"You don't have to. I do have a warrant for our technicians to have a look at your office computers, however- I hope that won't be too much of an inconvenience." She glanced at her watch. "They should be here any minute."

"You can't do that!" He gripped his desk, no longer bothering to control his anger.

"I'm afraid I can." Gemma stood, followed by Melody. "Mr. Arrowood, did your wife know about your activities?"

"I've told you, there was nothing for her to know."

"And your sons, do they know? Surely you don't supply your own son with cocaine?" she asked. Kincaid had told her what he suspected about Richard Arrowood's drug habit, and she was inclined to agree.

"My son? What the devil are you talking about?"

"Didn't Richard come to you for a loan to pay off his drug debts?"

"Richard? Yes, he came to me for money, but he always needs money. I don't believe-"

"What did he tell you, when he came to you a few weeks ago?"

"Investments. He said he'd made a bad investment at work. He needed to recover the damages before it came to light."

"And you refused him?"

"Of course I refused him. He'll never make anything of himself if he doesn't learn to deal with his own mistakes."

A good theory, thought Gemma. Unfortunately, she suspected Richard Arrowood was long past benefiting from it.

Kincaid had left several messages on Eliza Goddard's answering machine, asking her to ring him back, but she had not. He urgently needed to see Marianne Hoffman's papers again, and he hoped that persuasion would be enough to convince Eliza to turn over her mother's things. If his attempt failed, however, he'd have to issue a warrant for the collection of the items.

But first, he had one more avenue to explore. He drove to Islington, leaving the car near the twisting alleyways of Camden Passage. Here, Marianne Hoffman's body had been found slumped against the door of her shop, two months earlier.

They had interviewed all the nearby shopkeepers and residents, but Kincaid remembered that the man who owned the shop next door to Hoffman's had been a particular friend. It took him a moment to pinpoint the exact location, as Christmas decorations altered the look of the shop fronts. Marianne Hoffman's premises had been taken over by someone selling antique dolls, but he recognized the cricket bats and leather golf bags in the window next to it.

Edgar Vernon sold antique sporting equipment, with the addition of old suitcases, globes, walking sticks, or anything else that might tickle the fancy of those dreaming of better Edwardian times. Today Kincaid saw a new addition carefully displayed in the front window: a set of beautifully preserved lead soldiers.

He went in, breathing in the sweet mustiness of old wood and leather. Vernon looked up from his desk, his expression momentarily puzzled, then gave a smile of recognition.

"Mr. Kincaid, isn't it? What can I do for you?" He was a trim man in his fifties with a small mustache and wire-rimmed spectacles.

"Mr. Vernon, if you have a few minutes, I'd like to chat with you about Marianne Hoffman again."

"I was just about to make some coffee. If you'll have a seat, it will only take me a moment."

"I'd rather poke about, if that's all right." It occurred to Kincaid that between the case and the move, he had altogether neglected his Christmas shopping. He caught sight of a silver-handled walking stick that he thought might suit his father admirably, but what about his mother?

By the time Vernon returned with a tray and cafetière, Kincaid had found the ideal thing- a badminton set, complete with original net and birds. Not exactly a seasonal gift, he supposed, but come spring he could imagine his mother setting it up between the apple trees in her back garden.

"Now sit, please." Vernon pulled a horn-and-hide chair up to his desk. "A souvenir from a safari," he explained. "And surprisingly comfortable. You said this was about Marianne? Have you discovered her killer?"

"I wish I could tell you that we had. And unfortunately, there's been another murder. In Notting Hill, the wife of an antiques dealer."

"Ah. I did wonder if there was a connection when I read about the case in the papers. Do you think it was the same killer?"

"We think it very likely. The victim's husband, Karl Arrowood, has quite a prosperous antiques business in Kensington Park Road. Do you know him?"

"I know of him, but merely by dealers' word of mouth. I've never done business with him personally- not my line."

"Do you know if Mrs. Hoffman knew him? Or his wife?"

"Not that I remember her mentioning. But, then, Marianne didn't talk much about herself."

Kincaid settled back rather gingerly into the horn curve of the chair. "Can you remember anything she did tell you about herself, or her background? I had the impression when we spoke that you were quite good friends."

"Yes." Vernon sipped at his coffee. "In fact, on reflection I'd say that Marianne was probably my closest friend, and vice versa. Not only because neither of us had anyone else, but because we were congenial spirits."

"Nothing of a romantic nature?"

Vernon smiled. "That was a complication spared us. My lover died five years ago of AIDS, you see."

"I'm sorry," Kincaid replied.

"There's no way you could have known. Anyway, the point was, Marianne had a way of letting you know she understood your feelings without making a fuss- a remarkable sort of quiet empathy. Although we saw each other off and on in the course of the day, over the years we developed a ritual of having take-away curry together on Friday nights. We would watch the telly, share a bottle of wine. I know it seems a small thing, but it astonishes me how much I miss it. And now, here I am talking your ear off just to lubricate my tongue."

"That's exactly what I hoped you'd do. Did Marianne ever say anything about her family- her parents, her background?"

"She never spoke directly of her parents, but I somehow had the feeling that her childhood was difficult- perhaps because she didn't share the usual reminiscences. Except… It's funny, now that you mention it. One Friday evening, not long before she died, we'd had a bit more wine than usual. There was this program on the telly about the sixties- pop icons, fashion, you know the sort of thing. And we began to make a game of it, bragging about who remembered most, or had done the most outlandish thing."

"One-upmanship."

"Exactly. Who crammed the most people in a mini, who waited in a queue for five days to see the Rolling Stones… Then she started to tell me about all the people she'd known, like Robert Frazer, the gallery owner, and models, artists, fashion designers. When she saw I was a bit skeptical, she got up and dug through a bureau drawer until she found this. I asked her if I could keep it." Vernon opened his desk and removed a photo he obviously treasured, handing it to Kincaid.

In the black-and-white image, a girl in a slip of a black dress gazed back at Kincaid. She was slender, with delicate features and large dark eyes enhanced by the makeup of the time. Her platinum hair was cut short and shaped to her head, giving her the irresistible appeal of the waif. And yet Kincaid could see the unmistakable resemblance to the older woman he had known only in death.

"She was stunning," he said, looking up at Vernon.

"Yes. Very much in the manner of Edie Sedgwick."

"Edie Sedgwick?"

"One of Andy Warhol's Factory girls; his lover, in fact. Edie left Warhol for Bob Dylan, who promptly abandoned her for someone else. The beginning of a tragic end."

"And you're saying that Marianne moved in the London equivalent of those circles? It is odd that she never spoke about it before that night."