The whole thing sounded funny to me. Aunt Mae in Nashville with Clyde. She didn't know how long she was going to be. And Mother. What would I do with her? I was scared of her even with Aunt Mae around. And what would we eat? I still didn't say anything to Aunt Mae, though.

"Look, hon, I'm taking the bus out of here the day after tomorrow. And don't worry. It won't be long before you and Mother get a train ticket from me, you hear?"

All at once the whole thing hit me the way it should have at first. She was really planning to leave me with Mother. My mind got all filled again, and I looked up at Aunt Mae.

"But what am I going to do with Mother? I work all day, and she's up here, and what are we going to eat? If I was. . ."

"There's nothing to worry about, hon, really. I been with her all day. She just sits in your poppa's old cabbage patch or somewhere around the house. She isn't trouble. I know you can leave her here all day and she won't get in trouble."

I tried to think about what Aunt Mae was saying, but I couldn't. I just knew she really meant she was going. If I knew about it a week before or something, maybe I could think about what to do around the house while she was gone, but this was all of a sudden. I was really going to be left in the house with Mother to do everything for her. Aunt Mae in Nashville and Poppa in Italy and me here with Mother. It all ran together in my mind so fast I couldn't stop any of it long enough to think on it. I just looked down at the oilcloth. It was the same oilcloth on the table for as long as we lived in the house, but the shiny top part was wearing away in little creases and lines all over it, and the stiff cloth underneath was showing. I ran my fingers over the little cloth parts and let the rough rub on my skin. It felt so different from the slippery oilcloth.

"Look, hon. Maybe I shouldn't do this, but I never had a chance like it before, even when I was young. I can get on the radio and records. Are you listening, Dave? It don't seem like you hear anything I'm saying. Look. Quit your job at the store. Then you can stay here all day with Mother, you hear? In a week, or maybe two, you'll get the tickets to Nashville from me. And Dave, when you get to Nashville, maybe you can go back to school at one of the good ones they have there. Cities have good schools, Dave, and I'll be getting enough money for you to quit this work and finish your education. Now, tell Mr. Williams tomorrow that you want to quit."

I wanted to ask Aunt Mae a lot of things, but I didn't. I wanted to know what I was going to eat, and Mother too, with her gone off. And in Nashville with Clyde. I knew Clyde was old, but then I didn't know about him either. When I saw him with her, he didn't act old, and that was all else I knew. Quitting the job with Mr. Williams was something I didn't want to do. If I went and quit, I lost just about the best job I could get anywhere. And Mr. Williams would think I didn't appreciate what he did for me just giving me the job.

Aunt Mae passed by my chair and kissed me on top of my head. I didn't do anything but just kept looking out the back door to where Mother was somewhere in the pines. It was beginning to get dark, and she usually came in then. Pretty soon I saw her coming under the light green needles in the dimness with her skirt held up like a basket to hold some cones she must have picked up under the trees. I looked at her nearing the back steps and tried to think of living alone with her, even if it was for just two weeks. That funny tingling ran up the inside of my legs from my heels, and I just sat there and kept rubbing my finger over the worn-off places on the oilcloth.

Aunt Mae reached up and turned on the light when Mother came in. She went and closed the old screen because Mother's hands were holding in the cones. Mother came over to the table and dumped the cones out in a pile in the middle of the oilcloth. Her hands were all full of clay from pulling the cones out the ground, and leaves were stuck all in her skirt.

"There," she said.

I looked up at her, and she looked at me and smiled. I smiled back, but I was surprised at the way she looked. She looked like she got older during the day, even from when I saw her in the morning. I knew she was still looking at me, so I looked out the back door at the dark setting in between the pines, but I was thinking about how Mother looked with her face all like leather the way they stretched it to make drums, and her hair like white wire. I thought about her eyes with that funny look, and then I thought of when she was pretty and soft and I used to kiss her and hold on to her, but now I was afraid of her and didn't want to get near her.

Aunt Mae made a sign to me to leave the kitchen so Mother could eat.

The next day I went down to the store and told Mr. Williams I had to quit. He thought I was trying to make fun at first. Then I told him I really meant it, that I had to because Aunt Mae was leaving me with Mother for a while. He looked at me with that sad kind of look like Aunt Mae's, and I wished he would stop and let me go. He went over to the cash register and got out some money and put it in an envelope and gave it to me. I didn't know what to say, and I guess he didn't know either, so I left, but I did thank him, and I was glad. Then, on my way back up the hill, I thought maybe it was wrong to take the money from him. But I didn't go back.

The day after that was the day Aunt Mae was leaving. She didn't have enough money to take the train, so she was going on the bus. I watched her pack up in her room and helped her close the top of the old suitcase she owned. I was careful not to bend her scrapbook, which was right on top of her clothes, when I finally got the lock to snap. She put on her hat, the same one she wore the day she came to live with us, and she didn't even think about it, but I did.

When she was ready to leave, we looked for Mother, but she wasn't anywhere around. I guessed she was in the back, but we didn't have time to find her. The bus came through in thirty minutes.

I picked up Aunt Mae's suitcase and looked at the stickers from New Orleans and Biloxi and Mobile while she got the hatpin through her hair. The wind was getting cold as we got on the porch, so I closed the front door behind us. As we walked down the path, Aunt Mae talked about what I was to do about food, and where to find the cans in the kitchen and the pan to fry eggs, and when she would write about the tickets, but I didn't listen to everything she said. I was thinking about the way we used to walk together when I was a little boy. Aunt Mae wore the same big hat then, but it looked a lot newer and brighter, and I never saw many big hats like that anymore. But Aunt Mae looked about the same, except she had clothes like anybody in the valley now, and not the different things she wore at first. It was when I was thinking that that I thought of how old Aunt Mae really was. I guess I never thought much about her age because she was so healthy the way she did everything. But Aunt Mae was really old, I thought all of a sudden, and I looked down at her hair. It was as yellow as always. And I felt sorry for her. I don't know why I did. Maybe it was thinking about her having to go all the way to Nashville and being with Clyde.

Fall was really all over the hills. The pines lashed each other in the wind up high, but down near the ground it was sort of still, and yet it was windy too, but not as windy as up high where the pines ended. Some leaves from the bushes that grew in the open blew around our feet and ran down the path in front of us to town. I wished I had a coat with me because my arms were beginning to get bumpy like they always did when it was cold. Aunt Mae didn't have a coat either, and I knew it was going to be even colder in Nashville, but when I told her she said we didn't have time to go back to the house to get one.