I always liked Aunt Zo. I liked her big, grandstanding voice. I liked her sense of humor. She was louder than most men; she could make my mother laugh like nobody else.

That Sunday, for instance, during one of the many lulls, Aunt Zo turned around and dared to joke. “I have to be here, Tessie. What’s your excuse?”

“Callie and I just felt like coming to church,” my mother answered.

Plato, who was small like his father, sang out with mock censure, “Shame on you, Callie. What did you do?” He rubbed his right index finger repeatedly over his left.

“Nothing,” I said.

“Hey, Soc,” Plato whispered to his brother. “Is cousin Callie blushing?”

“She must have done something she doesn’t want to tell us.”

“Shush up now, you,” said Aunt Zo. For Father Mike was approaching with the censer. My cousins turned around. My mother bowed her head to pray. I did, too. Tessie prayed for Chapter Eleven to come to his senses. And me? That’s easy. I prayed for my period to come. I prayed to receive the womanly stigmata.

Summer sped on. Milton brought our suitcases up from the basement and told my mother and me to start packing. I tanned with the Object at the Little Club. Dr. Bauer haunted my mind, judging the proportions of my legs. The appointment was a week away, then half a week, then two days . . .

And so we come to the preceding Saturday night, July 20, 1974. A night full of departures and secret plans. In the early hours of Sunday morning (which was still Saturday night back in Michigan), Turkish jets took off from bases on the mainland. They headed southeast over the Mediterranean Sea toward the island of Cyprus. In the ancient myths, gods favoring mortals often hid them away. Aphrodite blotted out Paris once, saving him from certain death at the hands of Menelaus. She wrapped Aeneas in a coat to sneak him off the battlefield. Likewise, as the Turkish jets roared over the sea, they were also hidden. That night, Cypriot military personnel reported a mysterious malfunctioning of their radar screens. The screens filled with thousands of white blips: an electromagnetic cloud. Invisible inside this, the Turkish jets reached the island and began dropping their bombs.

Meanwhile, back in Grosse Pointe, Fred and Phyllis Mooney were also leaving home base, heading to Chicago. On the front porch, waving goodbye, stood their children, Woody and Jane, who had secret plans of their own. Flying toward the Mooneys’ house at that moment were the silver bombers of beer kegs and the tight formations of six-packs. Cars full of teenagers were on their way. And so were the Object and I. Powdered and glossed, our hair hot-combed into wings, we had set off for the party ourselves. In thin corduroy skirts and clogs we came up the front lawn. But the Object stopped me on the porch before we went in. She was biting her lip.

“You’re my best friend, right?”

“Right.”

“Okay. Sometimes I think I have bad breath.” She stopped. “The thing is, you can never tell if you have bad breath or not. So the thing is”—she paused—“I want you to check it for me.”

I didn’t know what to say and so said nothing.

“Is that too disgusting?”

“No,” I said, finally.

“Okay, here goes.” She leaned toward me and huffed a single breath into my face.

“It’s okay,” I said.

“Good. Now you.”

I leaned down and exhaled in her face.

“It’s fine,” she said, decisively. “Okay. Now we can go to the party.”

I’d never been to a party before. I felt for the parents. As we squeezed by the throngs in the throbbing house, I cringed at the destruction under way. Cigarette ashes were dropping on Pierre Deux upholstery. Beer cans were spilling onto heirloom carpets. In the den I saw two laughing boys urinating into a tennis trophy. It was mostly older kids. A few couples climbed the stairs, disappearing into bedrooms.

The Object was trying to act older herself. She was copying the superior, bored expressions of the high school girls. She crossed to the back porch ahead of me and got in the line for the keg.

“What are you doing?” I asked.

“I’m getting a beer. What do you think?”

It was fairly dark outside. As in most social situations, I let my hair fall into my face. I was standing behind the Object, looking like Cousin It, when someone put his hands over my eyes.

“Guess who?”

“Jerome.”

I pulled his hands off my face and turned around.

“How did you know it was me?”

“The curious smell.”

“Ouch,” said a voice behind Jerome. I looked over and received a shock. Standing with Jerome was Rex Reese, the guy who had driven Carol Henkel to her watery death. Rex Reese, our local Teddy Kennedy. He didn’t look particularly sober now, either. His dark hair covered his ears and he wore a piece of blue coral on a leather thong around his throat. I searched his face for signs of remorse or repentance. Rex wasn’t searching my face, however. He was eyeing the Object, his hair falling into his eyes above the curl of a smile.

Deftly, the two boys moved in between us, turning their backs to each other. I had a final glimpse of the Obscure Object. She had her hands in the back pockets of her corduroy skirt. This looked casual but had the effect of pushing out her chest. She was looking up at Rex and smiling.

“I start filming tomorrow,” Jerome said.

I looked blank.

“My movie. My vampire movie. You sure you don’t want to be in it?”

“We’re going on vacation this week.”

“That sucks,” said Jerome. “It’s going to be genius.”

We stood silent. After a moment I said, “Real geniuses never think they’re geniuses.”

“Who says?”

“Me.”

“Because why?”

“Because genius is nine-tenths perspiration. Haven’t you ever heard that? As soon as you think you’re a genius, you slack off. You think everything you do is so great and everything.”

“I just want to make scary movies,” Jerome replied. “With occasional nudity.”

“Just don’t try to be a genius and maybe you’ll end up being one by accident,” I said.

He was looking at me in a funny way, intense, but also grinning.

“What?”

“Nothing.”

“Why are you looking at me like that?”

“Looking at you like what?”

In the dark, Jerome’s resemblance to the Obscure Object was even more pronounced. The tawny eyebrows, the butterscotch complexion—here they were again, in permissible form.

“You’re a lot smarter than most of my sister’s friends.”

“You’re a lot smarter than most of my friends’ brothers.”

He leaned toward me. He was taller than I was. That was the big difference between him and his sister. It was enough to wake me from my trance. I turned away. I circled around him back to the Object. She was still staring up bright-faced at Rex.

“Come on,” I said. “We’ve got to go to that thing.”

“What thing?”

“You know. That thing.”

Finally I managed to pull her away. She left trailing smiles and significant looks. As soon as we got off the porch she was frowning at me.

“Where are you taking me?” she said angrily.

“Away from that creep.”

“Can’t you leave me alone for a minute?”

“You want me to leave you alone?” I said. “Okay, I’ll leave you alone.” I didn’t move.

“Can’t I even talk to a boy at a party?” the Object asked.

“I was taking you away before it was too late.”

“What do you mean?”

“You’ve got bad breath.”

This checked the Object. This struck her to her core. She wilted. “I do?” she asked.

“It’s just a little oniony,” I said.

We were on the back lawn now. Kids were sitting on the stone porch rail, their cigarette tips glowing in the darkness.

“What do you think of Rex?” the Object whispered.

“What? Don’t tell me you like him.”

“I didn’t say I like him.”

I scoped her face, seeking the answer. She noticed this and walked farther away over the lawn. I followed. I said earlier that most of my emotions are hybrids. But not all. Some are pure and unadulterated. Jealousy, for instance.