But it is hard, very hard, to be the first.
Finally it was Little Bee who went down into the grave and held up my son for other hands to haul out. Charlie was kicking and biting and struggling furiously in his muddied mask and cape. He wanted to go back down. And it was Little Bee, once she herself had been extricated, who hugged him and held him back as he screamed, NO, NO, NO, NO, NO, while each of the principal mourners stepped onto the thin strip of greengrocer’s grass and dropped in their small handfuls of clay. My son’s screaming seemed to go on for a cruelly long time. I remember wondering if my mind would shatter with the noise, like a wineglass broken by a soprano. In fact a former colleague of Andrew’s, a war reporter who had been in Iraq and Darfur, did call me a few days later with the name of a combat-fatigue counselor he used. That’s kind of you, I told him, but I haven’t been at war.
At the graveside, when the screaming was over, I picked up Charlie and held him on my front, with his head resting on my shoulder. He was exhausted. Through the eyeholes of his bat mask, I could see his eyelids drooping. I watched the other mourners filing away in a slow line toward the car park. Brightly colored umbrellas broke out above the somber suits. It was starting to rain.
Little Bee stayed behind with me. We stood by the side of the grave and we stared at each other.
“Thank you,” I said.
“It is nothing,” said Little Bee. “I just did what anyone would do.”
“Yes,” I said. “Except that everyone else didn’t.”
Little Bee shrugged.
“It is easier when you are from outside.”
I shivered. The rain came down harder.
“This is never going to end,” I said. “Is it, Little Bee?”
“However long the moon disappears, someday it must shine again. That is what we used to say in my village.”
“April showers bring May flowers. That’s what we used to say in mine.”
We tried to smile at each other.
I never did drop my own clay into the grave. I couldn’t seem to put it down either. Two hours later, alone for a moment at the kitchen table of our house, I realized I was still gripping it. I left it there on the tablecloth, a small beige lump on top of the clean blue cotton. When I came back a few minutes later, someone had been past and tidied it.
A few days later the obituary in The Times noted that there had been poignant scenes at their former columnist’s funeral. Andrew’s editor sent me the cutting, in a heavy cream envelope, with a crisp white compliments slip.
three
ONE OF THE THINGS I would have to explain to the girls from back home, if I was telling them this story, is the simple little word horror. It means something different to the people from my village.
In your country, if you are not scared enough already, you can go to watch a horror film. Afterward you can go out of the cinema into the night and for a little while there is horror in everything. Perhaps there are murderers lying in wait for you at home. You think this because there is a light on in your house that you are certain you did not leave on. And when you remove your makeup in the mirror last thing, you see a strange look in your own eyes. It is not you. For one hour you are haunted, and you do not trust anybody, and then the feeling fades away. Horror in your country is something you take a dose of to remind yourself that you are not suffering from it.
For me and the girls from my village, horror is a disease and we are sick with it. It is not an illness you can cure yourself of by standing up and letting the big red cinema seat fold itself up behind you. That would be a good trick. If I could do that, please believe me, I would already be standing in the foyer. I would be laughing with the kiosk boy, and exchanging British one-pound coins for hot buttered popcorn, and saying, Phew, thank the Good Lord all that is over, that is the most frightening film I ever saw and I think next time I will go to see a comedy, or maybe a romantic film with kissing. But the film in your memory, you cannot walk out of it so easily. Wherever you go it is always playing. So when I say that I am a refugee, you must understand that there is no refuge.
Some days I wonder how many there are just like me. Thousands, I think, just floating on the oceans right now. In between our world and yours. If we cannot pay smugglers to transport us, we stow away on cargo ships. In the dark, in freight containers. Breathing quietly in the darkness, hungry, hearing the strange clanking sounds of ships, smelling the diesel oil and the paint, listening to the bom-bom-bom of the engines. Wide-awake at night, hearing the singing of whales rising up from the deep sea and vibrating through the ship. All of us whispering, praying, thinking. And what are we thinking of? Of physical safety, of peace of mind. Of all these imaginary countries that are now being served in the foyer.
I stowed away in a great steel boat, but the horror stowed away inside me. When I left my homeland I thought I had escaped-but out on the open sea, I started to have nightmares. I was naive to suppose I had left my country with nothing. It was a heavy cargo that I carried.
They unloaded my cargo in a port on the estuary of the Thames river. I did not walk across the gangplank, I was carried off the ship by your immigration officials and they put me into detention. It was no joke inside the detention center. What will I say about this? Your system is cruel, but many of you were kind to me. You sent charity boxes. You dressed my horror in boots and a colorful shirt. You sent it something to paint its nails with. You posted it books and newspapers. Now the horror can speak the Queen’s English. This is how we can speak now of sanctuary and refuge. This is how I can tell you-soon-soon as we say in my country-a little about the thing I was running from.
There are things the men can do to you in this life, I promise you, it would be much better to kill yourself first. Once you have this knowledge, your eyes are always flickering from this place to that, watching for the moment when the men will come.
In the immigration detention center, they told us we must be disciplined to overcome our fears. This is the discipline I learned: whenever I go into a new place, I work out how I would kill myself there. In case the men come suddenly, I make sure I am ready. The first time I went into Sarah’s bathroom I was thinking, Yes Little Bee, in here you would break the mirror of that medicine cabinet and cut your wrists with the splinters. When Sarah took me for a ride in her car I was thinking, Here, Little Bee, you would roll down the window and unbuckle your seat belt and tip yourself out of the window, no fuss, in front of the very next lorry that comes the other way. And when Sarah took me for a day in Richmond Park, she was looking at the scenery but I was looking for a hollow in the ground where I could hide and lie very still until all that you would find of me was a small white skull that the foxes and the rabbits would fuss over with their soft, wet noses.
If the men come suddenly, I will be ready to kill myself. Do you feel sorry for me, for thinking always in this way? If the men come and they find you not ready, then it will be me who is feeling sorry for you.
For the first six months in the detention center, I screamed every night and in the day I imagined a thousand ways to kill myself. I worked out how to kill myself in every single one of the situations a girl like me might get into in the detention center. In the medical wing, morphine. In the cleaners’ room, bleach. In the kitchens, boiling fat. You think I am exaggerating? Some of the others that were detained with me, they really did these things. The detention officers sent the bodies away in the night, because it was not good for the local people to see the slow ambulances leaving that place.