XXXVII

When I left the Saepta Julia, the air was thin and cold. I nearly went into the Agrippan Baths, but could not face a long walk home on a winter evening after I had let myself be made happy and warm. Better to do the heavy work, then relax.

Pa had offered me a lift in his ornamental litter back to the Thirteenth Sector, but I elected to walk. I had had enough. I needed to be alone. I needed to think.

Helena was waiting. 'Just a quick kiss, my darling, then we're going out.'

'What's happened?'

'I'm really getting grown-up work! First my mother employs me to prove Festus is not a criminal; now my father has hired me because Festus probably is.'

'At least your brother brings in jobs,' said my beloved, ever the optimist. 'Am I coming to help?'

'No. The irrepressible Geminus has fingered me for the Phidias. Some quick-tempered creditors may be coming here to look for me. You'll have to be stowed somewhere safer until the heat's off. I'll take you to the relation of your choice.'

She chose going back to Ma again. I took her; ducked the maternal enquiries; promised to see them both when I could; then trudged off through the gathering darkness towards the Caelian.

I was now determined to track down my brother's friends, the loathsome wall painters.

I tried the Virgin, without luck.

I tried all the other places where Varga and Manlius were supposed to hang out, but they were not there either. This was tiresome, but par for the course in my work. Investigating consists mainly of failure. You need thick boots and a strong heart, plus an infinite capacity for staying awake while parked in a draughty pergola, hoping that that strange scuttling sound is only a rat, not a man with a knife, though all the time you know that if the person you are watching for ever does turn up, they will be a dead loss.

Helena had asked, 'Why don't you go straight to the art collectors and explain?'

'I will go. I hope to have something to offer them first.'

As I stood watching an extremely nasty doss-house in the worst area of a bad district in this heartless city, it did seem unlikely that a rare old Greek statue would be standing around here with its toes as cold as mine, waiting for a lift in a waggon to a more refined environment.

I must have been there on surveillance for four hours. On a cold March Thursday, that's a long time.

The street was pitch-dark. It was short, narrow, and stinking; an easy touch for comparisons with life. The night-life was plentiful: drunks, fornicators, more drunks, cats who had learned from the fornicators, even drunker drunks. Drunken cats, probably. Everyone round here had been at an amphora, and I could understand it. Everyone was lost. The dogs; the cats; the humans. Even the fire brigade, wandering up with half-empty buckets, asked me the way to Oyster Street. I gave them correct instructions, then watched their smoky flare disappear in the wrong direction anyway. They were going to a tavern for a quick one; the fire could just blaze.

A whore offered me a quick one of the other sort, but I managed to plead poor plumbing. She cackled and launched into medical theories that made me blush. I told her I was one of the vigiles, so with a vicious curse she staggered off. Beyond the corner, where the streets were wider, even the normal night-time rumble of delivery carts seemed slack tonight. Beyond that, sharp on the frosty air, I heard the call of a Praetorian trumpet sounding the watch over their great camp. Above my head, where the stars should be, only blackness loomed.

Eventually the passers-by thinned out. My feet were frozen. My legs were too exhausted to stamp. I was wearing two cloaks and three tunics, but the chill had slid right under them. This was some way from the river, but even here the Tiber fog seeped into my lungs. There was no breeze; just that still, deceptive coldness like an animal that eats your heart while you stand.

It was a night when professional burglars would glance quickly outside, then decide to stay in and annoy their wives. Heartbroken women would be hanging around the Aemilian Bridge waiting for a quiet moment to edge over the parapet and jump into oblivion. Tramps would cough to death in the gateways at the Circus. Lost children and runaway slaves would huddle against the huge black walls under the Citadel, slipping into Hades by accident when they forgot to breathe. There was no blizzard; it was not even raining. But all the same it was a bitter, baleful, dolorous night, and I hated to be out in it.

In the end I broke the rules. I strode up to the painters' lodging-house, entered by the creaking door, felt my way up five flights of stairs (fortunately I had counted the storeys when I was here before), found their room, spent half an hour trying to pick the lock, discovered the door was open anyway, and then sat in darkness waiting for them. At least I was under cover now.

XXXVIII

Manlius and Varga came swinging back home in the dead of night, arguing at the tops of their voices with a gang of other artistic delinquents as if it was broad daylight. I heard a shutter crash open and someone screamed at them; they answered with an innocent calm that hinted this was a regular occurrence. They had no sense of time. They had no sense of decency either, but having seen them cadging drinks off Festus I already knew that.

The other crowd went on, leaving my two to lurch upstairs. I sat, listening to their uneven approach. Informers dread this moment: sitting in pitch-darkness, waiting for a problem.

I already knew quite a lot about them. Anyone who broke into their room stumbled over discarded amphorae. Their room smelt sour. They owned few clothes, and paid fewer laundry bills. They lived such abnormal hours that by the time they thought of washing, even the public baths had closed. As well as their own odours, which were plentiful, they lived among a complicated waft of pigments: lead, palm resin, galls, crushed seashells and chalks, together with lime, gypsum, and borax. They ate cheap meals, full of garlic and those artichokes that make you fart.

In they fell, all paint-stains and dirty politics. The smoke from a resinous torch added itself to the other smells that lived here. It enabled me to see I was in a communal room. A small space crammed with beds for three or four people, though only these two appeared to be renting at present. The painters showed no surprise at finding me sitting there in the dark. They did not object: I had brought them an amphora. Well, I had met creative types before.

One was tall and one short, both of them bare-armed, not from bravado but because they were too poor to own cloaks. They both had beards, mainly to strike a defiant social attitude. They were aged about thirty, but their manners were adolescent and their habits puerile. Under the grime they might both have been good-looking in different ways. They preferred to make their mark through personality; a kind friend should have advised them their personalities needed sprucing up.

They stuffed their torch into a narrow oil jar: some tasteful Greek's funeral urn. I guessed the Greek was still in it. That would be their idea of fun, making a lampstand out of him.

Neither of them remembered me.

'Who's this?'

'I'm Marcus-' I began, intending full formality.

'Hey, Marcus! Wonderful to see you!'

'How's your life, Marcus?'

I refrained from saying that only select members of my family were permitted to use my personal name. Etiquette is lost on free spirits; especially ones who are habitually drunk.

Manlius was the designer. The tall, sleepy-eyed one, he wore what had once been a white tunic and had a fringe of dank black hair. Manlius squiggled and doodled in miniature. He had drawn neat little columns, swags and flower vases all around his corner of the room.