During the brief periods when Eugenia seemed relieved of her confusion, everyone in the big house drew breaths of relief, and even the slaves in the cane fields, who caught a faraway glimpse of her only when, swathed in her mosquito veiling, she came out to take the air, could feel the improvement. "Am I still pretty?" she asked Tete, patting her body, which had lost any trace of voluptuousness. "Yes, very pretty," the girl assured her, but she prevented her from looking in the Venetian mirror in the salon before she bathed her, washed her hair, dressed her in one of her fine, though outmoded, gowns, and rubbed carmine on her cheeks and charcoal on her eyelids. "Close all the house shutters and burn tobacco leaves to kill the insects, I am going to dine with my husband," Eugenia ordered, unusually animated. Thus attired, hesitant, her eyes haunted and hands trembling from opium, she appeared in the dining hall, where she had not set foot in weeks. Valmorain welcomed her with a blend of surprise and suspicion, for he never knew how those sporadic reconciliations would end. After so much marital unhappiness he had opted to ignore her, as if that trapped phantom had no relation to him, but when Eugenia appeared in the flattering light of the candelabra, dressed for a party, his illusions returned for a few moments. He no longer loved Eugenia, but she was his wife and they would be together till death. A few sparks of normality tended to lead them to the bed, where he attacked without preamble, with the urgency of a sailor. Those embraces did not unite them, nor did they lead Eugenia back to the terrain of reason, but at times they did result in another pregnancy, and so the cycle of hope and frustration would be repeated. In June of that year she learned that she was pregnant again, but no one, she least of all, was moved to celebrate the news. By coincidence there was a kalenda the same night that Tante Rose confirmed her state, and Eugenia believed that the drums were announcing the gestation of a monster. The creature in her womb was cursed by voodoo, it was a child zombie, a living dead. There was no way to calm her, and her hallucination came to be so vivid that she infected Tete. "And what if it's true?" the girl asked Tante Rose, trembling. The healer assured her that no one had ever engendered a zombie, they had to be created from a fresh cadaver, not at all an easy procedure, and she suggested having a ceremony to cure the imagined sickness her mistress was suffering. They waited till Valmorain was away, and Tante Rose performed a rite she told Eugenia would reverse the supposed black magic of the drums, complex rituals and incantations destined to transform the tiny zombie into a normal baby. "How will we know whether this has had an effect?" Eugenia asked at the end. Tante Rose gave her a tisane to drink, a nauseating infusion, and told her that if her urine turned blue, everything had come out well. The next day Tete took away a chamber pot that held a blue liquid, but that only half calmed Eugenia, who suspected they had put something in the pot. Dr. Parmentier, to whom they had not told a word of Tante Rose's intervention, ordered them to keep Eugenia Valmorain in a constant half-sleep until she delivered the baby. By then he had lost any hope of making her well; he believed that the atmosphere of the island was gradually killing her.

Ceremony Officiant

The drastic measure of keeping Eugenia sedated had a better result than Parmentier himself had hoped. During the following months, her belly swelled normally as she passed her days lying beneath mosquito netting on a divan on the gallery, sleeping or distracted by the passing clouds, completely disconnected from the miracle occurring inside her. "If she was always this tranquil, it would be perfect," Tete heard her master say. Eugenia was fed sugar and a concentrated soup of chicken and vegetables that had been ground in a mortar, a soup invented by the cook, Tante Mathilde, capable of reviving a dead-for-three-days corpse. Tete carried out her tasks in the house and then sat in the gallery to sew the baby's layette and sing in her deep voice the religious hymns Eugenia loved. Sometimes when they were alone, Prosper Cambray would come to visit, using the pretext of asking for a glass of lemonade, which he drank with astonishing slowness, sitting with a leg over the railing and striking his boots with his rolled up whip. The overseer's always red-rimmed eyes would run up and down Tete's body.

"Are you calculating her price, Cambray? She isn't for sale," Toulouse Valmorain said one afternoon when he surprised his overseer by suddenly appearing on the gallery.

"What did you say, monsieur?" the mulatto answered in a defiant tone, not changing his position.

Valmorain motioned to him, and the head overseer unwillingly followed him to the office. Tete did not know what they talked about; her master told her only that he did not want anyone wandering through the house without his authorization, not even the overseer. Cambray's insolence did not change after that run-in with his employer, and his only precaution before coming to the gallery to ask for a drink and unclothe Tete with his eyes was to make sure Valmorain wasn't nearby. He had lost respect for him some time ago, but he didn't dare push too hard because he was still nursing the ambition to become manager.

When December arrived, Valmorain summoned Dr. Parmentier to stay at the plantation for as long as necessary, until Eugenia gave birth; he did not want to leave the matter in Tante Rose's hands. "She knows more about these things than I do," the physician argued, but he accepted the invitation because it would give him time to rest, read, and annotate the healer's new remedies for his book. Tante Rose was often consulted by people from other plantations, and she treated both slaves and animals, fighting infections, stitching wounds, relieving fevers and injuries, helping at births, and trying to save the lives of punished blacks. She was permitted to travel over large areas while searching for her plants, and she was often taken to buy ingredients in Le Cap, where she was left with money, then picked up in a couple of days to return to the plantation. She was the mambo, officiating at the kalendas attended by Negroes from other plantations, something Valmorain did not object to even though his head overseer had warned him they ended in sexual orgies or with dozens of possessed writhing on the ground with their eyes rolled back in their heads. "Do not be so strict, Cambray. Let them unwind, it makes them more docile at work," the master had replied with good humor. Tante Rose would disappear for days, and when the head overseer was proclaiming that the woman had run away to the Maroons, or crossed the river into Spanish territory, she would return, limping, exhausted, with her herbal pouch filled. Tante Rose and Tete escaped Cambray's authority because he believed that the healer would turn him into a zombie, and Tete was the personal slave of the mistress, indispensable in the big house. "No one watches you, marraine," Tete commented one day. "Why don't you run away?" "How would I run with my bad leg? And what would become of the people who need my care? Besides, it doesn't mean anything for me to be free and everyone else slaves," the healer answered. Tete hadn't thought of that, and it kept buzzing around her brain like a bottlefly. She talked about it with her godmother many times, but she was never able to accept the idea that her freedom was irreparably bound to that of the other slaves. If she could escape she would do it without a thought for those left behind, she was sure of that. After her searches, Tante Rose would call her to her cabin, and they would close the door and make the remedies that required precise preparation, proper rituals, and nature's fresh greenery. Witchcraft, Cambray said, that's what those two women are up to; nothing he couldn't resolve with a good lashing. But he didn't dare touch them.