At 6:23A.M. , the Princess telephone in my bedroom rang and I picked it up. It was Jimmy Fioretos, who in his panic mistook my voice for my mother’s. “Tessie, tell Milt to get down to the restaurant. The coloreds are rioting!”
“Stephanides residence,” I continued politely, as I’d been taught. “Callie speaking.”
“Callie? Jesus. Honey, let me speak to your father?”
“Just one minute please.” I put down the pink phone, walked into my parents’ bedroom, and shook my father awake.
“It’s Mr. Fioretos.”
“Jimmy? Christ, what does he want?” He lifted his cheek, in which could be discerned the imprint of a gun barrel.
“He says somebody’s rioting.”
At which point, my father jumped out of bed. As though he still weighed one hundred and forty pounds instead of one ninety, Milton flipped gymnastically into the air and landed on his feet, completely unaware of both his nakedness and his dream-filled morning erection. (So it was that the Detroit riots will always be connected in my mind with my first sight of the aroused male genitalia. Even worse, they were my father’s, and worst of all, he was reaching for a gun. Sometimes a cigar is not a cigar.) Tessie was up now, too, shouting at Milton not to go, and Milton was hopping on one foot, trying to put on his pants; and before long everybody was into it.
“I tell you this what happen!” Desdemona screamed at Milton as he ran down the stairs. “Do you fix the church for St. Christopher? No!”
“Leave it to the police, Milt,” Tessie pleaded.
And Chapter Eleven: “When are you going to be back, Dad? You promised to take me to Radio Shack today.”
And me, still squeezing my eyes shut to erase what I’d seen: “I think I’ll go back to bed now.”
The only person who didn’t say something was Lefty, because in all the confusion he couldn’t find his chalkboard.
Half-dressed, in shoes but no socks, in pants but no underpants, Milton Stephanides raced his Delta 88 through the early morning streets. All the way to Woodward nothing seemed amiss. The roads were clear. Everyone was still asleep. As he turned onto West Grand Boulevard, however, he saw a pillar of smoke rising into the air. Unlike all the other pillars of smoke issuing from the city’s smokestacks, this pillar didn’t disperse into the general smog. It hung low to the ground like a vengeful tornado. It churned and kept its fearsome shape, fed by what it consumed. The Oldsmobile was heading straight for it. Suddenly people appeared. People running. People carrying things. People laughing and looking over their shoulders while other people waved their hands, appealing for them to stop. Sirens wailed. A police car raced past. The officer at the wheel signaled Milton to turn back, but Milton did not obey.
And it was funny, because these were his streets. Milton had known them his whole life. Over there on Lincoln there used to be a fruit stand. Lefty used to stop there with Milton to buy cantaloupes, teaching Milton how to pick a sweet one by looking for tiny punctures left by bees. Over on Trumbull was where Mrs. Tsatsarakis lived. Used to always ask me to bring up Vernors from the basement, Milton thought to himself. Couldn’t climb stairs anymore. On the corner of Sterling and Commonwealth was the old Masonic Temple, where one Saturday afternoon thirty-five years before, Milton had been runner-up in a spelling bee. A spelling bee! Two dozen kids in their best clothes concentrating as hard as they could to piece out “prestidigitation” one letter at a time. That’s what used to happen in this neighborhood. Spelling bees! Now ten-year-olds were running in the streets, carrying bricks. They were throwing bricks through store windows, laughing and jumping, thinking it was some kind of game, some kind of holiday.
Milton looked away from the dancing children and saw the pillar of smoke right in front of him, blocking the street. There was a second or two when he could have turned back. But he didn’t. He hit it dead on. The Oldsmobile’s hood ornament disappeared first, then the front fenders and the roof. The taillights gleamed redly for a moment and then winked out.
In every chase scene we’d ever watched, the hero always climbed up to the roof. Strict realists in my family, we always objected: “Why do they always go up?” “Watch. He’s going to climb the tower. See? I told you.” But Hollywood knew more about human nature than we realized. Because, faced with this emergency, Tessie took Chapter Eleven and me up to the attic. Maybe it was a vestige of our arboreal past; we wanted to climb up and out of danger. Or maybe my mother felt safer there because of the door that blended in with the wallpaper. Whatever the reason, we took a suitcase full of food up to the attic and stayed there for three days, watching the city burn on my grandparents’ small black-and-white. In housedress and sandals, Desdemona held her cardboard fan to her chest, shielding herself against the spectacle of life repeating itself. “Oh my God! Is like Smyrna! Look at the mavros! Like the Turks they are burning everything!”
It was hard to argue with the comparison. In Smyrna people had taken their furniture down to the waterfront; and on television now people were carrying furniture, too. Men were lugging brand-new sofas out of stores. Refrigerators were sailing along the avenues, as were stoves and dishwashers. And just like in Smyrna everyone seemed to have packed all their clothes. Women were wearing minks despite the July heat. Men were trying on new suits and running at the same time. “Smyrna! Smyrna! Smyrna!” Desdemona kept wailing, and I’d already heard so much about Smyrna in my seven years that I watched the screen closely to see what it had been like. But I didn’t understand. Sure, buildings were burning, bodies were lying in the street, but the mood wasn’t one of desperation. I’d never seen people so happy in my entire life. Men were playing instruments taken from a music store. Other men were handing whiskey bottles through a shattered window and passing them around. It looked more like a block party than it did a riot.
Up until that night, our neighborhood’s basic feeling about our fellow Negro citizens could be summed up in something Tessie said after watching Sidney Poitier’s performance in To Sir with Love, which opened a month before the riots. She said, “You see, they can speak perfectly normal if they want.” That was how we felt. (Even me back then, I won’t deny it, because we’re all the children of our parents.) We were ready to accept the Negroes. We weren’t prejudiced against them. We wanted to include them in our society if they would only act normal!
In their support for Johnson’s Great Society, in their applause after To Sir with Love, our neighbors and relatives made clear their well-intentioned belief that the Negroes were fully capable of being just like white people—but then what was this? they asked themselves as they saw the pictures on television. What were those young men doing carrying a sofa down the street? Would Sidney Poitier ever take a sofa or a large kitchen appliance from a store without paying? Would he dance like that in front of a burning building? “No respect for private property whatsoever,” cried Mr. Benz, who lived next door. And his wife Phyllis: “Where are they going to live if they burn down their own neighborhood?” Only Aunt Zo seemed to sympathize: “I don’t know. If I was walking down the street and there was a mink coat just sitting there, I might take it.” “Zoë!” Father Mike was shocked. “That’s stealing!” “Oh, what isn’t, when you come right down to it. This whole country’s stolen.”
For three days and two nights we waited in the attic to hear from Milton. The fires had knocked out phone service, and when my mother called the restaurant, all she got was a recorded message with an operator’s voice.
For three days no one left the attic except Tessie, who hurried downstairs to get food from our emptying cupboards. We watched the death toll rise.