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“I—don’t—see—why—you—won’t—let—Sophie—do—something—with—your —hair.”

“Because I see what she does to her hair.”

“Sophie has a perfectly nice hairstyle.”

“Ow!”

“Well, what do you expect? It’s a rat’s nest.”

“Just leave it.”

“Be still.” More brushing, tugging. My head jerking with every stroke. “Short hair’s the style now anyway, Callie.”

“Are you finished?”

A few final, frustrated strokes. Then, plaintively: “At least tie it back. Keep it out of your face.”

What could I tell her? That that was the whole point of having long hair? To keep it in my face? Maybe I didn’t look like Dorothy Hamill. Maybe I was even starting to bear a strong resemblance to our weeping willow trees. But there were virtues to my hair. It covered tinsel teeth. It covered satyrical nose. It hid blemishes and, best of all, it hid me. Cut my hair? Never! I was still growing it out. My dream was to someday live inside it.

Imagine me then at unlucky thirteen as I entered the eighth grade. Five feet ten inches tall, weighing one hundred and thirty-one pounds. Black hair hanging like drapes on either side of my nose. People knocking on the air in front of my face and calling out, “Anybody in there?”

I was in there all right. Where else could I go?

WAXING LYRICAL

I am back to my old ways. To my solitary walks through Victoria park. To my Romeo y Julietas, my Davidoff Grand Crus. To my embassy receptions, my Philharmonie concerts, my nightly rounds at the Felsenkeller. It’s my favorite time of year, fall. The slight chill to the air, quickening the brain, and all the schoolkid, school-year memories attached to autumn. You don’t get the bright leaves here in Europe the way you do in New England. The leaves smolder but never catch flame. It’s still warm enough to bicycle. Last night I rode from Schöneberg to Orianenburgstrasse in Mitte. I met a friend for a drink. Leaving, riding through the streets, I was hailed by the intergalactic streetwalkers. In their Manga suits, their moon boots, they tossed their teased doll’s hair and called, Hallo hallo. Maybe they would be just the thing for me. Remunerated to tolerate most anything. Shocked by nothing. And yet, as I pedaled past their lineup, their Strich, my feelings toward them were not a man’s. I was aware of a good girl’s reproachfulness and disdain, along with a perceptible, physical empathy. As they shifted their hips, hooking me with their darkly painted eyes, my mind filled not with images of what I might do with them, but with what it must be like for them, night after night, hour after hour, to have to do it. The Huren themselves didn’t look too closely at me. They saw my silk scarf, my Zegna pants, my gleaming shoes. They saw the money in my wallet. Hallo, they called. Hallo. Hallo.

* * *

It was fall then, too, the fall of 1973. I was only a few months from turning fourteen. And one Sunday after church Sophie Sassoon whispered in my ear, “Hon? You’re getting just the tiniest bit of a mustache. Have your mother bring you by the shop. I’ll take care of it for you.”

A mustache? Was it true? Like Mrs. Drexel? I hurried to the bathroom to see. Mrs. Tsilouras was reapplying lipstick, but as soon as she left I put my face up to the mirror. Not a full-fledged mustache: only a few darkish hairs above my upper lip. This wasn’t as surprising as it may seem. In fact, I’d been expecting it.

Like the Sun Belt or the Bible Belt, there exists, on this multifarious earth of ours, a Hair Belt. It begins in southern Spain, congruent with Moorish influence. It extends over the dark-eyed regions of Italy, almost all of Greece, and absolutely all of Turkey. It dips south to include Morocco, Tunisia, Algeria, and Egypt. Continuing on (and darkening in color as maps do to indicate ocean depth) it blankets Syria, Iran, and Afghanistan, before lightening gradually in India. After that, except for a single dot representing the Ainu in Japan, the Hair Belt ends.

