But Aelis had died first, and so too, almost certainly, had her son. No one could be absolutely sure, though everyone knew what she had told her husband on her deathbed about the fathering of the child: in doing so she had given dreadful, calamitous life to the feud that had shaped Arbonne ever since. Urté could not even be approached or spoken to on this issue. Beatritz had tried once, at the end of the year after Aelis died—and had received the most stinging rebuke of her life. They would have had to put the duke of Miraval to torture to even try to make him speak. And he wouldn't have, they all knew that: he wouldn't have said what had happened to the child even then.

Not even Guibor the count had been able to quell or control what Aelis had begun between Talair and Miraval on that night so long ago. So, searching for alternatives, he had tried to make Beatritz leave the clergy, come back to Barbentain, prepare herself to marry, to have a child of her own.

It was then that she'd had herself blinded, in that small temple in the Gotzland mountains, taking the step no priestess had taken for years upon years, aligning herself irrevocably with Rian. She had become High Priestess two years later and had come to the island.

Her father had never truly forgiven her. That had always hurt, for she had loved him. Not as her mother did, with an undying passion of the soul, and not even as her sister Aelis had, with something complex and yearning at its core. Beatritz had known her father's weaknesses and his flaws too well, had seen him too clearly for either of those kinds of love: she understood his pride, how he wished to control and shape far too much in too many different ways, his own guiding hands on the reins of everyone and everything. Of course she understood such a thing: it was her own besetting vice. She was Guibor's child. Her call to Rian had been real, though, the truest thing in her life, and she had known it young.

Her mother had understood, surprisingly. Signe, beautiful and glittering like an ornamental jewel under torchlight in Barbentain, seemed nonetheless to have understood a great deal, always. Beatritz ached for her tonight, picturing her in the wintry castle with these brutal tidings newly come and the terrible, crushing knowledge that she might be the ruler of Arbonne in the time it died forever.

The owl grew restive again, a motion of admonition. Options. She had been considering her options. She could start north herself, leaving the island and the seat of any power or foreknowledge she might be given, to lend her purely mortal strength, what wisdom she had, to her mother and those who would be with the countess now.

They didn't need her, she realized with a gnawing helplessness. She had counsels to offer in times of peace or preparation, of smaller and larger intrigues, the tidings her own network of informants might gather, but what did she know about waging war?

It was, she told herself with bitterness, time for the men now. The irony was coruscating. Arbonne was to be destroyed because of its women, because of the goddess who shared in their love and devotion with Corannos in the sky, because it was ruled by a woman now, because of the symbols and the music of the Court of Love and the examples of grace set by figures like Signe and Ariane. And yet now that ruin had come to them with sword and axe and carried brand, now that images of rape and fire would dance behind the closed eyelids of every woman in Arbonne, it was the men who would have to save them after all.

And despite more than twenty years of her father's striving before he died, and then her mother's afterwards, despite patience and wiles and even Guibor's attempts at absolute commands, the two most powerful men in Arbonne still hated each other with a ferocity, with a savage, time-locked obsession that had never let them go, and would never do so, never let them act together, even to save themselves and their land.

Beatritz knew this. She knew it with a despair that almost overwhelmed her. This had always been the weakness at the heart of Arbonne in their time, the thing that left them wide open to destruction. Not the fact of a woman ruling them. Not the rumoured softness of their corans; that was false and manifestly so. Not the corrupting influence of the troubadours and their music; there was no corruption in the flourish of that art. Their danger, their crippling wound, was Talair and Miraval.

Her sister Aelis, Beatritz thought, with an old, unrelenting bitterness, had much to answer for.

It was an unfair thought, she supposed. Her mother had told her as much, over and again through the years. Unfair or not, it was there, she was thinking it, she would think it until she died, and she would die remembering Aelis, dark and slender, far too proud, with her will like forged iron and that unwillingness, ever, to forgive.

Like Bertran, that last quality, Beatritz thought. Like Urté. And then a newer thought, as she reached up again to gentle her restive owl: Like me.

"Oh, Aelis," she murmured aloud. "Oh, sister, did we all begin to die the night you died, with or without the child?"

It was possible, she thought. There were ripples to events, and they went a long way sometimes across the dark pools of time and the world.

Brissel shifted on her shoulder again and then suddenly flexed his sharp talons in a way she knew. It was always like this: without any warning at all the presence of the goddess might come to her. Catching her breath, feeling the familiar speeding up of her pulse, Beatritz waited, and was answered, assuaged, with images in her darkness, images swirling to take shape as out of some primal fog before the world was made.

She saw two castles and recognized them immediately. Miraval and Talair—she had known those proud, twinned assertions all her life. Another image quickly: an arch, immeasurably old, massive, humbling, carvings of war and conquest stamped upon it like foreshadowing from long ago. And then, as she released her breath in a spasm of love and pain she could not quite hold in, the High Priestess of Rian saw a lake in her mind, a small, delicate isle in the midst of it, three plumes of smoke rising straight as swords into the windless winter sky. The last thing she saw was a tree. Then the images were gone and she was left with only darkness again, and Brissel on her shoulder.

It came like this, and it went, never coerced, never subject to entreaty. The goddess remembered her children sometimes and sometimes she forgot them in the caprice of her nature. She could shower gifts like blessed rain in spring, or she could turn her back and let ice and fire have their way. She had a face of laughter and one of desire, a countenance of true compassion and a terrible visage of judgment. In the teachings of Arbonne it was Corannos the god who was kinder, more soberly caring for men and women. Rian suffered them, and loved them, but she could be cruel as nature was cruel. It was the god who held their mortal children always in mind, who did not fail to see their sufferings upon the earth. So it had been taught in Arbonne for generations.

The teachings were different elsewhere. They were very different in Gorhaut.

She was going to have to stay here, Beatritz understood. Only on the island could she have access to any such precognitions as this one. A message would have to go to Barbentain tonight. She would ask the two young troubadours who were wintering with them here. They would not deny her; these were not men to hide in the sea when death and ruin were coming down from the north. She would send them to the countess, warning her, telling them all where the culmination was to be.

It would be in the place of this vision, she was being told: by that small isle in Lake Dierne, by the arch, the two castles, it would end there.