‘Don’t worry, Amy, darling,’ said Chandler. ‘Charles is perfectly all right for the time being. Don’t feel anxious. Nick and I will keep an eye on him.’

‘Will you? It would be so awful if something did go wrong. I should feel so guilty if the Morelands’ party were spoiled for them.’

‘It won’t be.’

‘I shall rely on you both.’

She gazed at Chandler with deep affection. They might have been married for years from the manner in which they talked to one another. Some people came up to say goodbye. I saw Isobel, and was about to suggest that we should look for Stringham, when Mrs Foxe turned from the couple to whom she had been talking.

‘Isobel, my dear,’ she said, ‘I haven’t seen you all the evening. Come and sit on the sofa. There are some things I want to ask you about.’

‘Odd scenes in the next room,’ Isobel said to me, before she joined Mrs Foxe.

I felt sure from her tone the scenes must be odd enough. I found Isobel had spoken without exaggeration. Stringham, Mrs Maclintick, Priscilla, and Moreland were sitting together in a semi-circle. The rest of the party had withdrawn from that corner of the room, so that this group was quite cut off from the other guests. They were laughing a great deal and talking about marriage, Stringham chiefly directing the flow of conversation, with frequent interruptions from Moreland and Mrs Maclintick. Stringham was resting his elbow on his knee in an attitude of burlesqued formality, from time to time inclining his head towards Mrs Maclintick, as he addressed her in the manner of a drawing-room comedy by Wilde or Pinero. These fulsome compliments and epigrammatic phrases may have been largely incomprehensible to Mrs Maclintick, but she looked thoroughly pleased with herself; indeed, seemed satisfied that she was half-teasing, half-alluring Stringham. Priscilla appeared enormously happy in spite of not knowing quite what was going on round her. Moreland was almost hysterical with laughter which he continually tried to repress by stuffing a handkerchief into his mouth. If he had fallen in love with Priscilla – the evidence for something of the sort having taken place had to be admitted – it was, I thought, just; like him to prefer listening to this performance to keeping his girl to himself in some remote part of the room. This judgment was superficial, because, as I have said, Moreland could be secretive enough about his girls when he chose; while politeness and discretion called for some show of outwardly casual behaviour at this party. Even so, his behaviour that night could hardly be called discreet in general purport. It was obvious he was very taken with Priscilla from the way he was sitting beside her. He was clearly delighted by Stringham, of whose identity I felt sure he had no idea. When I approached, Mrs Maclintick was apparently describing the matrimonial troubles of some friends of hers.

‘… and then,’ she was saying, ‘this first husband of hers used to come back at four o’clock in the morning and turn on the gramophone. As a regular thing. She told me herself.’

‘Some women think one has nothing better to do than to lie awake listening to anecdotes about their first husband,’ said Stringham. ‘Milly Andriadis was like that – no doubt still is – and I must say, if one were prepared to forgo one’s beauty sleep, one used to hear some remarkable things from her. Playing the gramophone is another matter. Your friend had a right to complain.’

‘That was what the judge thought,’ said Mrs Maclintick.

‘What used he to play?’ asked Priscilla.

‘Military marches,’ said Mrs Maclintick, ‘night after night. Not surprising the poor woman had to go into a home after getting her divorce.’

‘My mother would have liked that,’ said Stringham. ‘She adores watching troops march past. She always says going to reviews was the best part of being married to Piers Warrington.’

‘Not in the middle of the night,’ said Priscilla. ‘He might have chosen something quieter. Tales from Hoffmann or Handel’s Cradle Song.’

‘Nonsense,’ said Moreland. ‘Aut Sousa aut Nihil has always been my motto in cases of that sort. Think if the man had played Hindemith. At least he wasn’t a highbrow.’

‘He was just another musical husband,’ said Mrs Maclintick fiercely. ‘I am not saying he was any worse than Maclintick, I am not saying he was any better. I am just telling you the way musicians treat their wives. Telling you the sort of husband I have to put up with.’

‘My own complaint about marriage is a very different one,’ said Stringham. ‘I admit my former wife was not musical. That might have made things worse. All the same, you never know. If she had been, she could have talked all the time about music while her sister, Anne, was chattering away about Braque and Dufy. It would have formed a counter-irritant. Poor Anne. Marrying Dicky Umfraville was a dreadful judgment on her. Still, a party is no place for vain regrets – certainly not vain regrets about one’s ex-sister-in-law.’

‘You should have seen Maclintick’s sister,’ said Mrs Maclintick, ‘if you are going to grumble about your sister-in-law.’

‘We will visit her, if necessary, dear lady, later in the evening,’ said Stringham. ‘The night is still young.’

‘You can’t,’ said Mrs Maclintick. ‘She’s dead.’

‘My condolences,’ said Stringham. ‘But, as I was saying, my former wife was not musical. Music did not run in the family. Mountfichet was not a house to stimulate music. You might compose a few dirges there, I suppose. Even they would have cheered the place up – the morning-room especially.’

‘I was going to stay at Mountfichet once,’ said Priscilla. ‘Then Hugo got chicken-pox and we were all in quarantine.’

‘You had a narrow escape, Lady Priscilla,’ said Stringham. ‘You are unaware of your good fortune. No, what I object to about marriage is not the active bad behaviour – like your musical friend playing the gramophone in the small hours. I could have stood that. I sleep abominably anyway. The gramophone would while away time in bed when one lies awake thinking about love. What broke me was the passive resistance. That was what got me down.’

Moreland began to laugh unrestrainedly again, thrusting the handkerchief in his mouth until it nearly choked him. He too had had a good deal to drink. Mrs Maclintick clenched her teeth in obvious approval of what Stringham had said. Stringham went on uninterrupted.

‘It is a beautiful morning,’ he said. ‘For some reason you feel relatively well that day. You make some conciliatory remark. No answer. You think she hasn’t heard. Still asleep perhaps. You speak again. A strangled sigh. What’s wrong? You begin to go through in your mind all the awful things you might have done.’

‘Maclintick never dreams of going through the awful things he has done,’ said Mrs Maclintick. ‘It would take far too long for one thing. Anyway, he never thinks about them at all. If you so much as mention one or two of them, he gets out of bed and sleeps on the sofa in his work-room.’

‘Look here,’ said Moreland, still laughing convulsively, ‘I really cannot have my old friend Maclintick maligned in this manner without a word of protest. I know you are married to him, and marriage gives everyone all sorts of special rights where complaining is concerned-’

‘You begin adding up your sins of commission and omission,’ Stringham continued inexorably. ‘Did one get tight? It seems months and months since one was tight, so it can’t be that. Did one say something silly the night before? Much more likely. Not that remark about the colour of her father’s face at breakfast? It couldn’t have been that. She enjoyed that – even laughed a little. I don’t know whether any of you ever met my former father-in-law, Major the Earl of Bridgnorth, late the Royal Horse Guards, by the way? His is a name to conjure with on the Turf. When I was married to his elder daughter, the beautiful Peggy, I was often to be seen conjuring with it on the course at Epsom, and elsewhere, but with little success, all among the bookies and Prince Monolulu and the tipster who wears an Old Harrovian tie and has never given a loser.’