"How bad is he?"

"The doctor said it's sure he will die, Lin," Johnny sobbed. "His jaw is gone. The steel took it away completely. Everything is gone. All his teeth. There is a big hole, just a big hole, where his mouth and his jaw used to be. His neck is open. They haven't even put bandages on his face, because there are so many tubes and pipes going into that hole. To keep him alive. How he survived it, in that car like that, nobody can say. He was trapped in there for two hours. The doctors think that he will die tonight. That's why I tried to find you. He got bad wounds in the chest and stomach and head. He's going to die, Lin. He's going to die. We have to go there."

We walked into the critical-care ward, and found Kishan and Rukhmabai sitting at the side of his bed and weeping in one another's arms. Parvati, Sita, Jeetendra, and Qasim Ali were all standing in solemn silence at the foot of the bed. Prabaker was unconscious. A bank of machines monitored his vital signs. Tubes and metal pipes were taped to his face-what was left of his face. That great smile, that gorgeous, solar smile, had been ripped from his face. It was simply... gone.

In a duty room on the ground floor, I found the doctor in charge of his care. I pulled a bundle of American hundred-dollar bills from my belt and offered it to him, asking him to forward any further accounts to me. He wouldn't take it. There was no hope, he said. Prabaker had hours, perhaps only minutes, to live. That was why he'd allowed the family and friends to remain at the bedside. There was nothing to do, he said, but wait with him, and watch him die. I returned to Prabaker's room and gave Parvati the money, together with everything I'd earned on my most recent courier run.

I found a toilet in the hospital and then washed my face and neck. The cuts and wounds on my face filled my aching head with thoughts of Abdullah. I couldn't bear to think those thoughts. I couldn't hold the image of my wild, Iranian friend surrounded by cops and shooting it out until his body was torn and bloodied. I stared into the mirror, feeling the acid burn of tears. I slapped myself hard awake, and returned to Prabaker's floor.

I stood with the others, at the foot of his bed, for three hours.

Exhausted, I began to nod off, and I had to admit that I couldn't stay awake. In a relatively quiet corner, I put two chairs against the wall and went to sleep. A dream swallowed me whole, almost at once. It carried me to Sunder. I was floating on the murmuring tide of voices on that first night in the village when Prabaker's father put his hand on my shoulder, and I clenched my teeth against the stars. When I woke from the dream, Kishan was sitting there beside me with his hand on my shoulder, and when I met his eyes we both sobbed helplessly.

In the end, when it was sure that Prabaker would die, and we all knew it, and we all accepted the fact that he had to die, we went through four days and nights of watching his brave little body suffer, what was left of him, the almost-Prabaker with the amputated smile. In the end, after days and nights of watching him suffer that pain and bewilderment, I began to hope that he would die, and to wish for it with all my heart. I loved him so much that in the end I found an empty corner in a cleaner's room, where a tap dripped constantly into a concrete trough, and I fell to my knees on a place marked by two wet footprints, and I begged God to let him die. And then he did die. In the hut he'd once shared with Parvati, Prabaker's mother, Rukhmabai, unfurled her thigh-length hair. She was sitting in the doorway with her back to the world. Her black hair was night's waterfall. She cut across thickly, close to her head, with sharp shears, and the long hair fell like a shadow dying.

At first, when we truly love someone, our greatest fear is that the loved one will stop loving us. What we should fear and dread, of course, is that we won't stop loving them, even after they're dead and gone. For I still love you with the whole of my heart, Prabaker. I still love you. And sometimes, my friend, the love that I have, and can't give to you, crushes the breath from my chest. Sometimes, even now, my heart is drowning in a sorrow that has no stars without you, and no laughter, and no sleep.

CHAPTER THIRTY

Heroin is a sensory deprivation tank for the soul. Floating on the Dead Sea of the drug stone, there's no sense of pain, no regret or shame, no feelings of guilt or grief, no depression, and no desire. The sleeping universe enters and envelops every atom of existence. Insensible stillness and peace disperse fear and suffering. Thoughts drift like ocean weeds and vanish in the distant, grey somnolency, unperceived and indeterminable. The body succumbs to cryogenic slumber: the listless heart beats faintly, and breathing slowly fades to random whispers. Thick nirvanic numbness clogs the limbs, and downward, deeper, the sleeper slides and glides toward oblivion, the perfect and eternal stone.

That chemical absolution is paid for, like everything else in the universe, with light. The first light that junkies lose is the light in their eyes. A junkie's eyes are as lightless as the eyes of Greek statues, as lightless as hammered lead, as lightless as a bullet hole in a dead man's back. The next light lost is the light of desire. Junkies kill desire with the same weapon they use on hope and dream and honour: the club made from their craving. And when all the other lights of life are gone, the last light lost is the light of love. Sooner or later, when it's down to the last hit, the junkie will give up the woman he loves, rather than go without; sooner or later, every hard junkie becomes a devil in exile.

I levitated. I floated, upraised on the supernatant liquid of the smack in the spoon, and the spoon was as big as a room. The raft of opiate paralysis drifted across the little lake in the spoon, and the rafters intersecting over my head seemed to hold an answer, some kind of answer, in their symmetry. I stared at the rafters, knowing that the answer was there and that it might save me. And then I closed my eyes of hammered lead again, and lost it. And sometimes I woke. Sometimes I was wide-awake enough to want more of the deadening drug. Sometimes I was awake enough to remember it all.

There'd been no funeral for Abdullah because there was no body for them, for us, to bury. His body had disappeared during the brawling riot just as Maurizio's body had disappeared-as completely as a flared, exhausted star. I joined the others to carry Prabaker's body to the ghat, the burning place. I ran with them through the streets. I ran with them beneath the garlanded burden of his little body, chanting names of God, and then I watched his body burn. Grief roamed the lanes of the slum afterward, and I couldn't remain there with the gathering of friends and family who mourned him. They stood near the spot where Prabaker had been married only weeks before. Tattered streamers from the wedding still dangled from the roofs of some of the huts. I spoke to Qasim Ali, Johnny, Jeetendra, and Kishan Mango, but then I left them and rode to Dongri. I had questions for lord Abdel Khader Khan: questions that crawled inside me like the things in Hassaan Obikwa's pit.

The house near the Nabila Mosque was closed, locked up with heavy padlocks and utterly silent. No-one in the forecourt of the mosque or the street of shops could tell me when he'd left, or when he might return. Frustrated and angry, I rode to see Abdul Ghani. His house was open but his servants told me that he was out of the city on a holiday, and wasn't expected home again for weeks. I visited the passport factory, and found Krishna and Villu hard at work. They confirmed that Ghani had left them instructions and sufficient funds for several weeks of work, and had told them that he was taking a holiday. When I rode to Khaled Ansari's apartment, I met a watchman on duty who told me that Khaled was in Pakistan. He had no idea when the dour Palestinian would return.