized the nature of the spot.
The Attawandaron Canal had been connected to the Cunhestiyuh River at intervals by short feeder canals, to refresh its flow. This was one such. A leaky yet still mostly functioning feedgate on the riverside was still in place, barring ingress of the river and making for a low water level in the feeder chute. Entering the Canal on the opposite side from the towpath, this feeder inlet, perhaps overgrown on its far end too, had been totally overlooked by Tug in his quest.
Tug looked down.
Nearly filling the narrow channel, the Tom Pudding floated below, lit up like an Oktoberfest beer garden with colored fairy lights, its deck busy with people. A ladder ran from the top of the feeder canal on down to the barge's broad roof.
A fair-haired man looked up then and spotted Tug. The man said, "Pellenera's brought us another one. Hey, pal, c'mon down!"
8. Vasterling's Mad and Marvelous Menagerie
The one and only performance of the educational saturnalia was scheduled for this very night, at the Carrollboro venue that generally hosted visiting chautauquas, the Keith Vawter Memorial Auditorium. Franchot Galliard had paid for the rental of the space, reluctantly tapping into his deep family fortunes, despite an inherent miserliness that had caused him, about four years previously, to purchase the Tom Pudding at scrapyard prices and take up residence aboard, whilst leasing out his Ellwanger Barry-district mansion at exorbitant rates to rich shorebirds.
Oswaldo Vasterling was just that persuasive.
The young visionary self-appointed captain of the permanently moored barge full of oddballs could have herded cats into a swimming pool, Tug believed. Short and roly-poly, his complexion a diluted Mediterranean olive hue, the stone-faced twenty-one-year-old struck most first-time interlocutors as unprepossessing in the extreme. (Tug suspected a bit of Asperger's, affected or otherwise, in Vasterling's character.)
Gorm Vasterling, Oswaldo's dad, had been an unmarried Dikelander resident in Fourierist Russia, an agriculture specialist. When the Omniarch of the Kiev Phalanx ordered Gorm to transplant his talents to Cuba, to aid the Fourierist brethren there, Gorm instantly obeyed.
Upon relocation to Cuba, Gorm's Dikelander genes almost immediately combined with the Latina genes of Ximena Alcaron, a Fourier Passionologist specializing in Animic Rehabilitation. The result was a stubby, incipiently mustachio'd child who had received the least appealing somatic traits of each parent.
But in brainpower, little Oswaldo was not scanted.
Some three years ago, in 2007, at age eighteen, educationally accelerated Oswaldo was already doing post-doc work in M-theory with Lee Smolin at the Perimeter Institute for Theoretical Physics, a semi-independent think-tank headquartered on the campus of Carrollboro U. But Smolin and his star student had clashed violently over some abstruse quantum heresy, and Oswaldo Vasterling had been cast out from the sanctum
He hadn't gone far, though, ending up just a mile or so away from the campus, serendipitously stumbling upon Franchot Galliard's welcoming barge. There, he commandeered several rooms as his lab-cum-sleeping quarters and set up a rococo experimental apparatus resembling the mutant offspring of a Portajohn and a digital harmonium, attached to a small-scale radio-telescope, a gravity-wave interferometer and a bank of networked ordinateurs, the whole intended to replicate what he had left behind at the PITP.
Forever short of money for his unperfected equipment, he perpetually harassed the stingy Galliard for dough, generally with little success, and inveigled everyone else onboard to participate in money-raising schemes, of which the chautauqua was the latest. (The city had been plastered with advertisements, both wheat-pasted and CERN-spaced, and if Oswaldo's show filled half of Vawter's seats with paying customers, he'd net a hefty sum-especially since all the performers were volunteers.)
But the mixed-media performance also stood as Oswaldo's intended refutation of his ex-comrades at the PITP. He had invited them all to witness his theories rendered in music and dance, light and sound, hoping they would repent and acknowledge the Vasterling genius. And his quondam colleagues had accepted en masse, in the spirit of those anticipating a good intellectual brawl.