Turning to the Babel story, Dark then elaborated his plan and announced his vision of things to come. Quoting from the second verse of Genesis 11-"And it came to pass, as they journeyed from the east, that they found a plain in the land of Shinar; and they dwelt there"-Dark stated that this passage proved the westward movement of human life and civilization. For the city of Babel -or Babylon -was situated in Mesopotamia, far east of the land of the Hebrews. If Babel lay to the west of anything, it was Eden, the original site of mankind. Man's duty to scatter himself across the whole earth-in response to God's command to "be fertile… and fill the earth"-would inevitably move along a western course. And what more western land in all Christendom, Dark asked, than America? The movement of English settlers to the New World, therefore, could be read as the fulfillment of the ancient commandment. America was the last step in the process. Once the continent had been filled, the moment would be ripe for a change in the fortunes of mankind. The impediment to the building of Babel -that man must fill the earth-would he eliminated. At that moment it would again be possible for the whole earth to be of one language and one speech. And if that were to happen, paradise could not be far behind.

Just as Babel had been built 340 years after the Flood, so it would be, Dark predicted, exactly 340 years after the arrival of the Mayflower at Plymouth that the commandment would be carried out. For surely it was the Puritans, God's newly chosen people, who held the destiny of mankind in their hands. Unlike the Hebrews, who had failed God by refusing to accept his son, these transplanted Englishmen would write the final chapter of history before heaven and earth were joined at last. Like Noah in his ark, they had traveled across the vast oceanic flood to carry out their holy mission.

Three hundred and forty years, according to Dark's calculations, meant that in 1960 the first part of the settlers' work would have been done. At that point, the foundations would have been laid for the real work that was to follow: the building of the new Babel. Already, Dark wrote, he saw encouraging signs in the city of Boston, for there, as nowhere else in the world, the chief construction material was brick-which, as set forth in verse three of Genesis 11, was specified as the construction material of Babel. In the year 1960, he stated confidently, the new Babel would begin to go up, its very shape aspiring toward the heavens, a symbol of the resurrection of the human spirit. History would be written in reverse. What had fallen would be raised up; what had been broken would be made whole. Once completed, the Tower would be large enough to hold every inhabitant of the New World. There would be a room for each person, and once he entered that room, he would forget everything he knew. After forty days and forty nights, he would emerge a new man, speaking God's language, prepared to inhabit the second, everlasting paradise.

So ended Stillman's synopsis of Henry Dark's pamphlet, dated December 26, 1690, the, seventieth anniversary of the landing of the Mayflower.

Quinn let out a little sigh and closed the book. The reading room was empty. He leaned forward, put his head in his hands, and closed his eyes. "Nineteen sixty," he said aloud. He tried to conjure up an image of Henry Dark, but nothing came to him. In his mind he saw only fire, a blaze of burning books. Then, losing track of his thoughts and where they had been leading him, he suddenly remembered that 1960 was the year that Stillman had locked up his son.

He opened the red notebook and set it squarely on his lap. Just as he was about to write in it, however, he decided that he had had enough. He closed the red notebook, got up from his chair, and returned Stillman's book to the front desk. Lighting a cigarette at the bottom of the stairs, he left the library and walked out into the May afternoon.

7

HE made it to Grand Central well in advance. Stillman's train was not due to arrive until six-forty-one, but Quinn wanted time to study the geography of the place, to make sure that Stillman would not be able to slip away from him. As he emerged from the subway and entered the great hall, he saw by the clock that it was just past four. Already the station had begun to fill with the rush-hour crowd. Making his way through the press of oncoming bodies, Quinn made a tour of the numbered gates, looking for hidden staircases, unmarked exits, dark alcoves. He concluded that a man determined to disappear could do so without much trouble. He would have to hope that Stillman had not been warned that he would be there. If that were the case, and Stillman managed to elude him, it would mean that Virginia Stillman was responsible. There was no one else. It solaced him to know that he had an alternate plan if things went awry. If Stillman did not show up, Quinn would go straight to 69th Street and confront Virginia Stillman with what he knew.

As he wandered through the station, he reminded himself of who he was supposed to be. The effect of being Paul Auster, he had begun to learn, was not altogether unpleasant. Although he still had the same body, the same mind, the same thoughts, he felt as though he had somehow been taken out of himself, as if he no longer had to walk around with the burden of his own consciousness. By a simple trick of the intelligence, a deft little twist of naming, he felt incomparably lighter and freer. At the same time, he knew it was all an illusion. But there was a certain comfort in that. He had not really lost himself, he was merely pretending, and he could return to being Quinn whenever he wished The fact that there was now a purpose to his being Paul Auster-a purpose that was becoming more and more important to him-served as a kind of moral justification for the charade and absolved him of having to defend his lie. For imagining himself as Auster had become synonymous in his mind with doing good in the world.

He wandered through the station, then, as if inside the body of Paul Auster, waiting for Stillman to appear. He looked up at the vaulted ceiling of the great hall and studied the fresco of constellations. There were light bulbs representing the stars and line drawings of the celestial figures. Quinn had never been able to grasp the connection between the constellations and their names. As a boy he had spent many hours under the night sky trying to tally the clusters- of pinprick lights with the shapes of bears, bulls, archers, and water carriers. But nothing had ever come of it, and he had felt stupid, as though there were a blind spot in the center of his brain. He wondered if the young Auster had been any better at it than he was.

Across, the way, occupying the greater part of the station's east wall, was the Kodak display photograph, with its bright, unearthly colors. The scene that month showed a street in some New England fishing village, perhaps Nantucket… A beautiful spring light shone on the cobblestones, flowers of many colors stood in window boxes along the house fronts, and far down at the end of the street was the ocean, with its white waves and blue, blue water. Quinn remembered visiting Nantucket with his wife long ago, in her first month of pregnancy, when his son was no more than a tiny almond in her belly. He found it painful to think of that now, and he tried to suppress the pictures that were forming in his head. "Look at it through Auster's eyes," he said to himself, "and don't think of anything else." He turned his attention to the photograph again and was relieved to find his thoughts wandering to the subject of whales, to the expeditions that had set out from Nantucket in the last century, to Melville and the opening pages of Moby Dick. From there his mind drifted off to the accounts he had read of Melville's last years-the taciturn old man working in the New York customs house, with no readers, forgotten by everyone. Then, suddenly, with great clarity and precision, he saw Bartleby's window and the blank brick wall before him.