He was thinking of Tony... and the safe. Given the freedom-fighter pose in the window, Little Tony expected Leland to take the initiative again. In reality, Leland had only the Browning — but enough explosive to turn the Klaxon building into Wilshire Canyon. Tony had to think of the explosive, too. Perhaps he was convinced at last that Leland was liable to do anything. The trick was to keep him off balance. The situation had not changed. In spite of the daylight and the electronic penetration, Leland remained independent. It was to his advantage to let Little Tony think otherwise — that he was the "trained dog" that had beaten and shot Hannah to death. As things now stood, Tony thought Leland was still trying to break down their defenses against the police. Leland set out for the thirty-third floor, where Tony would not be looking for him. It was time to free the hostages, before the ring around them was drawn too tight.

The assault rifle was hopelessly jammed. He needed tools to get into it, and even then there could be a broken part, like a spring. He put it in a desk drawer. He had no need for deadweight, and leaving it where it could be seen was just foolish.

He turned the television set on, the sound very low. One of the elevators was running, and Leland assumed it was a trick to draw him out. He was curious about what they could have arranged. Enough of that — they wanted him curious. At least they didn't believe he could be frightened.

The radio was still silent. On the television screen, the reporter jabbered animatedly, looking up. The director cut to a shot of the building, labeled "live." The camera zoomed up to the window in which Leland had just been standing. What the hell was the use of that? The reporter again. The picture broke up and the building reappeared, labeled "recorded earlier."

It was the same shot, but now Leland could see a blackened ragged figure holding up the useless gun. On the screen he was not so much nightmarish as pathetic. Like something from a concentration camp. Now the director cut to a helicopter shot, tracking the police helicopter floating in front of it, the building swinging into view beyond. There he was again, recorded earlier, gun aloft. Leland turned the sound off. He wanted to think. Television was another tool, if he could figure out how to make it work. If he could communicate what he wanted without giving the game away.

More than that: without even having heard the announcer's words, Leland knew that he had been telling the world what it had just seen, and was about to see again. Tony had a television set. The people in charge of what went out over the air had revealed his position in a situation that was still life and death.

He wrote another note, strapped it to a staple gun with rubber bands, and put it in his kit bag. The police were able to retrieve notes thrown from the northeast corner. On the way he took a fireax from the wall, to break the window.

What he wanted was complicated, and he hoped that he was being clear. If he saw a television helicopter on station a quarter mile to the east, he would go to the windows of the thirty-fourth floor, where he would put on a show of pushing desks around. The television people would put him on tape, which they would broadcast for the first time at exactly 9:28, calling it "live." He and Powell could add the dialogue then, over the radio. Leland guessed that Little Tony would know within a minute it was another of Leland's tricks, but that was all Leland thought he needed to sweep the glass on the stairs out of the way with the towel on his foot, and get down onto the thirty-second floor.

The window was harder to break with the ax than he had thought, and then it shattered with a noise like an explosion. People half a block away on Wilshire Boulevard started running for cover. He could see broken windows and blackened walls everywhere from blocks around. He chucked out the staple gun and started away, hefting the ax like a woodsman. It was a good idea — it would work. The hostages would be headed down the stairs by 9:45. All Leland had to do was hide out another nine minutes.

The elevator again — more than one. The doors rolled open and someone shouted in German. Leland went down before the firing began, the sounds tearing through the glass partitions. They had seen him on television getting rid of the staple gun! He let go of the ax and crawled across the office floor. More shouting, high and low. They wanted him so badly they didn't care what was seen and heard on the street below. The next office led nowhere but back to the elevators. He drew the Browning and got behind a desk, his back to Wilshire Boulevard. The sound of the firing grew closer. The next burst crossed the top of the desk and brought the ceiling and walls down on top of him. Leland huddled down, trying to protect his head.

The next burst went in another direction. Someone shouted and there was another burst that sounded even farther away. More window glass shattered. A police helicopter made a run past the building, its engine pounding. He had to get moving, but he was buried by his own weight in debris. He had to crawl out from under it — he had been crawling all night and now again, in the daylight. He picked up the ax. Even with almost all of the glass partitioning down in here, there was nothing to see. The helicopter was gone, and the two terrorists either had retreated to the stairs, or were hidden by the debris still upright. The Browning drawn, Leland made for the stairs. He had to get up one flight for his rendezvous. He still had almost six minutes.

Now he saw in the glass at the other end of the building the reflection of one of the terrorists behind the elevator bank. He was crouching against the wall, waiting for the helicopter to return and he didn't see Leland. Leland moved faster, trying to get to cover.

The terrorist's radio suddenly erupted with Little Tony's voice, in German. He was speaking much too quickly and excitedly for Leland to understand him. Leland reached the door of the northwest staircase, and the sound disappeared.

He hesitated. Tony had been smart enough to send two of the gang after Leland when the television coverage had given him away. What had been all that on the radio? 9:24 — four minutes to go. He wanted to stay concealed until the last moment. The gang still did not know he was without a machine gun — or had Tony figured that out, too.

At 9:26 he opened the door and looked around. Clear. Daylight was no longer his natural habitat. He was beginning to descend the stairs when the door directly below opened.

He couldn't help smiling. He backed out onto the thirty-fourth floor and eased the door closed carefully. If Bozo came out on this floor, Leland would be waiting for him, and if he kept going up, turning his back to the door, that wasn't bad, either.

More than four hours had passed since he'd tagged one of them. For a moment Leland was afraid he was going to find he had lost his taste for killing. He brought the ax over his head. The guy was on the other side of the door, his shoes grinding on the concrete. If Leland had had any sense, he would have fitted himself with somebody's shoes at the start of the evening. You weren't supposed to wear a dead man's shoes. He had been too civilized. The doorknob turned slowly, making Leland doubly wary. Tony had figured something out — suddenly Leland was sure of it.

The door eased open into the stairwell. First the muzzle of Bozo's Kalashnikov — it was the guy Leland had just seen on the thirty-third floor, one of the two who had been trying to kill him. Leland brought the blade of the ax down on his forearm, knocking the gun down and pulling the guy out of the doorway. The ax had gaffed him — he was too stunned to scream. He rolled over on the floor, holding his arm, and Leland hit him again. It was easier than a cleaver going through a chicken. Now the guy couldn't scream. He was still alive, just barely, looking at Leland, helpless, when Leland buried the ax in his head.