If we ever run out of money, Kemmings thought to himself, we could sell the poster. It was not a poster; it was the poster. Martine adored it. The Fabulous Furry Freak Brothers – from the golden age of a long-ago society.

No wonder he loved Martine so; she herself loved back, loved the beauties of the world, and treasured and cherished them as she treasured and cherished him; it was a protective love that nourished but did not stifle. It had been her idea to frame the poster; he would have tacked it up on the wall, so stupid was he.

"Hi," Martine said, off the VF now. "What are you thinking?"

"Just that you keep alive what you love," he said.

"I think that's what you're supposed to do," Martine said. "Are you ready for dinner? Open some red wine, a cabernet."

"Will an '07 do?" he said, standing up; he felt, then, like taking hold of his wife and hugging her.

"Either an '07 or a '12." She trotted past him, through the dining room and into the kitchen.

Going down into the cellar, he began to search among the bottles, which, of course, lay flat. Musty air and dampness; he liked the smell of the cellar, but then he noticed the redwood planks lying half-buried in the dirt and he thought, I know I've got to get a concrete slab poured. He forgot about the wine and went over to the far corner, where the dirt was piled highest; bending down, he poked at a board… he poked with a trowel and then he thought, Where did I get this trowel? I didn't have it a minute ago. The board crumbled against the trowel. This whole house is collapsing, he realized. Christ sake. I better tell Martine.

Going back upstairs, the wine forgotten, he started to say to her that the foundations of the house were dangerously decayed, but Martine was nowhere in sight. And nothing cooked on the stove – no pots, no pans. Amazed, he put his hands on the stove and found it cold. Wasn't she just cooking? he asked himself.

"Martine!" he said loudly.

No response. Except for himself, the house was empty. Empty, he thought, and collapsing. Oh my God. He seated himself at the kitchen table and felt the chair give slightly under him; it did not give much, but he felt it; he felt the sagging.

I'm afraid, he thought. Where did she go?

He returned to the living room. Maybe she went next door to borrow some spices or butter or something, he reasoned. Nonetheless, panic now filled him.

He looked at the poster. It was unframed. And the edges had been torn.

I know she framed it, he thought; he ran across the room to it, to examine it closely. Faded… the artist's signature had faded; he could scarcely make it out. She insisted on framing it and under glare-free, reflection-free glass. But it isn't framed and it's torn! The most precious thing we own!

Suddenly he found himself crying. It amazed him, his tears. Martine is gone; the poster is deteriorated; the house is crumbling away; nothing is cooking on the stove. This is terrible, he thought. And I don't understand it.

The ship understood it. The ship had been carefully monitoring Victor Kemmings' brain wave patterns, and the ship knew that something had gone wrong. The wave-forms showed agitation and pain. I must get him out of this feed-circuit or I will kill him, the ship decided. Where does the flaw lie? it asked itself. Worry dormant in the man; underlying anxieties. Perhaps if I intensify the signal. I will use the same source, but amp up the charge. What has happened is that massive subliminal insecurities have taken possession of him; the fault is not mine, but lies, instead, in his psychological makeup.

I will try an earlier period in his life, the ship decided. Before the neurotic anxieties got laid down.

In the backyard, Victor scrutinized a bee that had gotten itself trapped in a spider's web. The spider wound up the bee with great care. That's wrong, Victor thought. I'll let the bee loose. Reaching up, he took hold of the encapsulated bee, drew it from the web, and, scrutinizing it carefully, began to unwrap it.

The bee stung him; it felt like a little patch of flame.

Why did it sting me? he wondered. I was letting it go.

He went indoors to his mother and told her, but she did not listen; she was watching television. His finger hurt where the bee had stung it, but, more important, he did not understand why the bee would attack its rescuer. I won't do that again, he said to himself.

"Put some Bactine on it," his mother said at last, roused from watching the TV.

He had begun to cry. It was unfair. It made no sense. He was perplexed and dismayed and he felt a hatred toward small living things, because they were dumb. They didn't have any sense.

He left the house, played for a time on his swings, his slide, in his sandbox, and then he went into the garage because he heard a strange flapping, whirring sound, like a kind of fan. Inside the gloomy garage, he found that a bird was fluttering against the cobwebbed rear window, trying to get out. Below it, the cat, Dorky, leaped and leaped, trying to reach the bird.

He picked up the cat; the cat extended its body and its front legs; it extended its jaws and bit into the bird. At once the cat scrambled down and ran off with the still-fluttering bird.

Victor ran into the house. "Dorky caught a bird!" he told his mother.

"That goddam cat." His mother took the broom from the closet in the kitchen and ran outside, trying to find Dorky. The cat had concealed itself under the bramble bushes; she could not reach it with the broom. "I'm going to get rid of that cat," his mother said.

Victor did not tell her that he had arranged for the cat to catch the bird; he watched in silence as his mother tried and tried to pry Dorky out from her hiding place; Dorky was crunching up the bird; he could hear the sound of breaking bones, small bones. He felt a strange feeling, as if he should tell his mother what he had done, and yet if he told her she would punish him. I won't do that again, he said to himself. His face, he realized, had turned red. What if his mother figured it out? What if she had some secret way of knowing? Dorky couldn't tell her and the bird was dead. No one would ever know. He was safe.

But he felt bad. That night he could not eat his dinner. Both his parents noticed. They thought he was sick; they took his temperature. He said nothing about what he had done. His mother told his father about Dorky and they decided to get rid of Dorky. Seated at the table, listening, Victor began to cry.

"All right," his father said gently. "We won't get rid of her. It's natural for a cat to catch a bird."

The next day he sat playing in his sandbox. Some plants grew up through the sand. He broke them off. Later his mother told him that had been a wrong thing to do.

Alone in the backyard, in his sandbox, he sat with a pail of water, forming a small mound of wet sand. The sky, which had been blue and clear, became by degrees overcast. A shadow passed over him and he looked up. He sensed a presence around him, something vast that could think.

You are responsible for the death of the bird, the presence thought; he could understand its thoughts.

"I know," he said. He wished, then, that he could die. That he could replace the bird and die for it, leaving it as it had been, fluttering against the cobwebbed window of the garage.

The bird wanted to fly and eat and live, the presence thought.

"Yes," he said miserably.

"You must never do that again," the presence told him.

"I'm sorry," he said, and wept.

This is a very neurotic person, the ship realized. I am having an awful lot of trouble finding happy memories. There is too much fear in him and too much guilt. He has buried it all, and yet it is still there, worrying him like a dog worrying a rag. Where can I go in his memories to find him solace? I must come up with ten years of memories, or his mind will be lost.