He smiled at his own reflection in the mirror, as he erased all traces of his tears. Walking to a window, he unlatched and threw it open, to allow the cold night air to efface the last vestiges of his grief from his pale, easily marked skin.

Then he closed the window and walked down the hallway to a door, where he stopped and scratched at the wood.

“Open,” a sultry voice called from within. He opened.

The Duchess de Chevreuse stood at a writing desk, dusting with sand a sheet of paper that she had, presumably just written. She looked at him with a smile. “Chevalier,” she said, “but how enchanting of you to come. I was just about to send you a note.”

He went in and closed the door.

Hammers and Swords; The Tendency of Objects Not To Fall; Where Porthos Decides It Would be a Bad Idea To Drop Objects on His Own Head

PORTHOS didn’t know when his mind had become attached to the high unlikelihood of Mousqueton’s having dropped a hammer on his own head. He just knew that it had. Of course, it would have been far easier to ask the question of Mousqueton, but he judged from Monsieur de Treville’s expression that such an interview would be a hard thing to arrange.

And so, Porthos was left with the explanation that the guards of the Cardinal had given for having found Mousqueton unconscious next to the murdered armorer. And all he could do was to interest himself in the matter personally, as it were.

At any rate, Porthos had found, through the many crimes he and his friends had got involved in-and truly, what was it that had brought so many sudden deaths into their path all of a sudden?-that more than people’s conversations, more than confessions or lack thereof, more than the deceptions and counter deceptions of humans, what made sense to him were concrete facts: where blood had fallen when it erupted frm the body of the murdered person. And how far the man had to walk after being hurt, or else, whether there was another way into a room.

Words were all very well, Porthos thought. Certainly, Aramis seemed to derive an immense amount of pleasure from fiddling around with them, arranging them pleasantly and, sometimes, twisting them around to give them meanings that nature never intended. Words were to Aramis as wigs were to certain men, who liked to sport a different head of curly hair for every day of the week-utterly unnecessary but a source of great pride and joy.

Porthos didn’t begrudge Aramis this joy. At least he didn’t begrudge it when Aramis was using the words for purposes other than bludgeoning Porthos with them. When he was using them for that purpose, Porthos tended to become rather ill-tempered, because most of those words made no more sense to him than if Aramis were to speak a foreign language. Which, in fact, he found, Aramis often did, speaking Latin or Greek, or who knew what else, and making the chore of understanding him yet more difficult.

And Athos… Athos hoarded words like a miser hoards gold. And when he spoke at all, it was as likely to be in his own words as in the words of some great writer dead a thousand years or more.

The one whose words made the most sense to Porthos was D’Artagnan. Not that the young man was always straightforward. But he tended to use his words to serve a purpose, and not just to make himself feel this way or that. And words, as far as Porthos was concerned, were just-tools-tools with which he was, he confessed, devilishly clumsy.

So he would leave words behind. He was sure, just like Aramis intended to question Hermengarde, that Athos would go and question someone or other at the palace. And D’Artagnan would, doubtlessly, find some Gascon to give him information about something. As many Gascons as there were in the capital, and as clannish as they tended to be, the surprising thing would be if he didn’t find someone to give him information.

But all of this involved words and understanding the words of others, and Porthos simply did not have the patience to deal with that. So, instead, he would deal with hammers and swords-things that could not lie and that very rarely spoke in words. Well, at least not unless one was dead drunk. And even then, Porthos was fairly sure that the swords and the hammers didn’t talk so much as the wine roared in his head.

He walked away from Athos and D’Artagnan as they were trying to convince Aramis not to leave. Why they were trying to do that was quite beyond Porthos’s ken, since, after all, Aramis had always done exactly what he wanted to do and would doubtless continue to do so. He walked along gradually narrowing streets, till he found himself on the street where the armory stood. It was still closed. Or perhaps, he thought, it was closed again.

After all, he thought, the armory wouldn’t be open now, because-and he cast a surprised look up at the sky-night had fallen. A look around sufficed to tell him the streets were quite deserted. Unlike parts of town where there were taverns, or hostelries, there was nothing here to call the custom passersby. Only homes, and closed stores.

From the homes, usually right next to the stores, came voices and the occasional cry of infants. None of the homes were very large or very sturdy-just barely more than hovels, made of stone. The house next to the armorer’s was a little larger, and perhaps in this area it passed as a wealthy residence. Porthos supposed so, after looking at it appraisingly. He also judged, from the light of fire and probably candles emanating through the cracks in the wooden shutters of the room most distant from the armorer’s, that everyone would be gathered there, probably having dinner. This meant, if he was going to break into the armory, now would be the best time to do it.

He walked towards the door, as though he had every right to be there. Although he doubted that very many people would be looking out of doors at this time, he had long ago learned that when doing something reprehensible or-in this case-highly illegal, it was best to proceed as though one were doing something official and perfectly legitimate.

The door was heavy and, to Porthos’s eyes, looked like oak. In the almost complete dark, he found the lock on it, part by touch and part by sight. It was a sturdy lock. But then Porthos was an unusually sturdy man. In fact, he had often been compared to the giants in the Bible-and he was never sure the comparison was meant as flattery. He had often thought when he retired from the musketeers he would devote his life to replicating the feats of Hercules, at least those that didn’t involve dressing up as a girl, which he had the vaguest of ideas Aramis had once told him Hercules had done. Of course, Aramis might have been lying. The fact that Athenais once, for the purpose of hiding him, had dressed Aramis in a fashionable green dress [3] still seemed to rankle Porthos’s friend.

So he set his hands to the wood, one massive hand pushing against a panel of wood, while the other seized hold of as much of a lip as there was on the other side of the door and pulled. His first attempt at applying force caused the lip of the wood to crack and splinter. However, it also pulled the door slightly out of true, giving Porthos a firmer grasp on that side of the door. With that firmer grasp, well past the lip that covered the joining of the two halves, Porthos pushed and pulled again.

Meeting with resistence, he thought that the lock might have been forged by the late armorer who, as Porthos had told his comrades, was known for metals of exceptional resistence and strength.

But just as he thought it was a lost cause, he heard wood splinter, as the lock, under pressure and not breaking, parted company with the more fragile oak. The side of the door that had been under the lip of the other side let loose and swung inward into the shadows of the armory.