“Listen,” said Quigg, “I need to get some kind of scrapbook put together.”

Oops, survey says… wrong answer! Better tuck that massive ego away for safekeeping.

“You being the proverbial scrapbook lady,” continued Quigg, “I thought we could sit down and talk about a possible project.”

“What kind of scrapbook are you thinking about?” asked Carmela. She put her hand across the phone and murmured a hasty “Sorry” to Baby. Baby, who was engrossed in perusing the wine list while reapplying her lip gloss, smiled and nodded, not in the least bit put off.

“Something that will showcase our party room and catering services,” said Quigg. “And probably our wedding and banquet capabilities, too.”

Carmela nodded. More and more, businesses were noting the merits of putting together scrapbooks to illustrate their products and services. Interior designers had been doing it for years, visually demonstrating to clients their befores and afters. Now floral designers, orthodontists, landscapers, and wedding planners were jumping on the bandwagon and flocking to her shop. Asking questions, taking lessons, buying supplies, and… praise be… even requesting that Carmela put together professional scrapbooks for them.

“When would you like to get together?” Carmela asked Quigg, mentally going over the free time she had available in the coming week.

Yeah, next week is pretty open, that should probably work.

“How about tonight?” Quigg proposed.

“Tonight?” squawked Carmela.

“Absolutely. No time like the present,” Quigg said in his smooth yet enthusiastic manner. “Why don’t you drop by Bon Tiempe around sevenish? And please… come prepared for dinner. Plying you with fine food and wine is the least I can do for requesting your presence at such short notice.”

Charmed and more than just a little bit intrigued, Carmela told Quigg that seven o’clock would work just fine with her. And as she slid her cell phone back into her purse, she decided she’d better make a detour back to her apartment after work. So she could slip into something a touch more appealing.

Chapter 11

THE French Market between Decatur and North Peters Streets had been standing for well over one hundred and fifty years. A large, almost open-air building, the French Market bustled with vendors, food stands, and souvenir shops. Strands of braided garlic, known as prayer beads, hung from the rafters above the various farmers’ market stalls that brimmed with brightly colored produce.

Here you could also buy grilled alligator on a stick, honest-to-goodness Creole pecan pralines, and jars of mind-blowing hot sauce.

At the uptown end of the market sat Café Du Monde. Open twenty-four hours a day, this landmark institution was famous for its beignets, square doughnuts sans holes and liberally sprinkled with powdered sugar, as well as its inventive blend of chicory coffee and steamed milk, known forever as café au lait.

As Carmela hurried down the jostling center aisle to meet Jekyl Hardy, she was reminded just how tacky, wacky, and infinitely appealing the French Market really was. Smells of cinnamon and cardamom perfumed the air, and a lovely mélange of accents-Creole, Cajun, Louisianan, and African American-floated past her. Though Carmela didn’t exactly have time for coffee with Jekyl today, she was here anyway. Because they were good friends, they tried to make time for each other at least once a week.

Lean and wiry, his dark hair pulled into a small, sleek ponytail, Jekyl Hardy sat at a creaky wooden table sipping a double espresso. Dressed impeccably in his traditional black, Jekyl looked ethereal and slightly predatory, not unlike the infamous vampire Lestat who frequented New Orleans via Anne Rice’s novels. As the head float designer for the Pluvius and Nepthys krewes, Jekyl Hardy was generally in a state of sublime excitation once Mardi Gras loomed on the horizon. But for right now, Jekyl was focused mainly on his business of art and antique consulting. As he’d once confided to Carmela, “the float building’s for sport; the art and antiques consulting is for money.”

Carmela slipped into the chair across from Jekyl. “Boo!” she said by way of announcing herself.

He gazed at her morosely. “Ugh. Don’t remind me.”

“Jekyl, you love Halloween. You’re the only man I know who’s got a walk-in closet devoted just to costumes.”

“I don’t love it this year,” he told her.

“What’s wrong?” asked Carmela as she tucked her handbag under her chair, quickly ordered a coffee, and leaned in to listen to him.

“If I ever volunteer for Monsters & Old Masters again, kindly drag me into a swamp and shoot me with a silver bullet.”

“That bad?” asked Carmela.

“How do I let myself get talked into these things?” moaned Jekyl. “It’s taken a committee of five people forever to decide on twenty simple works of art.”

Carmela grinned. Jekyl was notorious for letting himself get stretched too thin. He might be a whirling dervish of activity, but nobody could be a volunteer with the Children’s Art Association, the Humane Society, and the Art Institute, head two float-building krewes for Mardi Gras, and run a consulting business. It wasn’t humanly possible.

“Natalie told me the list of artworks would be finalized by end of day tomorrow,” said Carmela. “Anyway, it better be. I’m the one doing the description tags for Saturday night’s event.”

Jekyl sighed, then took another sip of espresso. “Monroe Payne may be a wildly creative museum director, but he’s also very well named. Just as his name implies, the man can be an incredible pain. He’s constantly changing his mind.”

“I met Monroe Payne the other night,” said Carmela. “When I was at Glory’s house.”

Jekyl Hardy pulled his lips into a wicked smile. “Sleeping with the enemy, are we?”

“Nope,” said Carmela, “just plain old socializing.”

“Of that I approve,” said Jekyl. “But I hope filing for divorce remains numero uno on your personal agenda, my dear Ms. Bertrand.”

Carmela nodded her head in the affirmative.

“You sure about that?” prodded Jekyl. He’d been through more than a few go-rounds with Carmela on this divorce business. He pushing, she resisting.

Now Carmela looked downright sad. “Afraid so,” she said.

Jekyl reached over and touched one of her hands. “Oh, honey, I didn’t mean to make you upset. Honest.”

Carmela managed a smile. “You didn’t upset me, Jekyl. I upset me.” No, Shamus upset me. Still burned into her memory was the image of the blond in the black cocktail dress with Shamus’s hand roving toward that keyhole cutout. Cad.

Jekyl waved a hand. “Sorry I’m so tediously distracted today, but I gave Natalie my solemn promise that I’d design a couple killer jack-o’-lanterns to light the museum’s front entrance Saturday night… and now I have this last-minute thing I might have to do.”

“What thing is that?” Carmela asked.

“There’s a big antiques conference up in St. Louis this weekend, and one of the speakers, a real antiques honcho, had to cancel. So they called me this morning and asked me to pinch-hit. All expenses paid plus a fairly decent stipend.” Jekyl rolled his eyes. “Plus there are undoubtedly connections to be made.”

“You’re going, aren’t you?” said Carmela, always a big “seize the moment” proponent.

Jekyl Hardy fidgeted. “I don’t know… ”

They both paused, listening to the mellow saxophone strains that wafted over from nearby street musicians. Even in the rain, the street musicians were cranking out their moody, bluesy tunes. Carmela hoped the tourists were generous, pitching their quarters and dollar bills into the musicians’ open, empty felt-lined cases. ’Cause these guys were good.