Something threw itself with a crash against the throne-room doors.

The dwarf was stuck in the harness. He writhed about. 'Bolt the doors one of you, or it's the end of us!'He got free and addressed himself feverishly to the machine. Sparks came up from it; it gave up slow yellow fireflies to join the flow of blue light from the broken window. A smell like burnt horsehair filled the air. As for Cellur and the Queen:

neither of them seemed to be able to move. Their faces were waxy with despair, their eyes like lemurs'. For Tomb it was only a physical disaster, it was only another war; for them it was a disaster of meaning. They murmured in low, slurred voices to one another, like old intelligent animals – 'Saint Elmo Buffin'; 'a fatal chance'. Tomb broke his nails on the ancient machinery. He was a dwarf not a philosopher; it was just another war: and he thought he still had time to win it…

He strapped himself back into the harness. The mechanical wife lifted itself from the flagstones with a groan and an ungainly lurch, like an overloaded camel. It was worn out, like all the other machinery in Viriconium. No-one knew what it had been used for all those centuries ago in the doomed Afternoon Kingdoms. It flailed clumsily about, smashing pieces of furniture in its efforts to stay upright. It fumbled on the floor until it came up with the dwarf's power-axe, which it proceeded to swing in dangerous, humming arcs. 'Ha ha,'laughed the dwarf. He pulled the skull-piece down over his head. His old eyes blinked redly. He felt alive. He only had to stamp his feet and the walls shook. He moved his levers. Trailing creamy white motes like cabbage moths, the mechanical wife shambled over to the doors, one enormous hand reaching triumphantly for the upper bolts…

Outside in a victorious gloom, the remnants of the palace guard bubbling to death at their feet, were gathered the devotees of the Sign. Since the murder on the Pleasure Canal they had lost touch with their ruling echelon in the fluorescing windy mazes of the Artists'Quarter; their ideological priorities had become unfathomable, even to themselves; and their very flesh had suffered violent and useless evolutions. In their endless quartering of the Low City they had uprooted railings, constructed wooden clubs studded with bits of broken glass, helped themselves to butchers'cleavers and old kitchen knives black with corrosion; gathering an army fit for the mutated, the motivationally-bankrupt and the burst. The pain of their transformation had caused them to loosen or unwind the bandages which had previously disguised their humps and tumours, and these now flapped about them in crusty strips as they hopped and sprang erratically along the palace corridors on their strong, bent legs.

Their eyes were puzzled and full of agony. They could not become insects. The flesh, ultimately, resists: there is a conservatism of cell and marrow. But they would never again be human – From wounds like women's lips had bloomed a fantastic, irrelevant anatomy: drooping feathery antennae, trembling multi-jointed legs, a thousand mosaic eyes, vibrating palps and purposeless plates of chitin. Where these new deformed organs merged into the original flesh was a transitional substance, pinkish grey, weeping like an unsuccessful graft. None of them were in the right place. From a mutilated torso sprang six thin legs, rattling like dry sticks in a wind. (They seemed to be beckoning. The man from whom they had grown screamed involuntarily whenever he caught sight of himself.) Here rubbery, saw-edged mandibles had burst from flower-like lesions at knee or nape and were now speaking unknown languages in reedy, creaking voices, there a gristly membrane flapped like a mantle, dotted with the abortive stumps of wings. For the genitals of a magistrate from Alves had been substituted a coiled mothlike tongue. which poked out uncontrollably at intervals. Some of them leapt and sprang about unpredictably, like grasshoppers on a sunny day; others had lost completely the power of upright locomotion and dragged themselves round in circles like crippled blowflies. This degradation was not wholly their own: behind the desperate murmurs that escaped them could be sensed the rustling whisper of some crippled demiurge: the pain of the Idea striving to clothe itself.

Propelled by a black horror of their own state, dimly but bitterly aware of the humanity they had willingly discarded, they broke down the doors and bore the mechanical wife of Tomb the Dwarf back across the throne-room, beating at it with their old shovels and broken swords. Hung up there among its gleaming limbs he swung his axe; tottered; retreated. While behind him Cellur the birdmaker woke from a dream of dissolution and found it to be real.

10: All the Wounds of the Earth

Galen Hornwrack came down into the mysterious City like some legendary failed conquistador. (Fever and magic have defeated his skills. The waste lands he set out to cross in his youth have shown him no enemy but his own ambition. All wells were poisoned; sand has swallowed his troops and his hopes. He lurches back alone into the country of his birth only to find that it too has become shifting, unreliable, changed forever… ) The scars left by his fight with the metal bird, an encounter which he recalled only dimly, had diverted and hardened the characteristic lines of his face, so that a strange asceticism now modified his habitual expression of petulance and seW-involvement. His nose was running. The sword of tegeus-Cromis he carried in his left hand, having lost its scabbard somewhere in the rotting landscapes behind him. His torn cloak revealed the mail the Queen had given him, now rusty. His eyes were empty and his gaze appallingly direct; as if, tiring of the attempt to winnow the real from the unreal, he now assigned exactly the same value to every object entering his visual field: as if he had suspended judgement on events, and now merely lived through them.

His desire to see the City had kept him from sleep.

Alstath Fulthor followed him, supporting the woman and her endless prophecies. A radiance, colourless in itself, issuing no doubt from his horned and lobed crustaceal armour, appeared to fill both their bodies, illuminating from beneath the things they wore, crimson and blue, as in some old painting. The alien presence of the City, its equivocal contract with 'reality', had lent new energy to – their madness. 'In my youth,'sang the woman, 'I made my small contribution. Blackpool and Chicago become as nothing, their receding colonnades echo to the sound of vanished orchestras.'At this they stopped to regard one another half in delight, half in horror, their cropped spiky hair and long restless hands giving them the air of children caught in some game of conspiracy. (It was only that they hoped to manipulate time, as we know: believing that by combination and recombination of a few common images – which are themselves only the symbols rather than the actual memories of acts peculiar to the Afternoon Cultures – they might obtain the 'code'which would liberate them from the Evening. Thus Main Etteilla, shuffling her pasteboard cards…)

They dawdled, and Hornwrack sat tiredly in the mud to wait for them.

'That's enough of that!'he said sharply. He treated them for the most part with a gruff indulgence, but tried to prevent their odd and embarrassing sexual encounters, chasing the woman away with the flat of his sword while being careful to keep his eye on Fulthor's own great weapon.

'That's enough!'they mimicked. 'That's enough!'

He did not know why he was here, heading into the world's deep wound. Bankrupt of purpose when they had fetched him that morning from the rooms in the Rue Sepile, he had maintained himself on the energy of old betrayals and resentments, none of which had survived the journey through the Deep Wastes. He shrugged. He was a husk. Above him hung the torpid and corrupt manifestation of Benedict Paucemanly which was his only hope. Since dawn it had been undergoing a crisis of will, dissolving sporadically into a mass of greyish curds and losing the power of speech. It would reassemble itself slowly after such a bout, beckon Hornwrack on toward the City, belch tragically. 'I want only death,'it would explain. And Hornwrack with a sigh would lead his mad proteges a little closer.