Those final weeks, spanning end of summer and the beginning of another autumn, are blurred in memory, perhaps because our understanding of each other had reached that sweet depth where two people communicate more often in silence than in words: an affectionate quietness replaces the tensions, the unrelaxed chatter and chasing about that produce a friendship's more showy, more, in the surface sense, dramatic moments. Frequently, when he was out of town (I'd developed hostile attitudes toward him, and seldom used his name) we spent entire evenings together during which we exchanged less than a hundred words; once, we walked all the way to Chinatown, ate a chow-mein supper, bought some paper lanterns and stole a box of joss sticks, then moseyed across the Brooklyn Bridge, and on the bridge, as we watched seaward-moving ships pass between the cliffs of burning skyline, she said: "Years from now, years and years, one of those ships will bring me back, me and my nine Brazilian brats. Because yes, they must see this, these lights, the river — I love New York, even though it isn't mine, the way something has to be, a tree or a street or a house, something, anyway, that belongs to me because I belong to it." And I said: "Do shut up," for I felt infuriatingly left out — a tugboat in drydock while she, glittery voyager of secure destination, steamed down the harbor with whistles whistling and confetti in the air. So the days, the last days, blow about in memory, hazy, autumnal, all alike as leaves: until a day unlike any other I've lived.

It happened to fall on the 30th of September, my birthday, a fact which had no effect on events, except that, expecting some form of monetary remembrance from my family, I was eager for the postman's morning visit. Indeed, I went downstairs and waited for him. If I had not been loitering in the vestibule, then Holly would not have asked me to go horseback riding; and would not, consequently, have had the opportunity to save my life.

"Come on," she said, when she found me awaiting the postman. "Let's walk a couple of horses around the park." She was wearing a windbreaker and a pair of blue jeans and tennis shoes; she slapped her stomach, drawing attention to its flatness: "Don't think I'm out to lose the heir. But there's a horse, my darling old Mabel Minerva — I can't go without saying good-bye to Mabel Minerva."

"Good-bye?"

"A week from Saturday. José bought the tickets." In rather a trance, I let her lead me down to the street. "We change planes in Miami. Then over the sea. Over the Andes. Taxi!"

Over the Andes. As we rode in a cab across Central Park it seemed to me as though I, too, were flying, desolately floating over snow-peaked and perilous territory.

"But you can't. After all, what about. Well, what about. Well, you can't really run off and leave everybody."

"I don't think anyone will miss me. I have no friends."

"I will. Miss you. So will Joe Bell. And oh — millions. Like Sally. Poor Mr. Tomato."

"I loved old Sally," she said, and sighed. "You know I haven't been to see him in a month? When I told him I was going away, he was an angel. Actually" — she frowned — "he seemed delighted that I was leaving the country. He said it was all for the best. Because sooner or later there might be trouble. If they found out I wasn't his real niece. That fat lawyer, O'Shaughnessy, O'Shaughnessy sent me five hundred dollars. In cash. A wedding present from Sally."

I wanted to be unkind. "You can expect a present from me, too. When, and if, the wedding happens."

She laughed. "He'll marry me, all right. In church. And with his family there. That's why we're waiting till we get to Rio."

"Does he know you're married already?"

"What's the matter with you? Are you trying to ruin the day? It's a beautiful day: leave it alone!"

"But it's perfectly possible — "

"It isn't possible. I've told you, that wasn't legal. It couldn't be." She rubbed her nose, and glanced at me sideways. "Mention that to a living soul, darling. I'll hang you by your toes and dress you for a hog."

The stables — I believe they have been replaced by television studios — were on West Sixty-sixth street Holly selected for me an old sway-back black and white mare: "Don't worry, she's safer than a cradle." Which, in my case, was a necessary guarantee, for ten-cent pony rides at childhood carnivals were the limit of my equestrian experience. Holly helped hoist me into the saddle, then mounted her own horse, a silvery animal that took the lead as we jogged across the traffic of Central Park West and entered a riding path dappled with leaves denuding breezes danced about.

"See?" she shouted. "It's great!" And suddenly it was. Suddenly, watching the tangled colors of Holly's hair flash in the red-yellow leaf light, I loved her enough to forget myself, my self-pitying despairs, and be content that something she thought happy was going to happen. Very gently the horses began to trot, waves of wind splashed us, spanked our faces, we plunged in and out of sun and shadow pools, and joy, a glad-to-be-alive exhilaration, jolted through me like a jigger of nitrogen. That was one minute; the next introduced farce in grim disguise.

For all at once, like savage members of a jungle ambush, a band of Negro boys leapt out of the shrubbery along the path. Hooting, cursing, they launched rocks and thrashed at the horse's rumps with switches.

Mine, the black and white mare, rose on her hind legs, whinnied, teetered like a tightrope artist, then blue-streaked down the path, bouncing my feet out of the stirrups and leaving me scarcely attached. Her hooves made the gravel stones spit sparks. The sky careened. Trees, a lake with little-boy sailboats, statues went by licketysplit. Nursemaids rushed to rescue their charges from our awesome approach; men, bums and others, yelled: "Pull in the reins!" and "Whoa, boy, whoa!" and "Jump!" It was only later that I remembered these voices; at the time I was simply conscious of Holly, the cowboy-sound of her racing behind me, never quite catching up, and over and over calling encouragements. Onward: across the park and out into Fifth Avenue: stampeding against the noonday traffic, taxis, buses that screechingly swerved. Past the Duke mansion, the Frick Museum, past the Pierre and the Plaza. But Holly gained ground; moreover, a mounted policeman had joined the chase: flanking my runaway mare, one on either side, their horses performed a pincer movement that brought her to a steamy halt. It was then, at last, that I fell off her back. Fell off and picked myself up and stood there, not altogether certain where I was. A crowd gathered. The policeman huffed and wrote in a book: presently he was most sympathetic, grinned and said he would arrange for our horses to be returned to their stable.

Holly put us in a taxi. "Darling. How do you feel?"

"Fine."

"But you haven't any pulse," she said, feeling my wrist.

"Then I must be dead."

"No, idiot. This is serious. Look at me."

The trouble was, I couldn't see her; rather, I saw several Holly's, a trio of sweaty faces so white with concern that I was both touched and embarrassed. "Honestly. I don't feel anything. Except ashamed."

"Please. Are you sure? Tell me the truth. You might have been killed."

"But I wasn't. And thank you. For saving my life. You're wonderful. Unique. I love you."

"Damn fool." She kissed me on the cheek. Then there were four of her, and I fainted dead away.

That evening, photographs of Holly were frontpaged by the late edition of the Journal-American and by the early editions of both the Daily News and the Daily Mirror. The publicity had nothing to do with runaway horses. It concerned quite another matter, as the headlines revealed: PLAYGIRL ARRESTED IN NARCOTICS SCANDAL (Journal-American), ARREST DOPE-SMUGGLING ACTRESS (Daily News), DRUG RING EXPOSED, GLAMOUR GIRL HELD (Daily Mirror).