She nodded guardedly.

"Good. We shall have one." If the demonstration was not forthcoming, I might be forced to murder this girl if we could not work out our differences. I would then simply await the priests here in the morning, and take over from her that way. I had no stomach for that method, however, and counted on the fact that when one desal acts, all others within a hundred kilometers react.

We did not have to wait long. First there was a faint thumping below our feet. The girl cried out and backed away from the open dais. Although I had been expecting something, I was now very afraid. There is no knowing what a Wind may do.

Suddenly there was a violent shudder through the bedrock-solid desal. Outside a gale blew up from nowhere, and we heard trees cracking and leaves roaring. A faint white glow ensconced the top of a sentinel spire visible through the doorway.

She screamed. "Stop it, please! I believe!"

"All right," I said although in truth I had no idea how or if this manifestation would cease.

Then the door closed.

She and I bolted for it in one motion, I waving the torch as though it were a talisman to open it again. There was no sign that there had ever been a door there, save for half a windblown stick that had been caught as it closed, and snipped through. We looked at one another, she realizing at last that I had no more control over the desal than she did.

The dais in the center of the floor suddenly dropped out of sight, leaving a black hole. The floor of the desal distorted, lowered to form a funnel. There was nothing to hang onto. First she with a despairing cry, then I slid down and into that dark opening.

I opened my eyes on a strange vision. I was at the bottom of a well that was three meters across, its top invisible in darkness. The bottom was curved, of the same slick white substance as above, but soft. Around me on the walls of the tube strange images were appearing and vanishing, like moving frescoes.

I cried and tried not to watch, hiding my face in my hands, but I was afraid of I knew not what. I felt compelled to look around myself, at least to look up in case something came down that well at me. I imagined all kinds of terrors from above—giant pistons, water, or monstrous arms lowering to retrieve me. Nothing occurred, except the ongoing panoply unfolding on the walls around me. I could not for long avoid looking at the moving pictures.

Hypnotized, I watched a pictographic catalogue of the world unfold. Sketchy images of thousands of things rolled forward and back. The images were whirling towards some apocalyptic conclusion. The dizzying motion and flickering lights became too much for me. I thrust out my hand and cried, "Stop!"

My open palm slammed against the wall. Miraculously, the pictographs I had struck froze in place, as if painted. The rest continued to move around this sudden little island.

I snatched my hand back. The pictographs remained motionless.

Had the priestess seen what I was seeing? Perhaps this was how the desal had chosen its ministers in the past. I could well imagine those other women cowering as I did, watching in incomprehension as the pictures flew by—maybe to be ejected later by the desal into the arms of waiting awestruck people. The villagers would have demanded to know what the pictures meant. It would be as if you were given a book in an unknown language, and threatened with death unless you explained its meaning.

Maybe none of those other women had the courage or anger to try to touch the pictures. Then they would never have learned that they could stop them, or as I learned in the next minutes, move them.

First I reached out to tap hesitantly at another pictograph. It stopped instantly. Emboldened, I tried a few more. Soon I had a little set of rocks in a moving stream of imagery. Each one seemed significant—a tree, a cloud, a castle, a house. Most were pictures from nature, but there were men and women too, though these were oddly dressed. How? Well, chiefly as though their clothes had been painted on. Some had sunburst halos around their heads, and packs on their backs. Most such pictographs had a backdrop of blackness and stars.

One image that I tapped seemed to stagger as it stopped. I tapped it again and it jittered in place. I touched my finger to the wall and slowly drew it along. To my amazement the pictograph followed.

It probably wouldn't be possible for someone in such a position to avoid organizing the pictographs. Even just on the aesthetic level it made sense to group them, so that I could see them all without having to turn around. Soon I had ten or so of the things lined up in front of me. The rest were still whirling around, but they were less fearful now that I knew I could control them.

I immediately made another discovery. If two or more images overlapped they would both flash for a few seconds, then disappear, replaced by new ones.

These new images were the reply of the desal.

You see, when I moved the pictograph fish on top of a snaking river, row after row of fish shapes sprang into being on the wall above me. I recognized a few I had eaten or seen drawn in picture books. When I drew the pictograph of a carp onto that of an eye, I found myself looking at a very detailed drawing of a carp's eye, complete with little lines of text over and under it, written using our alphabet but in a language I did not recognize.

I became very excited. Quite possibly I would never emerge from this place, but it almost didn't matter. For long hours, until thirst and exhaustion overwhelmed me, I arranged images and watched as the desal replied.

I awoke half-delirious with thirst. The desire for water consumed me, and for a while I shouted and banged the walls, half-convinced that some human agency waited beyond them. There was no reply.

There were a number of representations of water on the walls. I dragged animal and raindrop together. The pictographs vanished, then reappeared without change. This happened, I had come to believe, when the desal did not understand the question.

I put a skull, a human shape and an image of the sun together. Again, nothing. This went on for quite a while, but I was doggedly determined, since thirst is not a need you can ignore. I can't remember the exact combination that worked, but suddenly I heard a clanking sound overhead and when I looked up, received a faceful of ice water.

When the downpour stopped I was up to my knees in it. Still, I was grateful. More, I felt a triumphal glow. After all, I had spoken to a Wind, asked a favor of it, and been given it.

The other women were probably ejected after they failed to grasp that the desal wanted to talk. Myself it kept, as several days passed and I became fluent in its strange visual speech. There did not seem to be anything it would not tell me—provided I knew how to ask. That was the most frustrating part, because I wanted to know its history, and that of my people; I wanted to know where the world had come from, and where it was going. My imagination failed utterly when it came to phrasing such questions in stick-figures and glyphs.

But I could make the desal act for me. I insisted on sun until the top of the shaft vanished, and daylight poured down on me. I demanded that my wastes be carried away, and the floor swallowed them as I slept. I requested food, and received fruit and berries.

Two things I learned, that made me the queen of Iapysia. The first was that I could paint my own images and freeze them on the wall. The second thing I discovered was a trove of information about the desals themselves.

This I came upon when I slapped a little whirling globe and it flattened out into a map of the world. The continents were clear, and I soon had my own nation spread before me, with intricate colors and shapes showing landforms and vegetation. I have never since seen anything like it. It was dotted with tiny dome-glyphs, which I at first took to be cities. They were in all the wrong places, though, and eventually I realized they were desals.