Sing, Muse, of Greek ladies and their battle against unsightly hair! Sing of depilatory creams and tweezers! Of bleach and beeswax! Sing how the unsightly black fuzz, like the Persian legions of Darius, sweeps over the Achaean mainland of girls barely into their teens! No, Calliope was not surprised by the appearance of a shadow above her upper lip. My Aunt Zo, my mother, Sourmelina, and even my cousin Cleo all suffered from hair growing where they didn’t want it to. When I close my eyes and summon the fond smells of childhood, do I smell gingerbread baking or the pine-fresh scent of Christmas trees? Not primarily. The aroma that fills, as it were, the nostrils of my memory is the sulfurous, protein-dissolving fetor of Nair.

I see my mother, with her feet in the tub, waiting for the bubbling, stinging foam to work. I see Sourmelina, heating up a tin of wax on the stove. The pains they took to make themselves smooth! The rashes the creams left! The futility of it all! The enemy, hair, was invincible. It was life itself.

I told my mother to make an appointment for me at Sophie Sassoon’s beauty parlor at the Eastland Mall.

Wedged between a movie theater and a submarine sandwich shop, the Golden Fleece did what it could to distance itself socially from its neighbors. A tasteful awning hung over the entrance, bearing the silhouette of a Parisian grande dame. Inside, flowers sat on the front desk. Just as colorful as the flowers was Sophie Sassoon herself. In a purple muumuu, braceleted and begemmed, she glided from chair to chair. “How we doing here? Oh, you look gorgeous. That color takes ten years off.” Then to the next customer: “Don’t look so worried. Trust me. This is how they’re wearing their hair now. Reinaldo, tell her.” And Reinaldo in his hip-huggers: “Like Mia Farrow in Rosemary’s Baby. Sick flick, but she looked great.” By then Sophie had moved on to the next person. “Hon, let me give you some advice. Don’t blow-dry your hair. Let it dry wet. Also I’ve got a conditioner for you you won’t believe. I’m an authorized dealer.” It was Sophie Sassoon’s personal attention the women came for, the feeling of safety the salon gave them, the assurance that in here they could expose their flaws without embarrassment and Sophie would take care of them. It must have been the love they came for. Otherwise the customers would have noticed that Sophie Sassoon was herself in need of beauty advice. They would have seen that her eyebrows were drawn on as though by Magic Marker, and that her face, owing to the Princess Borghese makeup she sold on commission, was the color of a brick. But did I see it that day myself, or in the weeks that followed? Like everyone else, instead of judging the final effect of Sophie Sasoon’s makeup job, I was impressed by the complexity of it. I knew, as did my mother and the other ladies, that to “put on her face” every morning it took Sophie Sassoon no less than one hour and forty-five minutes. She had to apply eye creams and under-eye creams. She had to lay down various layers, like shellacking a Stradivarius. In addition to the brick-colored final coat there were others: dabs of green to control redness, pinks to add blush, blues above the eyes. She used dry eyeliner, liquid eyeliner, lip liner, lip conditioner, a frosted highlighter, and a pore minimizer. Sophie Sasoon’s face: it was created with the rigor of a sand painting blown grain by grain by Tibetan monks. It lasted only a day and then it was gone.

This face now said to us, “Right this way, ladies.” Sophie was warm, as always, loving as always. Her hands, treated every night with vanishing cream, fluttered around us, stroking, rubbing. Her earrings looked like something Schliemann had dug up at Troy. She led us past a line of women having their hair set, across a stifling ghetto of hair dryers, and through a blue curtain. In the front of the Golden Fleece, Sophie fixed people’s hair; in the back she removed it. Behind the blue curtain half-naked women presented portions of themselves to wax. One large woman was on her back, her blouse pulled up to expose her navel. Another was lying on her stomach, reading a magazine while wax dried on the back of her thighs. There was a woman sitting in a chair, her sideburns and chin smeared with dark golden wax, and there were two beautiful young women lying naked from the waist down, having their bikini lines done. The smell of the beeswax was strong, pleasant. The atmosphere was like a Turkish bath without the heat, a lazy, draped feeling to everything, steam curling off pots of wax.