He was tired, so tired. It was like he was melting from the outside in, his body liquefying around him, around the single overwhelming need to close his eyes and sleep. He wanted to cry but he had no tears to shed. He wanted to beg but he didn’t know what for. He tried to think of Mausami’s face, but his eyes had closed again; he had let his lids fall shut, and he was falling, falling into the dream.

“It’s not as bad as you think. A bit of a tussle at the start. The old gal’s got some fight in her, I’ll give her that. But in the end, you’ll see.”

The voice was somewhere above him, floating down through the warm yellow light of the kitchen. The drawer, the knife. The heat and smell and the tightness in his chest, the silence plugging his throat, and the soft place on her neck where her voice was bobbing in its rolls of flesh. I tell you, the boy isn’t just dumb. He’s been struck dumb. Theo was reaching for the knife, the knife was in his hand.

But a new person was in the dream now. A little girl. She was seated at the table, holding a small, soft-looking object in her lap: a stuffed animal.

– This is Peter, she stated in her little girl’s voice, not looking at him. He’s my rabbit.

– That’s not Peter. I know Peter.

But she wasn’t a little girl, she was a beautiful woman, tall and lovely, with tresses of black hair that curved liked cupped hands around her face, and Theo wasn’t in the kitchen anymore. He was in the library, in that terrible room with its stench of death and the rows of cots under the windows and on each cot the body of a child, and the virals were coming; they were coming up the stairs.

– Don’t do it, said the girl, who was a woman now. The kitchen table at which she sat had somehow traveled to the library, and Theo saw that she wasn’t beautiful at all; in her place sat an old woman, wizened and toothless, her hair gone ghostly white.

– Don’t kill her, Theo.

No.

He jerked awake, the dream popping like a bubble. “I won’t… do it.”

The voice broke into a roar. “Goddamnit, you think this is a game? You think you get to choose how this is going to go?”

Theo said nothing. Why wouldn’t they just kill him?

“Well, okay then, pardner. Have it your way.” The voice released a great, final sigh of disappointment. “I got news for you. You’re not the only guest in this hotel. You won’t like this next part very much, I don’t expect.” Theo heard the boots scraping on the floor, turning to go. “I had higher hopes for you. But I guess it’s all the same. Because we’re going to have them, Theo. Maus and Alicia and the rest. One way or the other, we’re going to have them all.”

FIFTY-FOUR

It was the new moon, Peter realized, as they made their way through the darkness. New moon, and not one soul about.

Getting past the guards had been the easy part. It was Sara who had come up with a plan. Let’s see Lish do this, she had said, and marched straight out the door across the square to where the two men, Hap and Leon, were standing by a fire barrel, watching her approach. She stepped up to them, positioning herself between them and the door of the hut. A brief negotiation ensued; one of the men, Hap, the smaller of the two, turned and walked away. Sara ran one hand through her hair, the signal. Hollis slipped outside, ducking into the shadow of the building, then Peter. They circled around to the north side of the square and took positions in the alleyway. A moment later, Sara appeared, leading the remaining guard, whose quick step told them what she’d promised. As she walked past them, Hollis rose from his hiding place behind an empty barrel, wielding the leg of a chair.

“Hey,” said Hollis, and hit the one named Leon so hard he simply melted.

They dragged his limp body deeper into the alley. Hollis patted him down; strapped to the man’s leg in a leather sheath, hidden under the jumpsuit, was a short-barreled revolver. Caleb appeared with a length of laundry line; they bound the man’s hands and feet and stuffed a wadded rag into his mouth.

“Is it loaded?” Peter asked.

Hollis had opened the cylinder. “Three rounds.” He snapped it closed with a flick of his wrist and passed the weapon to Alicia.

“Peter, I think these buildings are empty,” she said.

It was true; there were no lights anywhere.

“We better hurry.”

They approached the prison from the south, across an empty field. Hollis believed the entrance to the building was located on the far side, facing the main gate to the compound. There was, he said, a kind of tunnel there, the entrance arched in stone and set into the wall. They would attempt this if they had to, but it stood in full view of the observation towers; the plan was to look for a less risky way in. The vans and pickups were kept in a garage on the south side of the building. It would make sense for Olson and his men to keep their hard assets together, and, in any event, they had to look somewhere first.

The garage was sealed, the doors drawn down and secured with a heavy padlock. Peter looked through a window but could see nothing. Behind the garage was a long concrete ramp leading to a platform with an overhang and a pair of bay doors set in the prison wall. A dark stain ran up the middle of the ramp. Peter knelt and touched it; his fingers came away wet. He brought his fingers to his nose. Engine oil.

The doors had no handles, no obvious mechanism by which they could be opened. The five of them formed a line and pressed their hands against the smooth surface, attempting to draw it upward. They felt no sharp resistance, only the weight of the doors themselves, too heavy to lift without something to grip. Caleb scampered back down the ramp to the garage; a crash of glass and he returned a moment later, holding a tire iron.

They formed a line again, managing to lift the door far enough for Caleb to wedge the iron under it. A blade of light had appeared on the concrete. They drew the door upward and ducked through one by one and let it fall closed behind them.

They found themselves in some kind of loading area. There were coils of chain on the floor, old engine parts. Somewhere nearby water was dripping; the air smelled like oil and stone. The source of the light lay up ahead, a flickering glow. As they moved forward, a familiar shape emerged from the gloom.

A Humvee.

Caleb opened the tailgate. “Everything’s gone, except for the fifty-cal. There are three boxes of rounds for that.”

“So where are the rest of the guns?” Alicia said. “And who moved this in here?”

“We did.”

They swiveled to see a single figure step from the shadows: Olson Hand. More figures began to emerge, surrounding them. Six of the orange-suited men, all of them armed with rifles.

Alicia had drawn the revolver from her belt and was pointing it at Olson. “Tell them to back off.”

“Do as she says,” Olson said, holding up a hand. “I mean it. Guns down, now.”

One by one the men dropped the barrels of their weapons. Alicia was the last-though Peter noted that she didn’t return the gun to her belt, but kept it at her side.

“Where are they?” Peter asked Olson. “Do you have them?”

“I thought Michael was the only one.”

“Amy and Mausami are missing.”

He hesitated, appearing perplexed. “I’m sorry. This isn’t what I intended. I don’t know where they are. But your friend Michael is with us.”

“Who’s ‘us’?” Alicia demanded. “What’s going on, goddamnit? Why are we all having the same dream?”

Olson nodded. “The fat woman.”

“You son of a bitch, what did you do with Michael?”

With that, she raised the gun again, using two hands to steady the barrel, which she aimed at Olson’s head. Around them, six rifles responded in kind. Peter felt his stomach clench.