Harper was beside Sharpe. 'They'll blind themselves, sir.'

The French, in the security of their firelight, would see nothing beyond a musket shot from their walls. The circling night would be a place of fantasy and strange shapes. Even for Sharpe the landmarks, that had seemed so clear by day, now took on monstrous shapes, even disappeared, and he stopped often, crouched, and tried to filter the real from the imaginary. The men's guns were loaded, but not cocked, their white belts hidden beneath greatcoats; their breathing loud in the darkness. They neared the village, angling north away from the house, going past the heavy barley and feeling naked and obvious in the wide valley. Sharpe strained his senses for a telltale sign that a sentry, high on Moreno's house, had been alerted: the click of a carbine-lock, the scrape of an officer's sword, or worst of all the sudden stab of flame as a picquet saw the dark shapes in the field. The crunching of the dry soil beneath his feet seemed to be magnified into a terrible loudness, but he knew it was the same for the enemy guards. This was the worst time of night, when fears took over, and the Hussars and lancers inside their walls would hear the wolves in the hills, the nightjars, and each sound would be a knelling for their death until the senses were blunted, distrusted, and the night merely became a horror to survive.

A flash of light. 'Down!' Sharpe hissed. Christ! Flames whipped crazily into the night, spewed sparks that spiralled away in the breeze, and then he realized that the cavalrymen had lit another fire, one of the timber piles out in the cleared space, and Sharpe stayed on the ground, listening to the pounding of his heart, and searched the dark shapes of the deserted cottages to his front. Or were they deserted? Had the French been clever and let any watcher in the hills think that they were all inside the protective, well-lit walls? Had the small cottages, the dark alleyways, been salted with men, waiting with sabres? He took a breath. 'Sergeant?'

'Sir?'

'You and me. Lieutenant?'

'Sir?'

'Wait here.'

Sharpe and Harper went forward, dark uniforms blending with the night, and Sharpe could hear every rustle of his jacket, creak of his belt, and the looming walls seemed to hold danger in every shadow. He felt himself tense with anticipation, his teeth gritted, waiting for the mocking shot, but instead his hand reached out and touched a dry-stone wall, and Harper was beside him, and Sharpe went on, into an alleyway that stank of manure, and his instinct began to come back.

There was no one in the village. Harper, a vast shadow, crossed the alley and crouched by the main street. A fire flickered at its end, sending crazy shadows, but the cottages were deserted and Sharpe felt the relaxation of relief. They went back to the outer wall and Harper whistled softly, three small sounds, and the shadows in the barley humped and moved, the Company coming forward to the shelter of the wall.

Sharpe found Knowles. 'We stay on this side of the house. Rifles first. Wait for the signals.'

Knowles nodded and his teeth flashed white as he grinned. Sharpe could feel the excitement of the Company, their confidence, and he marvelled at it. They were enjoying it, taking on sixteen times their number, and he did not understand that it was because of him. Harper knew, Knowles knew, that the tall Rifle Captain who was not given to rousing speeches could nevertheless make men feel that the impossible was just a little troublesome and that victory was a commonplace where he led.

They went in fits and starts beside the outer walls, the Riflemen scouting the dark shadows, the Company catching up, and the only breath-stopping moment was as they passed beneath the tall, dark tower of the church. A sound came from the belfry, a musical whisper, and the men froze, their eyes suddenly scared, and then came the sound of beating wings, receding in the blackness, and the Company sighed together as the owl, which had brushed a wing against the hanging bell, disappeared on its own hunt. Harper glanced up, saw the white flash, and thought of the barn owls that ghosted down the valley at Tangaveane, of the stream that leaked from the peat beds, of Ireland.

'Halt!' Sharpe's voice was scarcely above a whisper. He pointed. 'In there.'

The Company crowded into an alley, the firelight uncomfortably close, and Sharpe peered cautiously into the street, at the pile of new rubble, and for the first time he could properly see the front of Moreno's house. The wall was high, eight or nine feet, but the great double gate through which the farm animals could be driven was wide open. Inside he could see white faces staring at the fires that were the main defence and behind those faces the dim shadows of mounted men. Knowles had not understood that the gate would be open, but it was obvious to Sharpe. He had seen through the telescope that the front wall of the courtyard had no fire-step, no platform on which men could stand and keep watch or fire down on attacking Partisans, so the French had little choice. They would, he knew, keep the gate open and light the area in front so that should any Partisan be foolish enough to attack, the lancers could sweep out into the killing-ground with their long, searching blades. And no Partisan would be foolish enough to attack the gate. The front of the house was brightly lit, the courtyard armed and ready, and the only danger from the front was an attack by trained troops, and that, the French knew, was an impossibility. Sharpe grinned.

The fire in front of the gate crackled and roared and its noise covered the scuffling and grunts in the alley. The Redcoats of the South Essex were struggling from their greatcoats, rolling them up and strapping the bundles to their packs. He grinned at them. The Riflemen, without white crossbelts to startle the enemy, crouched near him, some fidgeting with excitement, all wanting to start the action, to dispel the nervous thoughts of anticipation.

Knowles pushed through the men. 'Ready, sir.'

Sharpe turned to the Riflemen. 'Remember. Go for officers.'

The Baker rifle was a deadly weapon, slow to load but more accurate than any gun on the battlefield. The muskets, under Lieutenant Knowles, could spread death in a wide arc, but the rifles were instruments of precision. Once in the building, the Green Jackets should seek for enemy officers, kill them, and leave the cavalry leaderless. Sharpe turned again towards the house. He could hear the mutter of voices, the trampling of hooves in the yard, a man coughing, and then he touched Harper's shoulder and the Riflemen slithered into the street, crawling on their bellies, hiding in the shadows till they had formed a line behind the rubble. The Rifles would go first, to draw the enemy fire, to start the chaos, and the rest was up to Knowles, to lead the Company into the cavalry's nightmare. Sharpe waited. He inched his sword out of its scabbard, laid it in front of him, and waited as his men put the long bayonets on their rifles. It had been so long since he had faced the enemy.

'Come on!' He had ordered them to scream, to shout, to sound like the fiends of hell, and they scrambled over the rubble, the long rifles silent, and the guards at the gate whirled, jerked up carbines and fired too soon. Sharpe heard a bullet strike stone, saw Harper run forward to the fire and grab, with both hands, the unburned end of a baulk of timber. The Sergeant whirled it around, and hurled the flaming wood at the waiting horsemen. It struck the ground, exploded in sparks, and the horses reared up, and Sharpe's sword was reaching for the first guard who was trying to drop an empty carbine and snatch up his sabre. The sword took the Hussar in the throat; the man grabbed at the blade, seemed to shake his head, and slumped. Sharpe turned to the Riflemen. 'Come on!'