"I believe all of it," Rabbit says.

"Do you believe, do you believe I'm so mad just telling this if I had a knife right now I'd poke it down your throat and watch you gargle your life away and would love it, oh, would I love it." Skeeter is weeping. Tears and smoke mix on the skin of his face.

"O.K., O.K.," Rabbit says.

"Skeeter, don't cry," Nelson says.

"Skeeter, it was too rich, I'm going to lose it," Jill says and stands. "I'm dizzy."

But Skeeter will talk only to Harry. "What I want to say to you," he says, "what I want to make ever so clear, Chuck, is you had that chance. You could have gone some better road, right? You took that greedy turn, right? You sold us out, right? You sold yourselves out. Like Lincoln said, you paid in blood, sword for the lash and all that, and you didn't lift us up, we held out our hands, man, we were like faithful dogs waiting for that bone, but you gave us a kick, you put us down, you put us down."

"Skeeter, please don't ever give me any more of that whatever it was, ever, ever," Jill says, drifting away.

Skeeter controls his crying, lifts his face darkened in streaks like ashes wetted down. "It wasn't just us, you sold yourselves out, right? You really had it here, you had it all, and you took that greedy mucky road, man, you made yourself the asshole of the planet. Right? To keep that capitalist thing rolling you let those asshole crackers have their way and now you's all asshole crackers, North and South however you look there's assholes, you lapped up the poison and now it shows, Chuck, you say America to you and you still get bugles and stars but say it to any black or yellow man and you get hate, right? Man the world does hate you, you're the big pig keeping it all down." He jabs blearily with his skinny finger, and hangs his head.

From upstairs, discreet as the noise a cat makes catching a bird, comes a squeezed heaving noise, Jill being sick.

Nelson asks, "Dad, shouldn't you call a doctor?"

"She'll be O.K. Go to bed. You have school tomorrow."

Skeeter looks at Rabbit; his eyeballs are fiery and rheumy. "I said it, right?"

"Trouble with your line," Rabbit tells him, "it's pure self-pity. The real question is, Where do you go from here? We all got here on a bad boat. You talk as if the whole purpose of this country since the start has been to frustrate Negroes. Hell, you're just ten per cent. The fact is most people don't give a damn what you do. This is the freest country around, make it if you can, if you can't, die gracefully. But Jesus, stop begging for a free ride."

"Friend, you are wrong. You are white but wrong. We fascinate you, white man. We are in your dreams. We are technology's nightmare. We are all the good satisfied nature you put down in yourselves when you took that mucky greedy turn. We are what has been left out of the industrial revolution, so we are the next revolution, and don't you know it? You know it. Why else you so scared of me, Rabbit?"

"Because you're a spook with six loose screws. I'm going to bed."

Skeeter rolls his head loosely, touches it dubiously. In the light from the driftwood lamp his round mass of hair is seen as insubstantial, his skull narrow as the bone handle of a knife. He brushes at his forehead as if midges are there. He says, "Sweet dreams. I'm too spaced to sleep right now, I got just to sit here, nursing the miseries. Mind if I play the radio if I keep it low?"

"No."

Upstairs, Jill, a sudden warm wisp in his arms, begs with rapid breath, "Get him out of here, Harry, don't let him stay, he's no good for me, no good for any of us."

"You brought him here." He takes her talk as the exaggerating that children do, to erase their fears by spelling them out; and indeed in five minutes she is dead asleep, motionless. The electric clock burns beyond her head like a small moon's skeleton. Downstairs, a turned-down radio faintly scratches. And shortly Rabbit too is asleep. Strangely, he sleeps soundly, with Skeeter in the house.

"Harry, how about a quick one?" His father tells the bartender, as always, "Let's make it a Schlitz."

"Whisky sour," he says. Summer is over, the air-conditioning in the Phoenix has been turned off. He asks, "How's Mom doing?"

"As good as can be hoped, Harry." He nudges a conspiratorial inch closer. "That new stuff really seems to do the job, she's on her feet for hours at a rime now. For my money, though, the sixtyfour-thousand-dollar question is what the long-range effects will be. The doctor, he's perfectly honest about it. He says to her when we go on in to the hospital, `How's my favorite guinea pig?' "

"What's the answer?" Rabbit abruptly asks.

His father is startled. "Her answer?"

"Anybody's."

His father now understands the question and shrugs his narrow shoulders in his faded blue shirt. "Blind faith," he suggests. In a mutter he adds, "One more bastard under the ground."

On the television above the bar men are filing past a casket, but the sound is turned off and Rabbit cannot tell if it is Everett Dirksen's lying-in-state in Washington or Ho Chi Minh's ceremonies in Hanoi. Dignitaries look alike, always dressed in mourning. His father clears his throat, breaks the silence. "Janice called your mother last night."

"Boy, I think she's cracking up, she's on the phone all the time. Stavros must be losing his muscle."

"She was very disturbed, she said you'd taken a colored man into your house."

"I didn't exactly take him, he kind of showed up. Nobody's supposed to know about it. I think he's Farnsworth's son."

"That can't be, Jerry's never married to my knowledge."

"They don't marry generally, right? They weren't allowed to as slaves."

This bit of historical information makes Earl Angstrom grimace. He takes, what for him, with his boy, is a tough line. "I must say, Harry, I'm not too happy about it either."

The funeral (the flag on the coffin has stars and stripes, so it must be Dirksen's) vanishes, and flickering in its place are shots of cannons blasting, of trucks moving through the desert, of planes soundlessly batting through the sky, of soldiers waving. He cannot tell if they are Israeli or Egyptian. He asks, "How happy is Mom about it?"

"I must say, she was very short with Janice. Suggested if she wanted to run your household she go back to it. Said she had no right to complain. I don't know what all else. I couldn't bear to listen; when women get to quarrelling, I head for the hills."

` "Janice talk about lawyers?"

"Your mother didn't mention it if she did. Between you and me, Harry, she was so upset it scared me. I don't believe she slept more than two, three hours; she took twice the dose of Seconal and still it couldn't knock her out. She's worried and, pardon my crust for horning in where I have no business, Harry, so am L"

"Worried about what?"

"Worried about this new development. I'm no nigger-hater, I'm happy to work with 'em and I have for twenty years, if needs be l'll live next to 'em though the fact is they haven't cracked Mt. Judge yet, but get any closer than that, you're playing with fire, in my experience."

"What experience?"

"They'll let you down," Pop says. "They don't have any feeling of obligation. I'm not blaming a soul, but that's the fact, they'll let you down and laugh about it afterwards. They're not ethical like white men and there's no use saying they are. You asked me what experience, I don't want to go into stories, though there's plenty I could tell, just remember I was raised in the Third Ward back when it was more white than black, we mixed it up in every sense. I know the people of this county. They're goodnatured people. They like to eat and drink and like to have their red-light district and their numbers, they'll elect the scum to political office time and time again; but they don't like seeing their women desecrated."