“No doubt,” Landsman says, taking a step toward his partner. “Bad guy. Worth a bullet.”

“You have two little boys, Berko,” Bina says in her flattest tone. “You have Ester-Malke. You have a future not to throw away.”

“He does not,” Gold says, or tries to say. Berko puts a deeper squeeze on him, and Gold gags, trying to turn over, to gain purchase with his feet.

Litvak scrawls something in the back of the pad without taking his eyes off of Berko.

“What is it?” Berko says. “What did he say?”

No future here for any Jew

“Yeah, yeah,” says Landsman. “We get it already.” He grabs the pen and the pad away from Litvak. He flips over the last page and writes, in American, don’t be an idiot! your acting like me! He tears out the sheet of paper, then tosses the pad and pen back to Litvak. He holds the sheet up in front of Berko’s face so that his partner can read it. It’s a fairly persuasive argument. Berko lets go of Gold right as the yid is turning a bruised color all over. Gold drops to the floor, gasping for breath. The gun in Berko’s fist wavers.

“He killed your sister, Meyer.”

“I don’t know if he did or not,” Landsman says. He turns to Litvak. “Did you?”

Litvak shakes his head and starts to write something out on the pad, but before he finishes, a cheer goes up in the outer room. The heartfelt but self-conscious whoop of young men watching something great on television. A goal has been scored. A girl playing beach volleyball has fallen out of her bikini top. A moment later, Landsman hears the cheer echoing, the sound of it carried through the open window of the penthouse as if on a wind from far away, the Harkavy, the Nachtasyl, Litvak smiles and puts down the pad and pen with a strange finality, as if he has nothing left to say. As if his whole confession was leading to — was made possible by — only this moment. Gold crawls to the door, drags it open, and then staggers to his feet and into the outer room. Bina goes over to Berko and holds out her hand, and after a moment Berko lays the gun across her palm.

In the outer room of the penthouse, the young believers hug one another and jump up and down in their suits. Their yarmulkes tumble from their heads. Their faces shine with tears.

On the big television screen, Landsman gets his first look at an image that will soon be splashed across the front page of every newspaper in the world. All over town, pious hands will clip it and tape it to their front doors and windows. They will frame it and hang it behind the counters of their shops. Some hustler, inevitably, will work the thing up as a full-size poster, two feet by three. The hilltop in Jerusalem, crowded with alleys and houses. The broad empty mesa of paving stone. The jagged jawbone of burnt teeth. The magnificent plume of black smoke. And at the bottom the legend, in blue letters, at last! These posters will sell at the stationers’ for between ten dollars and $12.95.

“Sweet God. What are they doing? What did they do?”

There is a lot that shocks Landsman about the image on the television screen, but the most shocking thing of all is simply that an object eight thousand miles away has been acted upon by Jews from Sitka. It seems to violate some fundamental law of the emotional physics that Landsman understands. Sitka space-time is a curved phenomenon; a yid could reach out in any direction as far as he was able and end up only tapping himself on the back.

“What about Mendel?” he says.

“I guess they were too far along to stop,” Bina says.

“I guess they just went ahead without him.”

It’s perverse, but for some reason, the thought makes Landsman feel sad on Mendel’s behalf. Everything and everyone, from now on, will be going ahead without him.

For a couple of minutes Bina stands there watching the boys carry on, her arms folded, her face without expression except at the corners of her eyes.

The way she looks reminds Landsman of an engagement party they went to years ago, for a friend of Bina’s. The bride-to-be was marrying a mexican, and as a kind of joke, the party had a Cinco de Mayo theme. They hung a papier-mache penguin from a tree in the yard. Children were blindfolded and sent forth, armed with a stick, to deal the penguin blows until it broke open. The children beat the penguin with savagery, and then the candy came showering down. It was just a bunch of wrapped toffees, peppermint, butterscotch, the kind your great-aunt could be relied upon to supply from a dusty crevice of her handbag. But as it rained from the sky, the children swarmed with a bestial joy. And Bina stood there watching them with her arms folded and a pleat at the corners of her eyes.

She passes Berko back his sholem and unholsters her own.

“Shut up,” Bina says, and then in American, “Shut the fuck up!”

Some of the young men have taken out their Shoyfers and are trying to call people, but everyone in Sitka must be trying to call people. They show one another the error messages they are getting on their telephones’ screens. The network is busy. Bina goes over to the television and kicks its cord. The plug snaps out of the wall. The television sighs.

Some dark fuel seems to drain from the young men’s tanks when the television goes off.

“You are under arrest,” Bina says gently, now that she has their attention. “Go over and put your hands on the wall. Meyer.”

Landsman pats them down one by one, crouching like a tailor measuring an inseam. From the six along the wall, he collects eight handguns and two expensive hunting knives. As he finishes with each one, he tells him to sit down. His third search recovers the Beretta that Berko lent to him before he left for Yakovy. Landsman holds it up for Berko to enjoy.

“Little cutie,” Berko says, keeping his big sholem level.

When Landsman is through, the young believers take their seats, three on the couch, two in a pair of armchairs, one in a dining chair pulled from an alcove. All at once, sitting in their chairs, they look young and lost. They are the runts. The ones that have been left behind. They turn as one, faces flushed, to the door of Litvak’s bedroom, looking for guidance. The door to the bedroom is closed. Bina opens the door, then pushes it wide with a toe. She stands, looking in, for a full five seconds.

“Meyer. Berko.”

The blind rattles in the wind. The bathroom door stands open, the bathroom dark. Alter Litvak is gone.

They look in the closet. They look in the shower. Bina goes over to the rattling blind and jerks it high. A sliding glass door stands open, wide enough to admit an intruder or an escapee. They go out onto the roof and look around. They search behind the air-conditioner unit, and all around a water tank, and under a tarp that conceals a pile of folding chairs. They peer over the cornices. There is no shattered portrait of Litvak drawn in oils on the surface of the parking lot. They go back down to the penthouse of the Blackpool.

In the middle of his cot lie Litvak’s pen and pad and an ill-used gunmetal Zippo. Landsman picks up the pad to read the last words that Litvak wrote before he laid it down.

I didnt kill her she was a good man

“They smuggled him out,” Bina says. “Those bastards. Those bastard U. S. Army Ranger friends of his.”

Bina calls to the men down around the hotel’s doors.

None of them saw anyone leave nor anything unusual, for example, a squad of coal-faced warriors on rappelling cables being lowered from a Black Hawk.

“Bastards,” she says again, in American this time, and with greater heat. “Fucking Bible-thumping Yankee motherfuckers.”

“Language, lady, jeez!”

“Yeah, whoa, take it easy, there, ma’am.”

Some Americans in suits, a number of them, too many and too bunched up for Landsman to count ac curately, call it six, have arranged their shoulders in the doorway to the outer room. Big men, well fed, loving their jobs. One wears a snappy olive-drab duster and an apologetic smile under his white-gold hair. Landsman almost doesn’t recognize him without the penguin sweater.