The nearest armature launched a savage series of clubbing blows, but Julius laughed as he blocked them with his forearms, the pain making him grin as he kicked out behind him and sent the armature that had been coming in to attack spinning back. The third machine sent a hooking blow towards his head. He rolled with the impact as it snapped his head around.
He tasted blood and laughed, spitting it at the first machine as it darted in to deliver a killing blow. Its blade slashed out and caught him a glancing blow to his side. He welcomed the pain, stepping in to deliver a thunderous series of hammer blows to the machine.
Metal split and the armature was wrenched from its mount on the ceiling. Even as he savoured its destruction, a powerful blow smashed into the side of his head, and he dropped to one knee, feeling the new chemicals in his blood pumping fresh strength into his body in response.
He leapt to his feet as a blade scythed towards him, and slammed his palm down hard onto the flat of the blade, snapping it from the machine. With the weapon gone, Julius stepped in close and enveloped the machine in a crushing bear hug, hauling it round to face the final armature as it let rip with a volley of iron spikes.
All three pierced the body of the armature he held, and it sputtered with sparks as it died. He pushed it aside and rounded on the final machine, feeling more alive than ever before. His body sang with the pleasure of destruction, and even the pain of his wounds was like a tonic flowing in his veins.
The machine circled him warily, as though appreciating on some mechanical level that it was on its own. Julius feinted a blow to it with his fist. The armature darted to the side, and Julius delivered a powerful roundhouse kick that crumpled the machine's side and rendered it motionless.
He shook his head, dancing back and forth on the balls of his feet as he waited for the machine to restart, but it remained inert and he realised that he had destroyed it.
Suddenly disappointed, he opened the sphere of the training cage and stepped back down into the hall. He had not even broken sweat, and the excitement he'd felt as he'd faced the three machines seemed like a distant memory.
Julius closed the training cage, knowing a servitor would already have been despatched to repair the damaged armatures, and made his way back to his personal arming chamber. Scores of Astartes warriors trained in the halls, either in feats of arms or simple physical exercise to maintain the perfection of their physiques. A strict regime of chemical enhancers and genetic superiority kept an Astartes body in peak physical condition, but many of the new drugs being introduced to the dispensers in Mark IV plate required physical stimulation to begin the reaction in the recipient's metabolism.
He opened the door of his arming chamber, the smell of oil and his armour's lapping powder filling his nostrils. The walls were of bare iron, and a simple cot bed ran the length of one wall. His armour hung on a rack next to a small sink, his sword and bolter in a footlocker at the end of the bed.
The blood drawn by the training machines had already clotted, and he picked up a towel from a rail beside the sink to wipe it from his body before slumping on the bed and wondering what to do next.
A metal-framed shelf unit beside his bed held Ignace Karkasy's Reflections and Odes, Meditations on the Elegiac Hero and Fanfare to Unity, books that had, until recently, filled him with joy whenever he read them. Now they seemed hollow and empty. Beside Karkasy's works were three volumes of Cornelius Blayke that he had borrowed from Evander Tobias. He reached up to read more of the fallen priest's words.
This particular volume was entitled The Book of Urizen and was the least impenetrable of Blayke's books he had read thus far. In addition, it was prefaced by an anonymously written biography of the man, the reading of which greatly illuminated the text that followed.
Julius now knew that Cornelius Blayke had been many things in his life, an artist, a poet, a thinker and a soldier, before finally deciding to enter the priesthood. A visionary from childhood, Blayke had, it appeared, been afflicted with visions of an ideal world where every dream and desire could be realised, though he struggled to reproduce them in paintings, prose and hand coloured etchings with poetic text.
Blayke's younger brother had died while fighting in the many wars that raged in the Nordafrik Conclaves, an event the biographer credited with driving him into the priesthood. In later life, Blayke attributed his revolutionary techniques of illuminated printing to his long dead brother, claiming that he had been shown the technique in a dream.
Even as a priest, a life Julius suspected he had chosen as a means of refuge, the visions of forbidden desires and his powers as a mystic returned to haunt him. Indeed, it was said that when the high priest of another order first laid eyes upon Blayke, the sight of him caused the man to drop dead on the spot.
Cloistered in a church within one of the nameless cities of Ursh, Blayke became convinced that mankind would profit from his efforts, and bent his will to perfecting the means by which he could best convey his beliefs.
Julius had read much of Blayke's poetry and, while he was no scholar, even he knew that much of it had no clear plot, rhyme or meter. What did make sense to Julius was Blayke's belief in the futility of denying any desire, no matter how fantastical. One of his chief revelations had been the understanding that the power of sensual experience was necessary for creativity and spiritual progress. No experience was to be denied, no passion was to be restrained, no horror to be turned from and no vice to remain unexplored. Without such experience there could be no progression towards perfection.
Attraction and repulsion, love and hate: all were necessary to further human existence. From these conflicting energies sprang what the priests of his order called good and evil, words that Blayke had quickly realised were meaningless concepts when set beside the promise for advancement that could be achieved by indulging every human desire.
Julius chuckled as he read this, knowing that Blayke had later been cast from his religious order for practising his beliefs vigorously in the back streets and bordellos of the city. No vice was beneath him and no virtue beyond him.
Blayke believed that the inner world of his visions was of a higher order than that of physical reality, and that mankind should fashion its ideals from that inner world rather than from the crude world of matter. His work spoke over and over of how reason and authority constrained and inhibited mankind's spiritual growth, though Julius suspected that this was a reflection of his feelings towards the ruler of the client state of Ursh, a warrior king named Shang Khal, who sought to dominate the nations of the Earth through brutal oppression.
To have openly espoused such philosophies in such a time reeked of madness, but Julius was reluctant to dismiss Blayke as a madman: after all, his pronouncements had attracted a great many followers who hailed him as a great mystic, set to usher in a new age of passion and liberty.
Julius remembered reading the aphorisms of Pandoras Zheng, a philosopher who had served in the court of one of the Autarchs of the Yndonesic Bloc. He had spoken in support of mystics and how they exaggerated truths that truly existed. By Zheng's definition, the mystic could not exaggerate a truth that was imperfect. He had further defended such men by saying, 'To call a man mad because he has seen ghosts and visions denies him his full dignity, since he cannot be neatly categorised into a rational theory of the cosmos.'
Julius had always enjoyed the works of Zheng and his teaching that the mystic did not bring doubts or riddles, for the doubts and riddles existed already. The mystic was not the man who made mysteries, but the man who destroyed them through his works.