“Lambert stood at the further corner of the street that curved round the tower, his figure outlined in some degree by the beginning of moonrise. He looked magnificent, a hero; but he looked something much more interesting than that. He was, as it happened, in almost precisely the same swaggering attitude in which he had stood nearly fifteen years ago, when he swung his walking-stick and struck it into the ground, and told me that all my subtlety was drivel. And, upon my soul, I think he required more courage to say that than to fight as he does now. For then he was fighting against something that was in the ascendant, fashionable, and victorious. And now he is fighting (at the risk of his life, no doubt) merely against something which is already dead, which is impossible, futile; of which nothing has been more impossible and futile than this very sortie which has brought him into contact with it. People nowadays allow infinitely too little for the psychological sense of victory as a factor in affairs. Then he was attacking the degraded but undoubtedly victorious Quin; now he is attacking the interesting but totally extinguished Wayne.

“His name recalls me to the details of the scene. The facts were these. A line of red halberdiers, headed by Wayne, were marching up the street, close under the northern wall, which is, in fact, the bottom of a sort of dyke or fortification of the Waterworks. Lambert and his yellow West Kensingtons had that instant swept round the corner and had shaken the Waynites heavily, hurling back a few of the more timid, as I have just described, into our very arms. When our force struck the tail of Wayne’s, every one knew that all was up with him. His favourite military barber was struck down. His grocer was stunned. He himself was hurt in the thigh, and reeled back against the wall. We had him in a trap with two jaws. ‘Is that you?’ shouted Lambert, genially, to Wilson, across the hemmed-in host of Notting Hill. ‘That’s about the ticket,’ replied General Wilson; ‘keep them under the wall.’

“The men of Notting Hill were falling fast. Adam Wayne threw up his long arms to the wall above him, and with a spring stood upon it, a gigantic figure against the moon. He tore the banner put of the hands of the standard-bearer below him, and shook it out suddenly above our heads, so that it was like thunder in the heavens.

“‘Round the Red Lion!’ he cried. ‘Swords round the Red Lion! Halberds round the Red Lion! They are the thorns round the rose.’

“His voice and the crack of the banner made a momentary rally, and Lambert, whose idiotic face was almost beautiful with battle, felt it as by an instinct, and cried:

“‘Drop your public-house flag, you footler! Drop it!’

“‘The banner of the Red Lion seldom stoops,’ said Wayne, proudly, letting it out luxuriantly on the night wind.

“The next moment I knew that poor Adam’s sentimental theatricality had cost him much. Lambert was on the wall at a bound, his sword in his teeth, and had slashed at Wayne’s head before he had time to draw his sword, his hands being busy with the enormous flag. He stepped back only just in time to avoid the first cut, and let the flag-staff fall, so that the spear-blade at the end of it pointed to Lambert.

“‘The banner stoops,’ cried Wayne, in a voice that must have startled streets. ‘The banner of Notting Hill stoops to a hero.’ And with the words he drove the spear-point and half the flag-staff through Lambert’s body and dropped him dead upon the road below, a stone upon the stones of the street.

“‘Notting Hill! Notting Hill!’ cried Wayne, in a sort of divine rage. ‘Her banner is all the holier for the blood of a brave enemy! Up on the wall, patriots! Up on the wall! Notting Hill!’

“With his long strong arm he actually dragged a man up on to the wall to be silhouetted against the moon, and more and more men climbed up there, pulled themselves and were pulled, till clusters and crowds of the half-massacred men of Pump Street massed upon the wall above us.

“‘Notting Hill! Notting Hill!’ cried Wayne, unceasingly.

“‘Well, what about Bayswater?’ said a worthy working-man in Wilson’s army, irritably. ‘Bayswater for ever!’

“‘We have won!’ cried Wayne, striking his flag-staff in the ground. ‘Bayswater for ever! We have taught our enemies patriotism!’

“‘Oh, cut these fellows up and have done with it!’ cried one of Lambert’s lieutenants, who was reduced to something bordering on madness by the responsibility of succeeding to the command.

“‘Let us by all means try,’ said Wilson, grimly; and the two armies closed round the third.

“I simply cannot describe what followed. I am sorry, but there is such a thing as physical fatigue, as physical nausea, and, I may add, as physical terror. Suffice it to say that the above paragraph was written about 11 p.m., and that it is now about 2 a.m., and that the battle is not finished, and is not likely to be. Suffice it further to say that down the steep streets which lead from the Waterworks Tower to the Notting Hill High Road, blood has been running, and is running, in great red serpents, that curl out into the main thoroughfare and shine in the moon.

“Later... The final touch has been given to all this terrible futility. Hours have passed; morning has broken; men are still swaying and fighting at the foot of the tower and round the corner of Aubrey Road; the fight has not finished. But I know it is a farce.

“News has just come to show that Wayne’s amazing sortie, followed by the amazing resistance through a whole night on the wall of the Waterworks, is as if it had not been. What was the object of that strange exodus we shall probably never know, for the simple reason that every one who knew will probably be cut to pieces in the course of the next two or three hours.

“I have heard, about three minutes ago, that Buck and Buck’s methods have won after all. He was perfectly right, of course, when one comes to think of it, in holding that it was physically impossible for a street to defeat a city. While we thought he was patrolling the eastern gates with his Purple army; while we were rushing about the streets and waving halberds and lanterns; while poor old Wilson was scheming like Moltke and fighting like Achilles to entrap the wild Provost of Notting Hill...Mr. Buck, retired draper, has simply driven down in a hansom cab and done something about as plain as butter and about as useful and nasty. He has gone down to South Kensington, Brompton, and Fulham, and by spending about four thousand pounds of his private means, has raised an army of nearly, as many men; that is to say, an army big enough to beat, not only Wayne, but Wayne and all his present enemies put together. The army, I understand, is encamped along High Street, Kensington, and fills it from the Church to Addison Road Bridge. It is to advance by ten different roads uphill to the north.

“I cannot endure to remain here. Everything makes it worse than it need be. The dawn, for instance, has broken round Campden Hill; splendid spaces of silver, edged with gold, are torn out of the sky. Worse still, Wayne and his men feel the dawn; their faces, though bloody and pale, are strangely hopeful... insupportably pathetic. Worst of all, for the moment they are winning. If it were not for Buck and the new army they might just, and only just, win.

“I repeat, I cannot stand it. It is like watching that wonderful play of old Maeterlinck’s (you know my partiality for the healthy, jolly old authors of the nineteenth century), in which one has to watch the quiet conduct of people inside a parlour, while knowing that the very men are outside the door whose word can blast it all with tragedy. And this is worse, for the men are not talking, but writhing and bleeding and dropping dead for a thing that is already settled...and settled against them. The great grey masses of men still toil and tug and sway hither and thither around the great grey tower; and the tower is still motionless, as it will always be motionless. These men will be crushed before the sun is set; and new men will arise and be crushed, and new wrongs done, and tyranny will always rise again like the sun, and injustice will always be as fresh as the flowers of spring. And the stone tower will always look down on it. Matter, in its brutal beauty, will always look down on those who are mad enough to consent to die, and yet more mad, since they consent to live.”