Besides, anything that encouraged Brica to learn better Latin must be a good thing.
It was more than three months after their arrival in Rome, as the leaves of summer had already begun to brown, that the mysterious package arrived for Regina. It was brought by a slim young girl with startling gray eyes, who would not leave her name.
The package contained a single brass token, which turned out to be for a seat in the amphitheater. There was no other label or note. Regina’s pulse hammered.
As she counted down the days before the show, her sleep was even more disturbed than usual.
On the appointed day, Regina set out early in the morning. As she walked through the dense streets, she felt as nervous as if she were seven years old again and approaching her mother’s bedroom, where Julia would be putting on her jewelry, and Carta would be fixing her hair.
And then she came upon the amphitheater itself. It was a tremendous wall of marble broken by four stories of colonnades, from which statues peered down at the thronging crowd. Her heart surged at its magnificence.
Her little token directed her to a numbered entrance. She had to walk a long way around the perimeter before she found the right one. Vendors worked the milling crowds, selling drinks, sweetmeats, hats, and favors for star performers. There were, she learned, a total of seventy-six entrances through which the crowd could be processed. There were also six unnumbered entrances, four for the Emperor’s party, and two for the use of the gladiators — one through which they would walk back to their barracks if they survived, and the other through which their corpses would be dragged out if not. But no gladiators fought to the death these days; the emperors had banned lethal contests some thirty years before, when a Christian martyr, righteously interposing himself between two warriors, had been killed by a mob eager for its ration of blood.
Her entrance was an arch with detailed stucco paintwork, though much of the paint had faded and cracked away. She passed through and found herself inside the hollowed-out belly of the great building, a maze in three dimensions of corridors and staircases up and down which people trooped — the big radial staircases were graphically called vomitoria. But Regina’s ticket kept her on the ground level, and led her along a short corridor, deeper into the guts of the complex.
She emerged into daylight, and a wash of color and noise.
She found herself in a small concrete box lined with wooden benches. There was nobody else here; she sat down tentatively, on the end of a bench. She was surprised to find herself here, for she knew that these boxes were reserved for the Emperor’s family, and for senators, magistrates, priests, and other notables.
She was in one of a series of boxes set just above the level of the wooden floor itself. Around her, the arena was a tremendous elliptical bowl. Behind her, rows of wooden seats rose up in four great terraces. The seats were quickly filling up, and the faces of the people receded to mere dots in the shadows of the upper tiers.
She saw workmen on the perimeter of the stadium’s huge open roof. They hauled huge sheets of cloth over a spiderweb of ropes suspended over the gaping roof itself: this awning would shelter the spectators from the sun. It was said that the workers were sailors from the docks, a thousand of them brought here for their skills in working rigging and sails.
And when she looked across the floor to the far side of the arena, the people in those distant seats merged into a sea of movement, color, and flesh, a mob ordered by the amphitheater’s vast geometry. In one glance she could take in twenty thousand people — perhaps four times the population of old Verulamium, as if whole cities had been picked up and shaken until their human inhabitants had tumbled out into this gigantic dish of marble and brick.
On the arena floor the spectacle had already started. To the blaring music of trumpets and an immense hydraulic organ, a parade of chariots raced around the floor, each bearing a gladiator dressed in a purple or gold cloak. They were chased by slaves carrying shields, helmets, and weapons. The crowd began to roar for their favorites. Though the arena was not yet full the noise was already powerful — exhilarating, terrifying — and the air was full of the scent of wood chips, blood, and sweat, making Regina shiver.
More performers appeared in the middle of the arena floor. They rose from trapdoors, but so cunning was the effect that it looked as if they had erupted from nowhere. They put on boxing matches, women fencers, and a series of clownish acts — like a race between two enormously fat slaves, driven by the spear tips of soldiers, which finished with both slaves left flat out and panting on the ground. The crowd appeared to enjoy it all.
Then the acrobats, jugglers, and clowns were cleared away, and a squadron of workers emerged to litter the arena floor with shrubbery and rocks. The traps sprung open again, and out poured a host of animals: leopards, bears, lions, giraffes, ostriches, even an elephant. These animals, startling and strange to Regina’s eyes, wandered aimlessly, suddenly thrust into this great bowl of noise and sunlight, clearly terrified. Even the great predator cats were unable to take advantage of the confusion and closeness of their prey. Warriors ran on armed with spears, swords, nets, and shields, and they began to goad the bewildered beasts.
As the creatures began to die the noise of the crowd rose to a crescendo.
“So I am in time for the animal show.” Regina could feel a warm breath on her cheek, smell a subtle scent of incense. The sudden voice, speaking a stilted Latin, was a woman’s, soft in Regina’s ear, with the husky growl of age. Regina couldn’t see the arena anymore. “Once, you know, these games had religious significance. They were called offerings. But now we live in coarsened times, and the games are merely spectacles to placate the crowds of Rome, whom even the emperors fear. That is why the morning show, which still delivers authentic deaths, even if only of animals and criminals, is so popular …”
She had planned for this moment, tried to anticipate it. But now that it was here she felt frozen solid, like one of the hapless statues on the arena walls.
She turned.
The woman beside her wore a simple white stola and a cloak of fine wool. She was upright, slim, gray- haired, her face still handsome despite the wrinkles at her eyes and mouth, and the tightening of her skin by years of Italian light. But the smoke-gray eyes were clear and unchanged, and, in her sixties, she was still beautiful.
“Mother.”
“Yes, child.”
They embraced. But it was almost formal. Her mother’s muscles were stiff, as stiff as her own. It was always going to be like this, Regina thought. For Julia to have survived in Rome she must have found a core of steel. It was a meeting of two strong women; it was not a gushing reunion.
Before them, disregarded, the professional beast slayers continued their taunting of the animals, whipping the beasts to a fury to satisfy the passions of the baying, jostling crowd.
They exchanged information. Facts, not feelings.
Julia seemed uninterested in Regina’s brief account of her life since the night her father had died. To Julia, it seemed, Britain was a cold and dismal place far away and best forgotten. Or perhaps there was some morsel of guilt, Regina thought, even now uncomfortably lodged in her heart, trivial but irritating, like a seed between her teeth.
Julia was scarcely more animated as she quietly told her own story. “I came to Rome to be with my sister. Your aunt—”