This is how Fat Charlie’s father died.

He had arrived in the bar early, and had launched the karaoke evening by singing “What’s New Pussycat?” which song he had belted out, according to Mrs. Higgler, who had not been there, in a manner that would have caused Tom Jones to be festooned in flung feminine undergarments, and which brought Fat Charlie’s father a complimentary beer, courtesy of the several blonde tourists from Michigan who thought he was just about the cutest thing they’d ever seen.

“It was their fault,” said Mrs. Higgler, bitterly, over the phone. “They was encouragin’ him!” They were women who had squeezed into tube tops, and they had reddish too-much-sun-too-early tans, and they were all young enough to be his daughters.

So pretty soon he’s down at their table, smoking his cheroots and hinting strongly that he was in Army Intelligence during the war, although he was careful not to say which war, and that he could kill a man in a dozen different ways with his bare hands without breaking a sweat.

Now he takes the bustiest and blondest of the tourists on a quick spin around the dance floor, such as it was, while one of her friends warbled “Strangers in the Night” from the stage. He appeared to be having a fine time, although the tourist was somewhat taller than he was, and his grin was on a level with her bosom.

And then, the dance done, he announced it was his turn again, and, because if there was one thing you could say about Fat Charlie’s father it was that he was secure in his heterosexuality, he sang “I Am What I Am” to the room, but particularly to the blondest tourist on the table just below him. He gave it everything he had. He had just got as far as explaining to anyone listening that as far as he was concerned his life would not actually be worth a damn unless he was able to tell everybody that he was what he was, when he made an odd face, pressed one hand to his chest, stretched the other hand out, and toppled, as slowly and as gracefully as a man could topple, off the makeshift stage and onto the blondest holidaymaker, and from her onto the floor.

“It was how he always would have wanted to go,” sighed Mrs. Higgler.

And then she told Fat Charlie how his father had, with his final gesture, as he fell, reached out and grasped at something, which turned out to be the blonde tourist’s tube top, so that at first some people thought he had made a lust-driven leap from the stage with the sole purpose of exposing the bosom in question, because there she was, screaming, with her breasts staring at the room, while the music for “I Am What I Am” kept playing, only now without anyone singing.

When the onlookers realized what had actually happened they had two minutes’ silence, and Fat Charlie’s father was carried out and put into an ambulance while the blonde tourist had hysterics in the ladies’ room.

It was the breasts that Fat Charlie couldn’t get out of his head. In his mind’s eye they followed him accusatively around the room, like the eyes in a painting. He kept wanting to apologize to a roomful of people he had never met. And the knowledge that his father would have found it hugely amusing simply added to Fat Charlie’s mortification. It’s worse when you’re embarrassed about something you were not even there to see: your mind keeps embroidering the events and going back to it and turning it over and over, and examining it from every side. Well, yours might not, but Fat Charlie’s certainly did.

As a rule, Fat Charlie felt embarrassment in his teeth, and in the upper pit of his stomach. If something that even looked like it might be embarrassing was about to happen on his television screen Fat Charlie would leap up and turn it off. If that was not possible, say if other people were present, he would leave the room on some pretext and wait until the moment of embarrassment was sure to be over.

Fat Charlie lived in South London. He had arrived, at the age of ten, with an American accent, which he had been relentlessly teased about, and had worked very hard to lose, finally extirpating the last of the soft consonants and rich Rs while learning the correct use and placement of the word innit. He had finally succeeded in losing his American accent for good as he had turned sixteen, just as his schoolfriends discovered that they needed very badly to sound like they came from the ‘hood. Soon all of them except Fat Charlie sounded like people who wanted to sound like Fat Charlie had talked when he’d come to England in the first place, except that he could never have used language like that in public without his mum giving him a swift clout round the ear.

It was all in the voice.

Once the embarrassment over his father’s method of passing began to fade, Fat Charlie just felt empty.

“I don’t have any family,” he said to Rosie, almost petulantly.

“You’ve got me,” she said. That made Fat Charlie smile. “And you’ve got my mum,” she added, which stopped the smile in its tracks. She kissed him on the cheek.

“You could stay over for the night,” he suggested. “Comfort me, all that.”

“I could,” she agreed, “but I’m not going to.”

Rosie was not going to sleep with Fat Charlie until they were married. She said it was her decision, and she had made it when she was fifteen; not that she had known Fat Charlie then, but she had decided. So she gave him another hug, a long one. And she said, “You need to make your peace with your dad, you know.” And then she went home.

He spent a restless night, sleeping sometimes, then waking, and wondering, and falling back asleep again.

He was up at sunrise. When people got in to work he would ring his travel agent and ask about bereavement fares to Florida, and he would phone the Grahame Coats Agency and tell them that, due to a death in the family, he would have to take a few days off and yes, he knew it came out of his sick leave or his holiday time. But for now he was glad that the world was quiet.

He went along the corridor to the tiny spare room at the back of the house and looked down into the gardens below. The dawn chorus had begun, and he could see blackbirds, and small hedge-hopping sparrows, a single spotted-breasted thrush in the boughs of a nearby tree. Fat Charlie thought that a world in which birds sang in the morning was a normal world, a sensible world, a world he didn’t mind being a part of.

Later, when birds were something to be afraid of, Fat Charlie would still remember that morning as something good and something fine, but also as the place where it all started. Before the madness; before the fear.

Fat Charlie puffed his way through the Memorial Garden of Rest, squinting at the Florida sunshine. Sweat stains were spreading across his suit, beginning with the armpits and the chest. Sweat began to pour down his face as he ran.

The Memorial Garden of Rest did, in fact, look very much like a garden, but a very odd garden, in which all the flowers were artificial, and they grew from metal vases protruding from metal plaques set in the ground. Fat Charlie ran past a sign: “FREE Burial Space for all Honorably Discharged Veterans!” it said. He ran through Babyland, where multicolored windmills and sodden blue and pink teddy bears joined the artificial flowers on the Florida turf. A moldering Winnie the Pooh stared up wanly at the blue sky.

Fat Charlie could see the funeral party now, and he changed direction, finding a path that allowed him to run toward it. There were thirty people, perhaps more, standing around the grave. The women wore dark dresses, and big black hats trimmed with black lace, like fabulous flowers. The men wore suits without sweat stains. The children looked solemn. Fat Charlie slowed his pace to a respectful walk, still trying to hurry without moving fast enough for anyone to notice that he was in fact hurrying, and, having reached the group of mourners, he attempted to edge his way to the front ranks without attracting too much attention. Seeing that by now he was panting like a walrus who had just had to tackle a flight of stairs, was dripping with sweat and trod on several feet as he went by, this attempt proved a failure.