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The thunder roused her from her plethoric middle-aged swoon of indifference; "On, Stanley, on," she said to herself; that is, this man shall not glide away from me, like everybody else, on this false assumption; I will tell him the truth.

"I loved Canterbury," she said.

He kindled instantly. It was his gift, his fault, his destiny.

"Loved it," he repeated. "I can see that you did."

Her tentacles sent back the message that Roderick Serle was nice.

Their eyes met; collided rather, for each felt that behind the eyes the secluded being, who sits in darkness while his shallow agile companion does all the tumbling and beckoning, and keeps the show going, suddenly stood erect; flung off his cloak; confronted the other. It was alarming; it was terrific. They were elderly and burnished into a glowing smoothness, so that Roderick Serle would go, perhaps to a dozen parties in a season, and feel nothing out of the common, or only sentimental regrets, and the desire for pretty images-like this of the flowering cherry tree-and all the time there stagnated in him unstirred a sort of superiority to his company, a sense of untapped resources, which sent him back home dissatisfied with life, with himself, yawning, empty, capricious. But now, quite suddenly, like a white bolt in a mist (but this image forged itself with the inevitability of lightning and loomed up), there it had happened; the old ecstasy of life; its invincible assault; for it was unpleasant, at the same time that it rejoiced and rejuvenated and filled the veins and nerves with threads of ice and fire; it was terrifying. "Canterbury twenty years ago," said Miss Anning, as one lays a shade over an intense light, or covers some burning peach with a green leaf, for it is too strong, too ripe, too full.

Sometimes she wished she had married. Sometimes the cool peace of middle life, with its automatic devices for shielding mind and body from bruises, seemed to her, compared with the thunder and the livid apple-blossom of Canterbury, base. She could imagine something different, more like lightning, more intense. She could imagine some physical sensation. She could imagine-

And, strangely enough, for she had never seen him before, her senses, those tentacles which were thrilled and snubbed, now sent no more messages, now lay quiescent, as if she and Mr. Serle knew each other so perfectly, were, in fact, so closely united that they had only to float side by side down this stream.

Of all things, nothing is so strange as human intercourse, she thought, because of its changes, its extraordinary irrationality, her dislike being now nothing short of the most intense and rapturous love, but directly the word "love" occurred to her, she rejected it, thinking again how obscure the mind was, with its very few words for all these astonishing perceptions, these alternations of pain and pleasure. For how did one name this. That is what she felt now, the withdrawal of human affection, Serle's disappearance, and the instant need they were both under to cover up what was so desolating and degrading to human nature that everyone tried to bury it decently from sight-this withdrawal, this violation of trust, and, seeking some decent acknowledged and accepted burial form, she said:

"Of course, whatever they may do, they can't spoil Canterbury."

He smiled; he accepted it; he crossed his knees the other way about. She did her part; he his. So things came to an end. And over them both came instantly that paralysing blankness of feeling, when nothing bursts from the mind, when its walls appear like slate; when vacancy almost hurts, and the eyes petrified and fixed see the same spot-a pattern, a coal scuttle-with an exactness which is terrifying, since no emotion, no idea, no impression of any kind comes to change it, to modify it, to embellish it, since the fountains of feeling seem sealed and as the mind turns rigid, so does the body; stark, statuesque, so that neither Mr. Serle nor Miss Anning could move or speak, and they felt as if an enchanter had freed them, and spring flushed every vein with streams of life, when Mira Cartwright, tapping Mr. Serle archly on the shoulder, said:

"I saw you at the Meistersinger, and you cut me. Villain," said Miss Cartwright, "you don't deserve that I should ever speak to you again."

And they could separate.

1944

A SUMMING UP

Since it had grown hot and crowded indoors, since there could be no danger on a night like this of damp, since the Chinese lanterns seemed hung red and green fruit in the depths of an enchanted forest, Mr. Bertram Pritchard led Mrs. Latham into the garden.

The open air and the sense of being out of doors bewildered Sasha Latham, the tall, handsome, rather indolent looking lady, whose majesty of presence was so great that people never credited her with feeling perfectly inadequate and gauche when she had to say something at a party. But so it was; and she was glad that she was with Bertram, who could be trusted, even out of doors, to talk without stopping. Written down what he said would be incredible-not only was each thing he said in itself insignificant, but there was no connection between the different remarks. Indeed, if one had taken a pencil and written down his very words-and one night of his talk would have filled a whole book-no one could doubt, reading them, that the poor man was intellectually deficient. This was far from the case, for Mr. Pritchard was an esteemed civil servant and a Companion of the Bath; but what was even stranger was that he was almost invariably liked. There was a sound in his voice, some accent of emphasis, some lustre in the incongruity of his ideas, some emanation from his round, cubbby brown face and robin redbreast's figure, something immaterial, and unseizable, which existed and flourished and made itself felt independently of his words, indeed, often in opposition to them. Thus Sasha Latham would be thinking while he chattered on about his tour in Devonshire, about inns and landladies, about Eddie and Freddie, about cows and night travelling, about cream and stars, about continental railways and Bradshaw, catching cod, catching cold, influenza, rheumatism and Keats-she was thinking of him in the abstract as a person whose existence was good, creating him as he spoke in the guise that was different from what he said, and was certainly the true Bertram Pritchard, even though one could not prove it. How could one prove that he was a loyal friend and very sympathetic and-but here, as so often happened, talking to Bertram Pritchard, she forgot his existence, and began to think of something else.

It was the night she thought of, hitching herself together in some way, taking a look up into the sky. It was the country she smelt suddenly, the sombre stillness of fields under the stars, but here, in Mrs. Dalloway's back garden, in Westminster, the beauty, country born and bred as she was, thrilled her because of the contrast presumably; there the smell of hay in the air and behind her the rooms full of people. She walked with Bertram; she walked rather like a stag, with a little give of the ankles, fanning herself, majestic, silent, with all her senses roused, her ears pricked, snuffing the air, as if she had been some wild, but perfectly controlled creature taking its pleasure by night.

This, she thought, is the greatest of marvels; the supreme achievement of the human race. Where there were osier beds and coracles paddling through a swamp, there is this; and she thought of the dry, thick, well built house stored with valuables, humming with people coming close to each other, going away from each other, exchanging their views, stimulating each other. And Clarissa Dalloway had made it open in the wastes of the night, had laid paving stones over the bog, and, when they came to the end of the garden (it was in fact extremely small), and she and Bertram sat down on deck chairs, she looked at the house veneratingly, enthusiastically, as if a golden shaft ran through her and tears formed on it and fell in profound thanksgiving. Shy though she was and almost incapable when suddenly presented to someone of saying anything, fundamentally humble, she cherished a profound admiration for other people. To be them would be marvellous, but she was condemned to be herself and could only in this silent enthusiastic way, sitting outside in a garden, applaud the society of humanity from which she was excluded. Tags of poetry in praise of them rose to her lips; they were adorable and good, above all courageous, triumphers over night and fens, the survivors, the company of adventurers who, set about with dangers, sail on.