“Well?” Rogers asked.

“Well, what you’re going to do is wait for this man to make his mistake. He’s a clever man, so he won’t make it soon, and it won’t be a big one. It’ll be some little thing, and it may be years before he makes it. It may be fifteen years. He may die without making it. And all that time he’ll be on the spot. All that time he may be Lucas Martino — and if he is, this system’s never going to prove it.”

Rogers’ voice was soft. “Can you think of anything better? Anything at all?” It wasn’t Finchley’s fault they were in this mess. It wasn’t the ANG’s fault he’d had to be demoted. It wasn’t Martino’s fault this whole thing had started. It wasn’t Rogers’ fault — still, wasn’t it?, he thought — that Mr. Deptford had been demoted. They were caught up in a structure of circumstances that were each fitted to one another in an inevitable pattern, each so shaped and so placed that they fell naturally into a trackless maze, and there was nothing for anyone to do but follow along.

“No,” Finchley admitted, “I can’t see any way out of it.”

4

There was a ground fog at the airfield and Rogers stood outside alone, waiting for it to lift. He kept his back turned to the car parked ten feet away, beside the administration building, where the other man was sitting with Finchley. Rogers’ topcoat collar was turned up, and his hands were in his pockets. He was staring out at the dirty metal skin of the airplane waiting on the apron. He was thinking of how aircraft in flight flashed molten in the sky, dazzling as angels, and how on the ground their purity was marred by countless grease-rimmed rivet heads, by oil stains, by scuff marks where mechanics’ feet had slipped, and by droplets of water that dried away to each leave a speck of dirt behind.

He slipped two fingers inside his shirt, like a pickpocket, and pulled out a cigarette. Closing his thin lips around it, he stood bareheaded in the fog, his hair a corona of beaded moisture, and listened to the public address system announce that the fog was dissipating and passengers were requested to board their planes. He looked through the glass wall of the administration building into the passenger lounge and saw the people there getting to their feet, closing their coats, getting their tickets ready.

The man had to go out into the world sometime. This was an ordinary commercial civilian flight, and two hundred sixty-five people, not counting Rogers and Finchley, would be exposed to him at one blow.

Rogers hunched his shoulders, lit his cigarette, and wondered what would happen. The fog seemed to have worked its way into his nasal passages and settled at the back of his throat. He felt cold and depressed. The gate checker came out and took up his position, and people began filing out of the passenger lounge.

Rogers listened for the sound of the car door. When it didn’t come at once, he wondered if the man was going to wait until everyone was aboard, in hopes of being able to take the last seat and so, for a little time, avoid being noticed.

The man waited until the passengers were collected in the inevitable knot around the ticket checker. Then he got out of the car, waited for Finchley to slide out, and slammed the door like a gunshot.

Rogers jerked his head in that direction, realizing everyone else was, too.

For a moment, the man stood there holding his overnight bag in one gloved hand, his hat pulled down low over his obscene skull, his topcoat buttoned to the neck, his collar up. Then he set the bag down and pulled off his gloves, raising his face to look directly at the other passengers. Then he lifted his metal hand and yanked his hat off.

In the silence he walked forward quickly, hat and bag in his good hand, taking his ticket out of his breast pocket with the other. He stopped, bent, and picked up a woman’s handbag.

“I believe you dropped this?” he murmured.

The woman took her purse numbly. The man turned to Rogers and in a deliberately cheerful voice, said, “Well, time to be getting aboard, isn’t it?”

CHAPTER SIX

1

Young Lucas came to the city at a peculiar time.

The summer of 1966 was uncomfortable for New York. It was usually cooler than expected, and it often rained. The people who ordinarily spent their summer evenings in the parks, walking back and forth and then sitting down to watch other people walk past, felt disappointed in the year. The grumbling old men who sold ice cream sticks from three-wheeled carts rang their bells more vigorously than they would have liked. Fewer people came to the band concerts on the Mall in Central Park, and the music, instead of diffusing gently through heat-softened air, had a tinny ring to the practiced ear.

There were hot days here and there. There were weeks at a time when it seemed that the weather had settled down at last, and the city, like a machine late in shifting gears but shifting at last, would try to fall into its true summer rhythm. But then it would rain again. The rain glazed the sidewalks instead of soaking into them, and the leaves on the trees curled rather than opened. It would have been a perfectly good enough summer for Boston, but New York had to force itself a little. Everyone was just a fraction on edge, knowing how New York summers ought to be, knowing how you ought to feel in the summer, and knowing that this year just wasn’t making it.

Young Lucas Martino knew only that the city seemed to be a nervous, discontented place. His uncle, Lucas Maggiore, who was his mother’s older brother and who had been in the States since 1936, was glad enough to see and hire him, but he was growing old and he was moody. Espresso Maggiore, where young Lucas was to work from noon to three A.M. each day but Monday, grinding coffee, charging the noisy espresso machine, carrying armfuls of cups to the tables, had until recently been a simple neighborhood trattoria for the neighborhood Italians who didn’t care to patronize the rival Greek kaffeneikons.

But the tourist area of Greenwich Village had spread down to include the block where Lucas Maggiore had started his coffee house when he stopped wrestling sacks of roasted beans in a restaurant supply warehouse. So now there were murals on the walls, antique tables, music by Muzak, and a new electric cash register. Lucas Maggiore, a big, heavy, indrawn bachelor who had always managed to have enough money, now had more. He was able to pay his only nephew more than he deserved, and still had enough left to make him wonder if perhaps he shouldn’t live more freely than he had in the past. But he had an ingrained caution against flying too far in the face of temptation, and so he was moody. He felt a vague resentment against the coffee house, hired a manager, and stayed away most of the time. He began stopping more and more often by the Parks Department tables in Washington Square, where old men in black overcoats sat and played checkers with the concentration of chessmasters, and sometimes he was on the verge of asking to play.

When young Lucas came to New York, his uncle embraced him at Pennsylvania Station, patted him between the shoulder blades, and held him off by both arms to look at him:

“Ah! Lucas! Bello nipotinol E la Mama, il Papa — come lei portano?”

“They’re fine, Uncle Lucas. They send their love. I’m glad to see you.”

“So. All right — I like you, you like me — we’ll get along. Let’s go.” He took Lucas’ suitcase in one big hand and led the way to the subway station. “Mrs. Dormiglione — my landlady — she has a room for you. Cheap. It’s a good room. Nice place. Old lady Dormiglione, she’s not much for cleaning up. You’ll have to do that yourself. But that way, she won’t bother you much. You’re young, Lucas — you don’t want old people bothering you all the time. You want to be. with young people. You’re eighteen — you want a little life.” Lucas Maggiore inclined his head in the direction of a passing girl.