It was a perfectly ordinary brown mouse, except for the way it seemed to be checking into the cells. It even went into one or two of them, skipping nimbly in between the lower bars in a way I imagine many of our inmates, past and present, would envy. Except it was out that the cons would always be wanting to skip, of course.

The mouse didn't go into either of the occupied cells; only the empties. And finally it had worked its way almost up to where we were. I kept expecting it to turn back, but it didn't. It showed no fear of us at all.

'It ain't normal for a mouse to come up on people that way,' Dean said, a little nervously. 'Maybe it's rabid.'

'Oh, my Christ,' Brutal said through a mouthful of corned-beef sandwich. 'The big mouse expert. The Mouse Man. You see it foamin at the mouth, Mouse Man?'

'I can't see its mouth at all,' Dean said, and that made us all laugh again. I couldn't see its mouth, either, but I could see the dark little drops that were its eyes, and they didn't look crazy or rabid to me. They looked interested and intelligent. I've put men to death—men with supposedly immortal souls—that looked dumber than that mouse.

It scurried up the Green Mile to a spot that was less than three feet from the duty desk... which wasn't something fancy, like you might be imagining, but only the sort of desk the teachers used to sit behind up at the district high school. And there it did stop, curling its tail around its paws as prim as an old lady settling her skirts.

I stopped laughing all at once, suddenly feeling cold through my flesh all the way to the bones. I want to say I don't know why I felt that way—no one likes to come out with something that's going to make them look or sound ridiculous—but of course I do, and if I can tell the truth about the rest, I guess I can tell the truth about this. For a moment I imagined myself to be that mouse, not a guard at all but just another convicted criminal there on the Green Mile, convicted and condemned but still managing to look bravely up at a desk that must have seemed miles high to it (as the judgment seat of God will no doubt someday seem to us), and at the heavy-voiced, blue-coated giants who sat behind it. Giants that shot its kind with BB guns, or swatted them with brooms, or set traps on them, traps that broke their backs while they crept cautiously over the word VICTOR to nibble at the cheese on the little copper plate.

There was no broom by the duty desk, but there was a rolling mop-bucket with the mop still in the wringer; I'd taken my turn at swabbing the green lino and all six of the cells shortly before sitting down to the record-box with Dean. I saw that Dean meant to grab the mop and take a swing with it. I touched his wrist just as his fingers touched the slender wooden handle. 'Leave it be,' I said.

He shrugged and drew his hand back. I had a feeling he didn't want to swat it any more than I did.

Brutal tore a corner off his corned-beef sandwich and held it out over the front of the desk, tweezed delicately between two fingers. The mouse seemed to look up with an even livelier interest, as if it knew exactly what it was. Probably did; I could see its whiskers twitch as its nose wriggled.

'Aw, Brutal, no!' Dean exclaimed, then looked at me. 'Don't let him do that, Paul! If he's gonna feed the damn thing, we might as well put out the welcome mat for anything on four legs.'

'I just want to see what he'll do,' Brutal said. 'In the interests of science, like.' He looked at me—I was the boss, even in such minor detours from routine as this. I thought about it and shrugged like it didn't matter much, one way or another. The truth was, I kind of wanted to see what he'd do, too.

Well, he ate it—of course. There was a Depression on, after all. But the way he ate it fascinated us all. He approached the fragment of sandwich, sniffed his way around it, and then he sat up in front of it like a dog doing a trick, grabbed it, and pulled the bread apart to get at the meat. He did it as deliberately and knowingly as a man tucking into a good roast-beef dinner in his favorite restaurant. I never saw an animal eat like that, not even a well-trained house dog. And all the while he was eating, his eyes never left us.

'Either one smart mouse or hungry as hell,' a new voice said. It was Bitterbuck. He had awakened and now stood at the bars of his cell, naked except for a pair of saggy-seated boxer shorts. A home-rolled cigarette poked out from between the second and third knuckles of his right hand, and his iron-gray hair lay over his shoulders—once probably muscular but now beginning to soften—in a pair of braids.

'You got any Injun wisdom about micies, Chief?' Brutal asked, watching the mouse eat. We were all pretty fetched by the neat way it held the bit of corned beef in its forepaws, occasionally turning it or glancing at it, as if in admiration and appreciation.

'Naw,' Bitterbuck said. 'Knowed a brave once had a pair of what he claimed were mouse-skin gloves, but I didn't believe it!' Then he laughed, as if the whole thing was a joke, and left the bars. We heard the bunk creak as he lay down again.

That seemed to be the mouse's signal to go. It finished up what it was holding, sniffed at what was left (mostly bread with yellow mustard soaking into it), and then looked back at us, as if it wanted to remember our faces if we met again. Then it turned and scurried off the way it had come, not pausing to do any cell-checks this time. Its hurry made me think of the White Rabbit in Alice's Adventures in Wonderland, and I smiled. It didn't pause at the door to the restraint room, but disappeared beneath it. The restraint room had soft walls, for people whose brains had softened a little. We kept cleaning equipment stored in there when we didn't need the room for its created purpose, and a few books (most were westerns by Clarence Mulford, but one—loaned out only on special occasions—featured a profusely illustrated tale in which Popeye, Bluto, and even Wimpy the hamburger fiend took turns shtupping Olive Oyl). There were craft items as well, including the crayons Delacroix later put to some good use. Not that he was our problem yet; this was earlier, remember. Also in the restraint room was the jacket no one wanted to wear—white, made of double-sewn canvas, and with the buttons and snaps and buckles going up the back. We all knew how to zip a problem child into that jacket lickety-larrup. They didn't get violent often, our lost boys, but when they did, brother, you didn't wait around for the situation to improve on its own.

Brutal reached into the desk drawer above the kneehole and brought out the big leather-bound book with the word VISITORS stamped on the front in gold leaf. Ordinarily, that book stayed in the drawer from one month to the next. When a prisoner had visitors—unless it was a lawyer or a minister—he went over to the room off the messhall that was kept special for that purpose. The Arcade, we called it. I don't know why.

'Just what in the Gorry do you think you're doing?' Dean Stanton asked, peering over the tops of his spectacles as Brutal opened the book and paged grandly past years of visitors to men now dead.

'Obeyin Regulation 19,' Brutal said, finding the current page. He took the pencil and licked the tip—a disagreeable habit of which he could not be broken—and prepared to write. Regulation 19 stated simply: 'Each visitor to E Block shall show a yellow Administration pass and shall be recorded without fail'

'He's gone nuts,' Dean said to me.

'He didn't show us his pass, but I'm gonna let it go this time,' Brutal said. He gave the tip of his pencil an extra lick for good luck, then filled in 9:49 p.m. under the column headed TIME ON BLOCK.

'Sure, why not, the big bosses probably make exceptions for mice,' I said.

'Course they do,' Brutal agreed. 'Lack of pockets.' He turned to look at the wall-clock behind the desk, then printed 10:01 in the column headed TIME OFF BLOCK. The longer space between these two numbers was headed NAME OF VISITOR. After a moment's hard thought—probably to muster his limited spelling skills, as I'm sure the idea was in his head already—Brutus Howell carefully wrote STEAMBOAT WILLY, which was what most people called Mickey Mouse back in those days. It was because of that first talkie cartoon, where he rolled his eyes and bumped his hips around and pulled the whistle cord in the pilothouse of the steamboat.