'When this began – when I came out of the courthouse and the old man touched me – I weighed two hundred and fifty pounds. This morning I weighed in at a hundred and sixteen just before lunch. That's what … a hundred and thirty-four pounds?'
'Jesus and Mary and Joseph the carpenter from Brooklyn Heights,' Ginelli whispered, and crossed himself again. 'He touched you?'
This is where he walks out – this is where they all walk out, Billy thought, and for one wild second he thought of simply lying, of making up some mad story of systematic food poisoning. But if there had ever been a time for lying, it was gone now. And if Ginelli walked, Billy would walk with him, at least as far as Ginelli's car. He would open the door for him and thank him very much for coming. He would do it because Ginelli had listened when Billy called in the middle of the night, and sent his rather peculiar version of a doctor, and then come himself. But mostly he would perform those courtesies because Ginelli's eyes had widened like that when Billy opened the door, and he still hadn't run away.
So you tell him the truth. He says the only things he believes in are guns and money, and that's probably the truth, but you tell him the truth because that's the only way you can ever pay back a guy like him.
He touched you? Ginelli had asked, and although that was only a second ago it seemed much longer in Billy's scared, confused mind. Now he said what was the hardest thing for him to say. 'He didn't just touch me, Richard. He cursed me.'
He waited for that rather mad sparkle to die out of Ginelli's eyes. He waited for Ginelli to glance at his watch, hop to his feet, and grab his briefcase. Time sure has a way of flying, doesn't it? I'd love to stay and talk over this curse business with you, William, but I've got a hotplate of veal marsala waiting for me back at the Brothers, and …
The sparkle didn't die and Ginelli didn't get up. He crossed his legs, neatened the crease, brought out a package of Camel cigarettes, and lit one.
'Tell me everything,' he said.
Billy Halleck told Ginelli everything. When he was done, there were four Camel butts in the ashtray. Ginelli was looking fixedly at Billy, as if hypnotized. A long silence spun out. It was uncomfortable, and Billy wanted to break it, but he didn't know how. He seemed to have used up all of his words.
'He did this to you,' Ginelli said at last. 'This . . .' He waved a hand at Billy.
'Yes. I don't expect you to believe it, but yes, he did.'
I believe it,' Ginelli said almost absently.
'Yeah? What happened to the guy who only believed in guns and money?'
Ginelli smiled, then laughed. 'I told you that when you called that time, didn't I?'
'Yeah.'
The smile faded. 'Well, there's one more thing I believe in, William. I believe in what I see. That's why I'm a relatively rich man. That's also why I'm a living man. Most people, they don't believe what they see.'
'No?'
'No. Not unless it goes along with what they already believe. You know what I saw in this drugstore where I go? Just last week I saw this.'
What?'
They got a blood-pressure machine in there. I mean, they sometimes got them in shopping malls, too, but in the drugstore it's free. You put your arm through a loop and push a button. The loop closes. You sit there for a while and think serene thoughts and then it lets go. The reading flashes up in big red numbers. Then you look on the chart where it says “low,” “normal,” and “high” to figure out what the numbers mean. You get this picture?'
Billy nodded.
'Okay. So I am waiting for the guy to give me a bottle of this stomach medicine my mother has to take for her ulcers. And this fat guy comes waddling in. I mean, he goes a good two-fifty and his ass looks like two dogs fightin' under a blanket. There's a drinker's road map on his nose and cheeks and I can see a pack of Marlboros in his pocket. He picks up some of those Dr Scholl's corn pads and he's taking them to the cash register when the high-bloodpressure machine catches his eye. So he sits down and the machine does its thing. Up comes the reading. Two-twenty over one-thirty, it says. Now, I don't know a whole fuck of a lot about the wonderful world of medicine, William, but I know two-twenty over one-thirty is in the creepy category. I mean, you might as well be walking around with the barrel of a loaded pistol stuck in your ear, am I right?'
'Yes.'
'So what does this dummocks do? He looks at me and says, “All this digital shit is fucked up.” Then he pays for his corn pads and walks out. You know what the moral of that story is, William? Some guys – a lot of guys – don't believe what they are seeing, especially if it gets in the way of what they want to eat or drink or think or believe. Me, I don't believe in God. But if I saw him, I would. I wouldn't just go around saying, “Jesus, that was a great special effect.” The definition of an asshole is a guy who doesn't believe what he's seeing. And you can quote me.'
Billy looked at him consideringly for a moment, and then burst out laughing. After a moment, Ginelli joined him.
'Well,' he said, 'you still sound like the old William when you laugh, anyway. The question is, William, what are we going to do about this geezer?'
I don't know.' Billy laughed again, a shorter sound. 'But I guess I have to do something. After all, I cursed
'So you told me. The curse of the white dude from town. Considering what all the white dudes from all the towns have done in the last couple hundred years, that could be a pretty heavy one.' Ginelli paused to light another cigarette and then said matter-of-factly through the smoke: 'I can hit him, you know.'
'No, that won't w -' Billy began, and then his mouth snapped closed. He'd had an image of Ginelli walking up to Lemke and punching him in the eye. Then suddenly he had realized that Ginelli was speaking of something much more final. 'No, you can't do that,' he finished.
Ginelli either didn't understand or affected not to. 'Sure I can. And I can't get anyone else to, that's for sure. At least, not anyone trustworthy. But I am as capable of doing it now as I was at twenty. It ain't business, but believe me, it would be a pleasure.'
'No, I don't want you to kill him or anyone else,' Billy said. 'That's what I meant.'
'Why not?' Ginelli asked, still reasonable – but his eyes, Billy saw, continued to whirl and twirl in that mad way. 'You worried about being an accessory to murder? It wouldn't be murder, it'd be self-defense. Because he is killing you, Billy. Another week of this and people will be able to read the signs you're standing in front of without asking you to move. Another two and you won't dare to go out in a high wind for fear of blowing away.'
'Your medical associate suggested that I might die of cardiac arrhythmia before it went that far. Presumably my heart is losing weight right along with the rest of me.' He swallowed. 'You know, I never had that particular thought until just now. I sort of wish I hadn't had it at all.'
'See? He's killing you … but never mind. You don't: want me to hit him, I won't hit him. Probably not a good idea anyway. It might not end it.'
Billy nodded. This had occurred to him, as well. Take it off me, he had told Lemke – apparently even white men from town understood that was something that had to be done. If Lemke was dead, the curse might simply have to run itself out.
'The trouble is,' Ginelli said reflectively, 'you can't take back a hit.'
'No.'
He rubbed out his cigarette and stood up. 'I gotta think about this, William. It's a lot to think about. And I got to get my mind in a serene state, you know? You can't get ideas about complicated shit like this when you're upset, and every time I look at you, paisan, I want to pull out this guy's pecker and stuff it in the hole where his nose used to be.'