"The countryside is a good example. It happens to be a digital map of France. Where did this map come from? Did the makers of First Class to Geneva send out their own team of surveyors to make a new map of France? No, of course they didn't. They used existing data-a digital map of the world that is available to any maker of ractives who needs it, for a price of course. That digital map is a separate object. It resides in the memory of a computer somewhere. Where exactly? I don't know. Neither does the ractive itself. Itdoesn't matter. The data might be in California, it might be in Paris, it might be down at the corner-or it might be distributed among all of those places and many more. It doesn't matter. Because our media system no longer works like the old system– dedicated wires passing through a central switchboard. It works like that." Carl pointed to the traffic on the street again.
"So each person on the street is like an object?"
"Possibly. But a better analogy is that the objects are people like us, sitting in various buildings that front on the street. Suppose that we want to send a message to someone over in Pudong. We write the message down on a piece of paper, and we go to the door and hand it to the first person who goes by and say, 'Take this to Mr. Gu in Pudong.' And he skates down the street for a while and runs into someone on a bicycle who looks like he might be headed for Pudong, and says, 'Take this to Mr. Gu.' A minute later, that person gets stuck in traffic and hands it off to a pedestrian who can negotiate the snarl a little better, and so on and so on, until eventually it reaches Mr. Gu. When Mr. Gu wants to respond, he sends us a message in the same way."
"So there's no way to trace the path taken by a message."
"Right. And the real situation is even more complicated. The media net was designed from the ground up to provide privacy and security, so that people could use it to transfer money. That's one reason the nationstates collapsed-as soon as the media grid was up and running, financial transactions could no longer be monitored by governments, and the tax collection systems got fubared. So if the old IRS, for example, wasn't able to trace these messages, then there's no way that you'll be able to track down Princess Nell."
"Okay, I guess that answers my question," Miranda said.
"Good!" Carl said brightly. He was obviously pleased that he'd been able to help Miranda, and so she didn't tell him how his words had really made her feel. She treated it as an acting challenge: Could she fool Carl Hollywood, who was sharper about acting than just about anyone, into thinking that she was fine?
Apparently she did. He escorted her back to her flat, in a hundred story high-rise just across the river in Pudong, and she held it together long enough to bid him good-bye, get out of her clothes, and run a bath. Then she climbed into the hot water and dissolved in awful, wretched, blubbery, self-pitying tears.
Eventually she got it under control. She had to keep this in perspective. She could still interact with Nell and still did, every day. And if she paid attention, sooner or later she would find some way to penetrate the curtain. Barring that, she was beginning to understand that Nell, whoever she was, had been marked out in some way, and that in time she would become a very important person. Within a few years, Miranda expected to be reading about her in the newspaper. Feeling better, she got out of the bath and climbed into bed, getting a good night's sleep so she'd be ready for her next day of taking care of Nell.
General description of life with the Constable;
his avocations and other peculiarities;
a disturbing sight;
Nell learns about his past;
a conversation over dinner.
The garden house had two rooms, one for sleeping and one for playing. The playing room had a set of double doors, made of many small windows, that opened onto Constable Moore's garden. Nell had been told to be careful with the little windows, because they were made of real glass. The glass was bubbly and uneven, like the surface of a pot of water just before it breaks into a boil, and Nell liked to look at things through it because, even though she knew it was not as strong as a common window, it made her feel safer, as though she were hiding behind something.
The garden itself was forever trying to draw the little house into it; many vast-growing vines of ivy, wisteria, and briar rose were deeply engaged in the important project of climbing the walls, using the turtleshell-colored copper drainpipes, and the rough surfaces of the brick and mortar, as fingerholds. The slate roof of the cottage was phosphorescent with moss. From time to time, Constable Moore would charge into the breach with a pair of trimmers and cut away some of the vines that so prettily framed the view through Nell's glass doors, lest they imprison her.
During Nell's second year living in the cottage, she asked the Constable if she might have a bit of garden space of her own, and after an early phase of profound shock and misgivings, the Constable eventually pulled up a few flagstones, exposing a small plot, and caused one of the Dovetail artisans to manufacture some copper window boxes and attach them to the cottage walls. In the plot, Nell planted some carrots, thinking about her friend Peter who had vanished so long ago, and in the window boxes she planted some geraniums. The Primer taught her how to do it and also reminded her to dig up a carrot sprout every few days and examine it so that she could learn how they grew. Nell learned that if she held the Primer above the carrot and stared at a certain page, it would turn into a magic illustration that would grow larger and larger until she could see the tiny little fibers that grew out of the roots, and the one-celled organisms clinging to the fibers, and the mitochondria inside them. The same trick worked on anything, and she spent many days examining flies' eyes, bread mold, and blood cells that she got out of her own body by pricking her finger. She could also go up on hilltops during cold clear nights and use the Primer to see the rings of Saturn and the moons of Jupiter.
Constable Moore continued to work his daily shift at the gatehouse. When he came home in the evening, he and Nell would often dine together inside his house. At first they got food straight from the M.C., or else the Constable would fry up something simple, like sausage and eggs. During this period, Princess Nell and the other characters in the Primer found themselves eating a lot of sausage and eggs too, until Duck lodged a protest and taught the Princess how to cook healthier food. Nell then got in the habit of cooking a healthy meal with salad and vegetables, several afternoons a week after she got home from school. There was some grumbling from the Constable, but he always cleaned up his plate and sometimes washed the dishes.
The Constable spent a lot of time reading books. Nell was welcome to be in his house when he was doing this, as long as she was quiet. Frequently he would shoo her out, and then he would get in touch with some old friend of his over the big mediatron on the wall of his library. Usually Nell would just go back to her little cottage during these times, but sometimes, especially if the moon was full, she would wander around in the garden. This seemed larger than it really was by virtue of being divided into many small compartments. On late full-moon nights, her favorite place was a grove of tall green bamboo with some pretty rocks strewn around. She would sit with her back against a rock, read her Primer, and occasionally hear sound emanating from the inside of Constable Moore's house as he talked on the mediatron: mostly deep bellowing laughter and explosions of good-natured profanity. For quite some time she assumed that it was not the Constable who was making these sounds, but rather whomever he was talking to; because in her presence the Constable was always very polite and reserved, albeit somewhat eccentric. But one night she heard loud moaning noises coming from his house, and crept down out of the bamboo grove to see what was happening.