That's very much on my schedule, and someday I'll try to get around to it; but if it happens, I'd like to have my ego tagging along. I want to still be me when I wake up one fine morning and have breakfast at Tiffany's. You need a glass," she said, noticing my empty hands. "Rusty! Will you bring my friend a drink?"

She was still hugging the cat. "Poor slob," she said, tickling his head, "poor slob without a name. It's a little inconvenient, his not having a name. But I haven't any right to give him one: he'll have to wait until he belongs to somebody. We just sort of took up by the river one day, we don't belong to each other: he's an independent, and so am I. I don't want to own anything until I know I've found the place where me and things belong together. I'm not quite sure where that is just yet. But I know what it's like." She smiled, and let the cat drop to the floor. "It's like Tiffany's," she said. "Not that I give a hoot about jewelry. Diamonds, yes. But it's tacky to wear diamonds before you're forty; and even that's risky. They only look right on the really old girls. Maria Ouspenskaya. Wrinkles and bones, white hair and diamonds: I can't wait. But that's not why I'm mad about Tiffany's. Listen. You know those days when you've got the mean reds?"

"Same as the blues?"

"No," she said slowly. "No, the blues are because you're getting fat or maybe it's been raining too long. You're sad, that's all. But the mean reds are horrible. You're afraid and you sweat like hell, but you don't know what you're afraid of. Except something bad is going to happen, only you don't know what it is. You've had that feeling?"

"Quite often. Some people call it angst."

"All right. Angst. But what do you do about it?"

"Well, a drink helps."

"I've tried that. I've tried aspirin, too. Rusty thinks I should smoke marijuana, and I did for a while, but it only makes me giggle. What I've found does the most good is just to get into a taxi and go to Tiffany's. It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits, and that lovely smell of silver and alligator wallets. If I could find a real-life place that made me feel like Tiffany's, then I'd buy some furniture and give the cat a name. I've thought maybe after the war, Fred and I — " She pushed up her dark glasses, and her eyes, the differing colors of them, the grays and wisps of blue and green, had taken on a far-seeing sharpness. "I went to Mexico once. It's wonderful country for raising horses. I saw one place near the sea. Fred's good with horses."

Rusty Trawler came carrying a martini; he handed it over without looking at me. "I'm hungry," he announced, and his voice, retarded as the rest of him, produced an unnerving brat-whine that seemed to blame Holly. "It's seven-thirty, and I'm hungry. You know what the doctor said."

"Yes, Rusty. I know what the doctor said."

"Well, then break it up. Let's go."

"I want you to behave, Rusty." She spoke softly, but there was a governess threat of punishment in her tone that caused an odd flush of pleasure, of gratitude, to pink his face.

"You don't love me," he complained, as though they were alone.'

"Nobody loves naughtiness."

Obviously she'd said what he wanted to hear; it appeared to both excite and relax him. Still he continued, as though it were a ritual: "Do you love me?"

She patted him. "Tend to your chores, Rusty. And when I'm ready, we'll go eat wherever you want."

"Chinatown?"

"But that doesn't mean sweet and sour spareribs. You know what the doctor said."

As he returned to his duties with a satisfied waddle, I couldn't resist reminding her that she hadn't answered his question. "Do you love him?"

"I told you: you can make yourself love anybody. Besides, he had a stinking childhood."

"If it was so stinking, why does he cling to it?"

"Use your head. Can't you see it's just that Rusty feels safer in diapers than he would in a skirt? Which is really the choice, only he's awfully touchy about it. He tried to stab me with a butter knife because I told him to grow up and face the issue, settle down and play house with a nice fatherly truck driver. Meantime, I've got him on my hands; which is okay, he's harmless, he thinks girls are dolls, literally."

"Thank God."

"Well, if it were true of most men, I'd hardly be thanking God."

"I meant thank God you're not going to marry Mr. Trawler."

She lifted an eyebrow. "By the way, I'm not pretending I don't know he's rich. Even land in Mexico costs something. Now," she said, motioning me forward, "let's get hold of O.J."

I held back while my mind worked to win a postponement. Then I remembered: "Why Traveling?"

"On my card?" she said, disconcerted. "You think it's funny?"

"Not funny. Just provocative."

She shrugged. "After all, how do I know where I'll be living tomorrow? So I told them to put Traveling. Anyway, it was a waste of money, ordering those cards. Except I felt I owed it to them to buy some little something. They're from Tiffany's." She reached for my martini, I hadn't touched it; she drained it in two swallows, and took my hand. "Quit stalling. You're going to make friends with O.J."

An occurrence at the door intervened. It was a young woman, and she entered like a wind-rush, a squall of scarves and jangling gold. "H-H-Holly," she said, wagging a finger as she advanced, "you miserable h-h-hoarder. Hogging all these simply r-r-riveting m-m-men!"

She was well over six feet, taller than most men there. They straightened their spines, sucked in their stomachs; there was a general contest to match her swaying height.

Holly said, "What are you doing here?" and her lips were taut as drawn string.

"Why, n-n-nothing, sugar. I've been upstairs working with Yunioshi. Christmas stuff for the Ba-ba-zaar. But you sound vexed, sugar?" She scattered a roundabout smile. "You b-b-boys not vexed at me for butting in on your p-p-party?"

Rusty Trawler tittered. He squeezed her arm, as though to admire her muscle, and asked her if she could use a drink.

"I surely could," she said. "Make mine bourbon."

Holly told her, "There isn't any." Whereupon the Air Force colonel suggested he run out for a bottle.

"Oh, I declare, don't let's have a f-f-fuss. I'm happy with ammonia. Holly, honey," she said, slightly shoving her, "don't you bother about me. I can introduce myself." She stooped toward O.J. Berman, who, like many short men in the presence of tall women, had an aspiring mist in his eye. "I'm Mag W-w-wildwood, from Wild-w-w-wood, Arkansas. That's hill country."

It seemed a dance, Berman performing some fancy footwork to prevent his rivals cutting in. He lost her to a quadrille of partners who gobbled up her stammered jokes like popcorn tossed to pigeons. It was a comprehensible success. She was a triumph over ugliness, so often more beguiling than real beauty, if only because it contains paradox. In this case, as opposed to the scrupulous method of plain good taste and scientific grooming, the trick had been worked by exaggerating defects; she'd made them ornamental by admitting them boldly. Heels that emphasized her height, so steep her ankles trembled; a flat tight bodice that indicated she could go to a beach in bathing trunks; hair that was pulled straight back, accentuating the spareness, the starvation of her fashion-model face. Even the stutter, certainly genuine but still a bit laid on, had been turned to advantage. It was the master stroke, that stutter; for it contrived to make her banalities sound somehow original, and secondly, despite her tallness, her assurance, it served to inspire in male listeners a protective feeling. To illustrate: Berman had to be pounded on the back because she said, "Who can tell me w-w-where is the j-j-john?"; then, completing the cycle, he offered an arm to guide her himself.