The glass barrier settled in place. Al was cut off from the papoola and he stood gaping foolishly, seemingly very upset. Then, as if by instinct, he touched the controls at his waist. Nothing happened for a time and then, at last, the papoola stirred. It slid from Nicole's hands and hopped back to the floor. Nicole exclaimed in amazement, her eyes bright.

"Do you want it, dear?" her husband asked. "We can undoubtedly get you one, even several."

"What does it do?" Nicole asked Al.

Slezak bubbled, "It dances, ma'am, when they play; it has rhythm in its bones – correct, Mr. Duncan? Maybe you could play something now, a shorter piece, to show Mrs. Thibodeaux." He rubbed his hands together. Al and Ian looked at each other.

"S-sure," Al said. "Uh, we could play that little Schubert thing, that arrangement of 'The Trout.' Okay, Ian, get set." He unbuttoned the protective case from his jug, lifted it out and held it awkwardly. Ian did the same. "This is Al Duncan, here, at the first jug," Al said. "And besides me is my brother Ian at the second jug, bringing you a concert of classical favorites, beginning with a little Schubert." And then, at a signal from Al, they both began to play.

Bump bump-bump BUMP-BUMP buuump bump, ba-bump-bump bup-bup-bup-bup-bupppp. Nicole giggled.

We've failed, Ian thought. God, the worst has come about: we're ludicrous. He ceased playing; Al continued on, his cheeks red and swelling with the effort of playing. He seemed unaware that Nicole was holding her hand up to cover her laughter, her amusement at them and their efforts. Al played on, by himself, to the end of the piece, and then he, too, lowered his jug.

"The papoola," Nicole said, as evenly as possible. "It didn't dance. Not one little step – why not?" And again she laughed, unable to stop herself.

Al said woodenly, "I – don't have control of it; it's on remote, right now." To the papoola he said, "You better dance."

"Oh really, this is wonderful," Nicole said. "Look," she said to her husband, "he has to beg it to dance. Dance, whatever your name is, papoola-thing from Mars, or rather imitation papoola-thing from Mars." She prodded the papoola with the toe of her moccasin, trying to nudge it into life. "Come on, little synthetic ancient cute creature, all made out of wires. Please." The papoola leaped at her. It bit her.

Nicole screamed. A sharp pop sounded from behind her, and the papoola vanished into particles that swirled. A White House security guard stepped into sight, his rifle in his hands, peering intently at her and at the floating particles; his face was calm but his hands and the rifle quivered. Al began to curse to himself, chanting the words over and over again, the same three or four, unceasingly.

"Luke," he said then, to his brother. "He did it. Revenge. It's the end of us." He looked gray, worn-out. Reflexively he began wrapping his jug up once more, going through the motions step by step.

"You're under arrest," a second White House guard said, appearing behind them and training his gun on the two of them.

"Sure," Al said listlessly, his head nodding, wobbling vacuously. "We had nothing to do with it so arrest us."

Getting to her feet with the assistance of her husband, Nicole walked toward Al and Ian. "Did it bite me because I laughed?" she said in a quiet voice.

Slezak stood mopping his forehead. He said nothing; he merely stared at them sightlessly.

"I'm sorry," Nicole said. "I made it angry, didn't I? It's a shame; we would have enjoyed your act."

"Luke did it," Al said.

" 'Luke.' " Nicole studied him. "Loony Luke, you mean. He owns those dreadful jalopy jungles that come and go only a step from illegality. Yes, I know who you mean; I remember him." To her husband she said, "I guess we'd better have him arrested, too."

"Anything you say," her husband said, writing on a pad of paper.

Nicole said, "This whole jug business… it was just a cover-up for an action hostile to us, wasn't it? A crime against the state. We'll have to rethink the entire philosophy of inviting performers here… perhaps it's been a mistake. It gives too much access to anyone who has hostile intentions toward us. I'm sorry." She looked sad and pale, now; she folded her arms and stood rocking back and forth, lost in thought.

"Believe me, Nicole," Al began.

Introspectively, she said, "I'm not Nicole; don't call me that. Nicole Thibodeaux died years ago. I'm Kate Rupert, the fourth one to take her place. I'm just an actress who looks enough like the original Nicole to be able to keep this job, and I wish sometimes, when something like this happens, that I didn't have it. I have no real authority. There's a council somewhere that governs… I've never even seen them." To her husband she said, "They know about this, don't they?"

"Yes," he said, "they've already been informed."

"You see," she said to Al, "he, even the President, has more actual power than I." She smiled wanly.

Al said, "How many attempts have there been on your life?"

"Six or seven," she said. "All for psychological reasons. Unresolved Oedipal complexes or something like that. I don't really care." She turned to her husband, then. "I really think these two men here -" She pointed at Al and Ian. "They don't seem to know what's going on; maybe they are innocent." To her husband and Slezak and the security guards she said, "Do they have to be destroyed? I don't see why you couldn't just eradicate a part of their memory-cells and let them go. Why wouldn't that do?"

Her husband shrugged. "If you want it that way."

"Yes," she said. "I'd prefer that. It would make my job easier. Take them to the medical center at Bethesda and then let's go on; let's give an audience to the next performers."

A security guard nudged Ian in the back with his gun. "Down the corridor, please."

"Okay," Ian murmured, gripping his jug. But what happened? he wondered. I don't quite understand. This woman isn't Nicole and even worse there is no Nicole anywhere; there's just the TV image, the illusion, and behind it, behind her, another group entirely rules. A council of some kind. But who are they and how did they get power? Will we ever know? We came so far; we almost seem to know what's really going on. The actuality behind the illusion… can't they tell us the rest? What difference would it make now? How -

"Goodbye," Al was saying to him.

"What?" he said, horrified. "Why do you say that? They're going to let us go, aren't they?"

Al said, "We won't remember each other. Take my word for it; we won't be allowed to keep any ties like that. So -" He held out his hand. "So goodbye, Ian. We made it to the White House. You won't remember that either, but it's true; we did do it." He grinned crookedly.

"Move along," the security guard said to them.

Holding their jugs, the two of them moved down the corridor, toward the door and the waiting black medical van beyond.

It was night, and Ian Duncan found himself at a deserted street corner, cold and shivering, blinking in the glaring white light of an urban monorail loading platform. What am I doing here? he asked himself, bewildered. He looked at his wristwatch; it was eight o'clock. I'm supposed to be at the All Souls Meeting, aren't I? he thought dazedly.

I can't miss another one, he realized. Two in a row – it's a terrible fine; it's economic ruin. He began to walk.

The familiar building, Abraham Lincoln with all its network of towers and windows, lay extended ahead; it was not far and he hurried, breathing deeply, trying to keep up a good steady pace. It must be over, he thought. The lights in the great central subsurface auditorium were not lit. Damn it, he breathed in despair.

"All Souls is over?" he said to the doorman as he entered the lobby, his identification held out.