He jumped off the stool and began to unbutton his shirt. "No! No! I was only joking!"

"What's that? You mean you don't like my shirt?"

"I didn't say that."

"So, what's wrong with my fuckin' shirt?"

"There's nothing wrong with your fuckin' shirt. I just don't want it."

"Too late, man!" he bellowed, pulling his shirt from his back and throwing it at me. "Too fuckin' late!"

He wore a black singlet under the shirt, and the black hat was still hanging at his back. The cane juice crusher had a portable hi-fi at his stall. A new song from a hit Hindi movie started up.

"Hey, I love this song, yaar!" Vikram cried out. "Turn it up, baba! _Arre, full _karo!"

The juice-wallah obligingly turned the volume up to the maximum, and Vikram began to dance and sing along with the words. Showing surprisingly elegant and graceful skill, he swung out from under the crowded awning and danced in the lightly falling rain. Within one minute of his twirling, swaying dance he'd lured other young men from the footpath, and there were six, seven, and then eight dancers laughing in the rain while the rest of us clapped, whooped, and hollered.

Turning his steps toward me once more, Vikram reached out to grasp my wrist with both of his hands, and then began to drag me into the dance. I protested and tried to fight him off, but many hands from the street assisted him, and I was pushed into the group of dancers. I surrendered to India, as I did every day, then, and as I still do, every day of my life, no matter where I am in the world. I danced, following Vikram's steps, and the street cheered us on.

The song finished after some minutes, and we turned to see Lettie standing under the awning and watching us with open amusement.

Vikram ran to greet her, and I joined them, shaking off the rain.

"Don't tell me! I don't wanna know!" she said, smiling but silencing Vikram with the raised palm of her hand. "Whatever you do, in the privacy of your own rain shower, is your own business.

Hello, Lin. How are you, darlin'?"

"Fine, Lettie. Wet enough for you?"

"Your rain dance seems to be working a treat. Karla was supposed to join me and Vikram, right about now. We're going to the jazz concert at Mahim. But she's flooded in, at the Taj. She just called me, to let me know. The whole Gateway's flooded. Limousines and taxis are floatin' about like paper boats, and the guests can't get out.

They're stranded at the hotel, and our Karla's stranded there, and all."

Glancing around quickly, I saw that Prabaker's cousin Shantu was still sitting in his taxi, parked with several others outside the restaurants where I'd seen him earlier. I checked my watch. It was three-thirty. I knew that the local fishermen would all be back on shore with their catches. I turned to Vikram and Lettie once more.

"Sorry, guys, gotta go!" I pushed the shirt back into Vikram's hands. "Thanks for the shirt, man. I'll grab it next time. Keep it for me!"

I jumped into Shantu's taxi, twirling the meter to the on position through the passenger window. Lettie and Vikram waved as we sped past them. I explained my plan to Shantu on the way to the kholi settlement, adjacent to our slum. His dark, lined face creased in a weathered smile and he shook his head in wonder, but he pushed the battered taxi a little faster through the short ride on the rain-drenched road.

At the fishermen's settlement, I enlisted the support of Vinod, who was a patient at my clinic and one of Prabaker's close friends. He selected one of his shorter punts, and we lifted the light, flat boat onto the roof of the taxi and sped back to the Taj Hotel area, near the Radio Club Hotel.

Shantu worked in his taxi sixteen hours a day for six days every week. He was determined that his son and two daughters would know lives that were better than his own. He saved money for their education and for the substantial dowries he would be required to provide if the girls were to marry well. He was permanently exhausted, and beset by all the torments, terrible and trivial, that poverty endures. Vinod supported his parents, his wife, and five children from the fish that he hauled from the sea with his thin, strong arms. On his own initiative, he'd formed a co operative with twenty other poor fishermen. That pooling of resources had provided a measure of security, but his income seldom stretched to luxuries such as new sandals, or school books, or a third meal in any one day. Still, when they knew what I wanted to do, and why, neither Vinod nor Shantu would accept any money from me. I struggled to give it to them, even trying to force the money down the fronts of their shirts, but they refused to allow it. They were poor, tired, worried men, but they were Indian, and any Indian man will tell you that although love might not have been invented in India, it was certainly perfected there. We put the long, flat punt down in the shallow water of the flooded road near the Radio Club, close to Anand's India Guest House. Shantu gave me the oilskin cape he used to keep himself dry with whenever the taxi broke down, and the weathered black chauffeur's cap that was his good-luck charm. He waved us off as Vinod and I struck out for the Taj Mahal Hotel. We poled our way along the road that was usually busy with taxis, trucks, motorcycles, and private cars. The water grew deeper with every stroke of the poles until, at Best Street corner, where the Taj Mahal Hotel complex began, it was already waist deep.

The Taj had experienced such floods in the surrounding streets many times. The hotel was built upon a tall platform of bluestone and granite blocks, with ten marble steps leading up to each wide entrance. The floodwaters were deep that year-they reached to the second step from the top-and cars were floating, drifting helplessly, and bumping together near the wall surrounding the great arch of the Gateway of India monument. We steered the boat directly to the steps of the main entrance. The foyer and doorways were crowded with people: rich businessmen, watching their limousines bubble and drift into the rain; women in expensive local and foreign designer dresses; actors and politicians; and fashionable sons and daughters.

Karla stepped forward as if she'd been expecting me. She accepted my hand, and stepped into the punt. I threw the cape around her shoulders as she sat in the centre of the boat, and handed her the cap. She slipped it on with a raffish tilt of the cap's peak, and we set off. Vinod sent us in a loop toward the Gateway Monument. As we entered its magnificent, vaulted chamber, he began to sing. The monument produced a spectacular acoustic. His love song echoed, and rang the bell in every heart that heard him.

Vinod brought us to the taxi stand at the Radio Club Hotel. I reached out to help Karla from the boat, but she jumped to the footpath beside me, and we held on to one another for a moment.

Her eyes were a darker green beneath the peak of the cap. Her black hair glistened with raindrops. Her breath was sweet with cinnamon and caraway seed.

We pulled apart, and I opened the door of a taxi. She handed me the cap and the cape, and took a seat in the back of the cab. She hadn't spoken a single word since I'd arrived with the boat. Then she simply addressed the driver.

"Mahim," she said. "Challo!" Mahim area. Let's go! She looked at me once more as the taxi drew away from the kerb.

There was a command or a demand in her eyes. I couldn't decide what it was. I watched the cab speed away. Vinod and Shantu watched it with me, and clapped their hands on my shoulders. We lifted Vinod's boat back onto the roof of the taxi. As I took my seat beside Shantu, reaching out with my left arm to hold the long boat on the roof, I glanced up to see a face in the crowd.

It was Rajan, Madame Zhou's eunuch servant. He was staring at me.