Изменить стиль страницы

"You are Mr. Lin?" he said. His voice was deep, resonant, and supremely confident. "I am pleased to meet you. Yes, very pleased. I have heard something good about you. It is always a delight to hear good things-and even more pleasurable, when it concerns foreigners, here in our Bombay. Perhaps you have heard of me also. My name is Abdel Khader Khan."

Sure, I'd heard of him. Everyone in Bombay had heard of him. His name appeared in the newspapers every other week. People spoke about him in the bazaars and nightclubs and slums. He was admired and feared by the rich. He was respected and mythologised by the poor. His discourses on theology and ethics, held in the courtyard of the Nabila Mosque in Dongri, were famous throughout the city, and drew many scholars and students from every faith. No less famous were his friendships with artists, businessmen, and politicians.

He was also one of the lords of Bombay's mafia-one of the founders of the council system that had divided Bombay into fiefdoms ruled by separate councils of mafia dons. The system was a good one, people said, and popular, because it had brought order and relative peace to the city's underworld after a decade of bloody power struggles. He was a powerful, dangerous, brilliant man.

"Yes, sir," I answered, shocked that I'd inadvertently used the word sir. I loathed the word. In the punishment unit we were beaten whenever we failed to address the guards as _sir. "I know your name, of course. The people call you Khaderbhai."

The word bhai, at the end of his name, meant elder brother. It was a term of respectful endearment. He smiled and nodded his head slowly when I said it: Khaderbhai.

The driver adjusted his mirror and fixed me in it, staring expressionlessly. There were fresh jasmine flowers hanging in garlands from the mirror, and the perfume was intoxicating, almost dizzying after the fresh wind from the sea. As I leaned into the doorway of the car, I became acutely conscious of myself and my situation: my stooping posture; the wrinkles in my frown as I lifted my face to see his eyes; the rim of guttering at the edge of the car's roof under my fingertips; and a sticker, pasted to the dashboard, that read GOD BLESS I AM DRIVING THIS CAR.

There was no-one else on the street. No cars passed. It was silent, but for the idling engine of the car and the muffled churning of the shuffling waves.

"You are the doctor in the Colaba hutments, Mr. Lin. I heard of it at once, when you went to live there. It is unusual, a foreigner, living in the hutments. This belongs to me, you understand. The land where those huts stand-it belongs to me.

You have pleased me by working there."

I was stunned into silence. The slum where I lived, known as the zhopadpatti, or the hutments, half a square kilometre, with twenty-five thousand men, women, and children, belonged to him?

I'd lived there for months, and I'd heard Khaderbhai's name mentioned many times, but no-one had ever said that he owned the place. It can't be, I heard myself thinking. How can any one man own such a place, and all its lives?

"I, er, I'm not a doctor, Khaderbhai," I managed to tell him.

"Perhaps that is why you are having such success in treating the sick, Mr. Lin. Doctors will not go into the hutments willingly.

We can compel men not to be bad, but we cannot compel them to be good, don't you find? My young friend, Abdullah, recognised you just now, as we passed you, sitting on the wall. I turned the car to come back here for you. Come-sit inside the car with me. I will take you somewhere."

I hesitated.

"Please, don't trouble yourself. I..."

"No trouble, Mr. Lin. Come and sit. Our driver is my very good friend, Nazeer."

I stepped into the car. Abdullah closed the door behind me, and then sat in the front next to the driver, who adjusted the mirror to find and fix me in it again. The car didn't move off.

"Chillum bono," Khaderbhai said to Abdullah. Make a chillum.

Abdullah produced one of the funnel-shaped pipes from his jacket pocket, placed it on the seat beside him, and set about mulling together a mix of hashish and tobacco. He pressed a ball, known as a goli, of hashish onto the end of a matchstick, and burned it with another match. The smell of the charras coiled into the perfume of the jasmine flowers. The engine of the car was still idling slowly and quietly. No-one spoke.

In three minutes the chillum was prepared, and offered to Khaderbhai for the first dumm, or puff. He smoked, and passed the pipe to me. Abdullah and the driver smoked then, passing the chillum for one more round. Abdullah cleaned the pipe quickly and efficiently, and returned it to his pocket.

"Challo," Khader said. Let's go.

The car moved away from the kerb slowly. Streetlights began to stream into the sloping windshield. The driver snapped a cassette into the dashboard player. The soul-wrenching strains of a romantic gazal slammed out at maximum volume from speakers behind our heads. I was so stoned that I could feel my brain trembling within my skull, but when I looked at the other three men they appeared to be perfectly controlled and composed.

The ride was eerily similar to a hundred stoned drives with friends in Australia and New Zealand when we'd smoked hash or grass, put loud music on the dashboard player, and cruised together in a car. Within my own culture, however, it was mainly the young who smoked and cruised with the music on max. There, I was in the company of a very powerful and influential senior man who was much older than Abdullah, the driver, and me. And while the songs followed regular rhythms, they were in a language that I couldn't understand. The experience was familiar and disturbing at the same time-something like returning, as an adult, to the schoolyard of childhood-and despite the soporific slump of the drug, I couldn't entirely relax.

I had no idea where we were going. I had no idea how or when we would return. We were travelling toward Tardeo, which was the opposite direction to my home in the Colaba slum. As the minutes passed, I reflected on that particularly Indian custom of amiable abduction. For months, in the slum, I'd succumbed to the vague and mysterious invitations of friends to accompany them to unspecified places, for unknown purposes. You come, people said with smiling urgency, never feeling the need to tell me where we were going, or why. You come now! I'd resisted it a few times, at first, but I soon learned that those obscure, unplanned journeys were invariably worthwhile, frequently interesting and enjoyable, and quite often important. Little by little, I learned to relax, and submit, and trust my instincts, just as I was doing with Khaderbhai. I never regretted it, and I was never once hurt or disappointed by the friends who abducted me.

As the car crested the long, slow hill, leading down to the Haji Ali Mosque, Abdullah turned off the cassette and asked Khaderbhai if he wanted to make his regular stop at the restaurant there.

Khader stared at me reflectively for a moment, and then smiled and nodded to the driver. He tapped me on the hand twice with the knuckles of his left hand, and touched his thumb to his lips. Be silent now, the gesture said. Look, but don't speak.

We pulled into a parking bay, beside and a little apart from a row of twenty other cars outside the Haji Ali Restaurant.

Although most of Bombay slept after midnight, or at least pretended to sleep, there were centres of sound and colour and activity in the city. The trick lay in knowing where to find them. The restaurant near the Haji Ali shrine was one of those places. Hundreds of people gathered there every night to eat, and meet, and buy drinks or cigarettes or sweets. They came in taxis and private cars and on motorcycles, hour after hour, until dawn. The restaurant itself was small and always full. Most of the patrons preferred to stand on the footpath, and sit in or on their cars, to eat. Music blasted from many of the cars. People shouted in Urdu, Hindi, Marathi, and English. Waiters scurried from the counter to the cars and back, carrying drinks, parcels, and trays with stylish skill.