Occula had told her that sometimes a girl would elect to play Shakkarn masked and horned, and thus disguised as the god would appear in full light as plainly as in the part of Lespa. Yet this was not the true style of the sen-guela, the tonda and the other great traditional dances. "So often, banzi, a pretty girl wants to show off as Lespa, but she only wants to dress up as Shakkarn. That's not real senguela! You've got to be Shakkarn-make them believe you're another person-well, almost." And had

not Maia seen Occula herself perform just such a feat on the night when Ka-Roton had taken phantom knife and stabbed himself?

Here came Shakkam; barely to be seen, a shadow among dark trees; half-brute, peering from side to side, pausing to sniff the air, plunging into the stream and shaking the water from his back as he lurched himself up and out; Shakkam grinning and licking his lips like a hound, pausing to rub himself against the stump of a tree. Then, almost as soon as glimpsed, he had vanished again into the blackness; but it was enough. A noise of running, and on the flutes startled birds flew up in the distance. Something umbral was slinking away, disappearing between the tree-trunks; reemerging for a moment to peer out, round-eyed, slobbering with excitement, kindled by what he had caught sight of in the glade below. Then once again, swift as a lizard, he was gone.

Maia, racing silently round the darkened edge of the hall, reached the opposite side quickly enough to create the effect of surprise she wanted. Hardly, it seemed, had the wanton god been lost to sight in the forest than here came pretty Lespa, gathering sticks, getting together a good, stout faggot to carry home; pausing to listen to the song of a greenbreast from the outskirts of the wood. Still going about her work, she came upon the pool; brown and clear, not too deep and not too cold, for she dabbled one foot in it to try.

As the hinnaris rippled about her in liquid cascades of descending quarter-tones Maia, with a single, swift movement, loosed the halter of the cherry-colored robe, let it fall to her ankles and stepped naked into the pool, giving a quick shudder and clutching her arms about her as she felt the first chill. She was still standing on the floor of the hall, yet now the water was nearly up to her shoulders and her feet were groping on the stones as she waded slowly forward. Cupping her hands, she splashed water into her face, laughed and tossed back her wet hair. She, at all events, knew where she was now; under the falls on the edge of Lake Serrelind.

For a little she made all she could of this most beguiling of scenes, bringing to it every scrap of invention at her command. She had been naked often enough for Sencho. She had been naked for Kembri, for Elvair-ka-Virrion, for Eud-Ecachlon, for Randronoth of Lapan; but never before

for the delectation of eighty men and women at once. Under the bravado which she had assumed to Fordil and his drummers she had been very nervous, but had thrust the fear away by telling herself (as might a soldier) that it had simply got to be done and that was all there was to it. Now that it was here, however, she was delighting in it. Intermittently, glancing up through the splashed water and her own wet hair, she glimpsed, on the edge of the surrounding lamplight, the fascinated eyes of watchers, and felt her power over them. "I am Lespa," she thought. "I am Lespa of the inmost heart." Her nakedness was no mere matter of tantalizing young men like Shend-Lador. It was the revelation of womanhood by the goddess. Not to be naked now would have been irreverent and impious.

Ah, but it was heady stuff, this! And here she might have remained, displaying herself in the pool, and well content would they have been to watch on, even until she had dishonored the goddess with her selfish vanity. Some girls did, and so she had been warned. But against this the good Fordil stood her friend. Oh, but one moment, Fordil! Just one more plunge, turning on my back and sliding upward to the bank! I do it so well! But no-she must obey him, must obey the goddess, obey the story and the music. For here, broken loose, straying aimlessly one might suppose, never a care, no harm in the world, down through the wood and grazing as he wandered, came the goat Shak-karn. Oh, but such a goat, the music said, such a goat as no lout of a farmer ever held on a chain; milk-white, silky-coated, his great, curving horns like the frame of a lyre, his hooves shining smooth as bronze. From the pool Lespa stared in wonder, her eyes following the goat rambling here and there as he cropped the green leaves. Then, as he hesitantly, almost timidly, approached to drink, she rested her two hands on the bank, drew herself out of the water and sat close by him in the sunshine.

Everyone in the hall could see the magnificent creature-not merely because his likeness was carved on the walls of temples all over the empire, not only because he lay in their minds and their dreams as surely as doomsday or the flood, but above all because he was real to the girl sitting beside him, her body seeming to glisten with water-drops as she gently stretched out one hand to touch him, to stroke his back as he stood docile on the margin of the

pool. She put her arms round his neck and rubbed her cheek against his ear.

Then followed the slow dawning in Lespa's mind that this paragon of beasts was indeed male: and that she herself-ah! Round-eyed, open-mouthed, she sprang up, fleeing a little way in hot shame: yet still her companion made no move and showed no impatience as the inmost secret stirred in her, revealing to her that she herself, she too-And here Maia stood for long moments down-glancing, trembling, bewildered. At last a little smile came to her lips and she took one single tentative step to return to him whom she herself had summoned unaware.

The mounting excitement as Lespa, of her own accord, began their love-play was conveyed by Maia, as Occula had taught her, shamelessly, in the sense that shame had been discarded, a thing of no meaning to the consort of a god (" 'cos you can be sure of one thing, banzi-whatever goddesses have, jfs not shame: else they'd be liars"). As at length he seemed to draw back, tantalized beyond endurance by the touch of her hands, only next moment to press himself yet more eagerly upon her; and as she rose, laughing, inviting him to go with her into the recesses of the wood, more than one couple followed her example and slipped away out of the hall on their own business.

And now Maia, once again out of sight in the darkness, found herself faced with a dilemma, unforeseen in her agitation at being so suddenly called upon to dance. Now she had to become the prying old woman-and here she was, naked and costumeless, without even a dresser to help her. Fordil himself had not anticipated or remembered this. Whatever was she to do? At all costs things must not go wrong now! In desperation she beat her fist on the wall; and as she did so felt the smooth texture of one of Sarget's panels of green cloth.

The panels, side by side and slightly overlapping, had been hung one above another in two rows. Each woven piece measured about seven or eight feet square, with loops at the upper corners by which it was hung on nails driven between the stones. Standing on tiptoe, she lifted down a square of fabric, wrapped herself in it from head to foot and drew up one corner as a hood. Then, as the zhuas began the comic, shuffling rhythm of the old woman's gait-boom da-da-da, boom da-da-da-she came hobbling once more into the light.

The peering, prurient curiosity of the old woman, her outrage at what she saw, her envious disgust, her hurry-scurry back to the village, her jabbering to her cronies and their setting forth in a body to put paid to the shameless hussy up in the wood-these things Maia rattled through, playing them very broadly, Meerzat festival-fashion, a peasant making fun of peasants. Perhaps, indeed, she overdid it a little, for the old woman in her haste need not really have trodden in a cow-pat and gone hopping about; but it got a laugh. Off they all hurried to the forest, and in the emptiness left behind, the two hinnaris began the reppa-the universally-known song of Shakkarn, hymn of Lespa's humility and acceptance of the inmost longing revealed. The audience began a low clapping to the rocking, thrusting rhythm-for it was impossible not to reciprocate-and all eyes were turned once more towards the dim glade whither Lespa had stolen away with her divine companion.