– I assure you, Davey. there is nothing premeditated about this. Of course when we met in the bookshop, I knew you must be the son of the man who died so spectacularly when Eisengrim was last in Toronto, but I had no notion of the circumstances.

– Were you in Toronto with him?

– Certainly. We have been business partners and artistic associates for a long time. I am his manager or impresario or whatever you want to call it. On the programs I use another name, but I assure you I am very much present. I am the voice of the Brazen Head.

– Then it was you who gave that extraordinary answer to my question?

– What question are you talking about?

– Don't you recall that Saturday night in the theatre when somebody called out, "Who killed Boy Staunton?"

– I remember it very clearly. It was a challenge, you may suppose, coming suddenly like that. We usually had warning of the questions the Head might have to answer. But was it you who asked the question?

– Yes, but I didn't hear all of your answer.

– No; there was confusion. Poor Ramsay here was standing at the back of an upstairs box, and that was when he had his heart attack. And I think a great many people were startled when he fell forward into sight. Of course there were others who thought it was part of the show. It was a memorable night.

– But do you remember what you said?

– Perfectly. I said: "He was killed by the usual cabal: by himself, first of all; by the woman he knew; by the woman he did not know; by the man who granted his inmost wish; and by the inevitable fifth, who was keeper of his conscience and keeper of the stone."

– I don't suppose it is unreasonable of me to ask for an explanation of that rigmarole?

– Not unreasonable at all, and I hope you get an answer that satisfies you. But not tonight. Dear Ramsay is looking a little pale, and I think I should see him to bed. But there is plenty of time. I know you will take care that we talk of this again.

And with that I have to be contented at least until tomorrow.

Dec. 21, Sun.: This morn. Liesl took me on a tour of the house, which was apparently built in 1824 by some forbear who had made money in the watch-and-clock business. The entrance hall is dominated by what I suppose was his masterpiece, for it has dials to show seconds, days of the week, days of the months, the months, the seasons, the signs of the zodiac, the time at Sorgenfrei and the time at Greenwich, and the phases of the moon. It has a chime of thirty-seven bells, which play a variety of tunes, and is ornamented with figures of Day and Night, the Seasons, two heads of Time, and God knows what else, all in fine verd-antique. Monstrous but fascinating, like Liesl, and she seems to love it. As we wandered through the house and climbed unexpected staircases and looked at the bewildering views from cunningly placed windows, I did my best to bring the conversation to the strange words of the Brazen Head about Father's death, but Liesl knows every trick of evasion, and in her own house I could not nail her down as I might in court. But she did say one or two things:

– You must not interpret too closely. Remember that I, speaking for the Head, had no time – not even ten seconds – to reflect. So I gave a perfectly ordinary answer, like any experienced fortune-teller. You know there are always things that fit almost any enquirer: you say those things and they will do the interpreting. "The woman he knew – the woman he did not know."… From what I know now, which is only what Ramsay has told me at one time or another, I would have said the woman he knew was your mother, and the woman he did not know was your stepmother. He felt guilty about your mother, and the second time he married a woman who was far stronger than he had understood. But I gather from the terrible fuss your stepmother made that she thought she must be the woman he knew, and was very angry at the idea that she had any part in bringing about his death… I really can't tell you any more than that about why I spoke as I did. I have a tiny gift in this sort of thing; that was why Eisengrim trusted me to speak for the Head; maybe I sensed something – because one does, you know, if one permits it. But don't brood on it and try to make too much of it. Let it go.

– My training has not been to let things go.

– But Davey, your training and the way you have used yourself have brought you at last to Zurich for an analysis. I'm sure Jo von Haller, who is really excellent, though not at all my style, has made you see that. Are you going to do more work with her?

– That's a decision I must make.

– Well, don't be in a hurry to say you will.

Went for a long walk alone this afternoon, and thought about Liesl's advice.

This eve. after dinner Eisengrim showed us some home movies of himself doing things with coins and cards. New illusions, it seems, for a tour they begin early in January. He is superb, and knows it. What an egotist! And only a conjuror, after all. Who gives a damn? Who needs conjurors? Yet I am unpleasantly conscious of a link between Eisengrim and myself. He wants people to be in awe of him, and at a distance: so do I.

Dec. 22, Mon.: I suppose Eisengrim sensed my boredom and disgust last night, because he hunted me up after breakfast and took me to see his workrooms, which are the old stables of Sorgenfrei; full of the paraphernalia of his illusions, and with very fine workbenches, at one of which Liesl was busy with a jeweller's magnifying-glass stuck in her eye… "You didn't know I had the family knack of clock-work, did you?" she said. But Eisengrim wanted to talk himself:

– You don't think much of me, Staunton? Don't deny it; it is part of my profession to sniff people's thoughts. Well, fair enough. But I like you, and I should like you to like me. I am an egotist, of course. Indeed, I am a great egotist and a very unusual one, because I know what I am and I like it. Why not? If you knew my history, you would understand, I think. But you see that is just what I don't want, or ask for. So many people twitter through life crying, "Understand me! Oh, please understand me! To know all is to forgive all!" But you see I don't care about being understood, and I don't ask to be forgiven. Have you read the book about me?

(I have read it, because it is the only book in my bedroom, and so obviously laid out on the bedside table that it seems an obligation of the household to read the thing. I had seen it before; Father bought a copy for Lorene the first time we went to see Eisengrim, on her birthday. Phantasmata: the Life and Adventures of Magnus Eisengrim. Shortish; about 120 pages. But what a fairy-tale! Strange birth to distinguished Lithuanian parents, political exiles from Poland; infancy in the Arctic, where father was working on a secret scientific project (for Russia, it was implied, but because of his high lineage the Russians did not want to acknowledge the association); recognition of little Magnus by an Eskimo shaman as a child of strange gifts; little Magnus, between the ages of four and eight, learns arts of divination and hypnosis from the shaman and his colleagues. Father's Arctic work completed and he goes off to do something similar in the dead centre of Australia (because it is implied that father, the Lithuanian genius, is some sort of extremely advanced meteorological expert) and there little Magnus is taught by a tutor who is a great savant, who has to keep away from civilization for a while because he has done something dreadfully naughty. Little Magnus, after puberty, is irresistible to women, but he is obliged to be careful about this as the shaman had warned him women would disagree with his delicately balanced nerves. Nevertheless, great romances are hinted at; a generous gobbet of sadism spiced with pornography here. Having sipped, and rejected with contumely the learning of several great universities, Magnus Eisengrim determines to devote his life to the noble, misunderstood science which he first encountered in the Arctic, and which claimed him for its own… And this is supposed to explain why he is travelling around with a magic show. A very good magic show, but still – a travelling showman.