Simon said to the old man, “You managed to have four of them forged before I got wind of it.”

Those brilliant blue eyes swung to Simon, but he sensed that the old man couldn’t see him all that clearly. “You meddled, Mr. Russo. You were the one who brought us down. You found out through your sources, all that valuable information sold to them by an expatriate friend of mine who betrayed me, and then it was sold to you. But that is not your concern. If she had not betrayed me, then I would have all your paintings now, and you, Lily, would be dead. I am not certain that would have been best.”

“But now you’ll never get the other four,” Lily said. “They’re out of your reach. You won’t be hanging onto those you do have very long. Surely you know that.”

“You think not, my dear?” The old man laughed, then said, still wheezing, “Come, I have something to show you.”

Three long corridors and five minutes later, Lily and Simon stood motionless in a climate-controlled room, staring at fourteen-foot-high walls that were covered with Sarah Elliott paintings. The collection held at least a hundred fifty paintings, maybe more.

Simon said as he stared at the paintings, slowly taking in their magnificence, “You couldn’t have bought this many Sarah Elliott paintings legally. You must have looted the museums of the world.”

“When necessary. Not all that difficult, most of them. Imagination and perseverance. It’s taken me years, but I am a patient man. Just look at the results.”

“And money,” Simon said.

“Naturally,” Ian Jorgenson said.

“But you can’t see them,” Lily said as she turned to look at Olaf Jorgenson. “You stole them because you have some sort of obsession with my grandmother, and you can’t even see them!”

“I could see them all very well until about five years ago. Even now, though, I can see the graceful sweeps of her brush, shadows and sprays of color, the movement in the air itself. Her gift is unparalleled. I know each one as if I had painted it myself. I know how the subjects feel, the texture of the expressions on their faces. I can touch my fingers to a sky and feel the warmth of the sun and the wind caressing my hand. I know all of them. They are old friends. I live inside them; I am a part of them and they of me. I have been collecting them for some thirty years now. Since I want all of them before I die, it was time to turn to you, Lily. If I’d only known at the beginning that you were so like my Sarah, I wouldn’t have allowed those fools to try to kill you. Because you are resourceful, you saved yourself. I am grateful for that.”

Lily looked down at the old man sitting in his wheelchair, a beautiful hand-knitted blue blanket covering his legs. He looked like a harmless old gentleman, in his pale blue cashmere sweater over a white silk shirt with a darker blue tie. She didn’t say anything. What was there to say, after all? It was crazy, all of it. And rather sad, she supposed, if one discounted the fact that he was perfectly willing to murder people who got in his way.

She looked at the walls filled with so many of her grandmother’s paintings. All of them perfectly hung, grouped by the period in which they were painted. She had never seen such beauty in one room before in her life. It was her grandmother’s work as she had never seen it.

She watched Simon walk slowly around the large room, studying each of the paintings, lightly touching his fingertips to some of them until he came to one that belonged to Lily. It was The Swan Song, Lily’s own favorite. The old man lying in the bed, that beatific smile on his face, the young girl staring at him.

Olaf said, “That was the first one of yours I had copied, my dear. It was always my favorite. I knew it was at the Chicago Institute of Art, but I couldn’t get to it. It was frustrating.”

Simon said, “So it was the first one you stole from the Eureka Museum.”

“Nothing so dramatic,” Ian Jorgenson said, coming forward. He laid his hand lightly on his father’s shoulder. “Mr. Monk, the curator, was quite willing to have the painting copied. He simply gave it to our artist, replacing it with a rather poor, quickly executed copy until the real copy was finished. Then they were simply switched. No one noticed, of course. You know, Mr. Russo, I had hopes for you, at least initially. You yourself own a Sarah Elliott painting. I had hoped to convince you to join me, perhaps even to sell me your painting in return for a generous price and my offer of a financially rewarding partnership in some of my business ventures.”

Ian looked toward Simon and his eyes narrowed, but when he spoke, his voice was perfectly pleasant. “My father realized you wouldn’t agree after Nikki and Alpo described your behavior on the long trip over here. You were in no way conciliatory, Mr. Russo. Actually, my father’s desire to make use of you in his organization was the only reason we bothered to bring you to Sweden. My father wanted to test you.”

“Give me a test,” Simon said. “Let’s just see what I would say.”

“Actually, I was going to ask you to give me your Sarah Elliott painting, The Last Rites; it is one I greatly admire. In exchange, I would offer you your life and a chance to prove your value to me.”

“I accept your offer, if, in return, you give Lily and me our freedom.”

“It is just as I feared,” Olaf said and sighed. He nodded to his son.

Ian looked at his hands, strong hands, and lightly buffed his fingernails on his cashmere sleeve. He said to Simon, “I look forward to killing you, Mr. Russo. I knew you could never be brought to our side, that you could never be trusted. You have interfered mightily.”

Simon said, “You had your chance to get The Last Rites, Mr. Jorgenson. Freedom for Lily and me, but you turned it down. Let me promise you that you will never get that painting. When I die, it goes to the Metropolitan Museum of Art.”

Olaf said, “I do detest making mistakes in a person’s character. It is a pity, Mr. Russo.”

Lily said to Ian, “Is it true that you have Rembrandt’s Night Watch aboard your yacht?”

Ian Jorgenson raised a blond brow. “My, my, Mr. Russo has many tentacles, doesn’t he? Yes, my dear, I had it gently removed from the Rijksmuseum some ten years ago. It was rather difficult, actually. It was a gift to my wife, who died later that year. She was so pleased to look at it in her last days.”

The old man laughed, then coughed. Nikki handed him a handkerchief, and he coughed into it. Lily thought she saw blood.

Ian said, “As my father said, the Chicago Institute of Art is a difficult place, more difficult than even I wished to deal with. In the past ten years they’ve added many security measures that make removal of art pieces very challenging. But most important, my only contact, a curator there, lost his job five years ago. It was a pity. I didn’t know what to do until you moved to that ridiculous little town on the coast of California. This Hemlock Bay.”

Olaf said, “My son and I spent many hours coming up with the right plan for you, Lily. Ian traveled to California, to Hemlock Bay. What a quaint and clever name. It was such a simple little town, generous and friendly to newcomers, such as you and your daughter, was it not? He liked the fresh salt air, the serenity of the endless stretches of beach and forest, the magnificent redwoods, and all those clever little roads and houses blended into the landscape. Who could imagine it would be so simple to find such perfect tools? The Frasiers-greedy, ambitious people-and here they had a son who would be perfect for you.”

“Did they murder my daughter?”