Are we ever justified in what we do? That question ruined my sleep for a long time after I saw the tortured little mouse. When we act, even with the best of intentions, when we interfere with the world, we always risk a new disaster that mightn't be of our making, but that wouldn't occur without our action. Some of the worst wrongs, Karla once said, were caused by people who tried to change things. I looked at the slum children dancing like a movie chorus and capering like temple monkeys. I was teaching some of those children to speak, read, and write English. Already, with just the little they'd learned in three months, a few of them were winning work from foreign tourists. Were those children, I wondered, the mice that fed from my hand? Would their trusting innocence be seized by a fate that wouldn't and couldn't have been theirs without me, without my intervention in their lives?

What wounds and torments awaited Tariq simply because I'd befriended and taught him?

"Joseph beat his wife," Prabaker explained as the couple drew near. "Now the people are a big celebration."

"If they parade like this when a man beats his wife, what parties they must throw when one is killed," Didier commented, his eyebrows arched in surprise.

"He was drunk, and he beat her terribly," I said, shouting above the din. "And a punishment was imposed on him by her family and the whole community."

"I gave to him a few good whacks with the stick my own self!"

Prabaker added, his face aglow with happy excitement.

"Over the last few months, he worked hard, stayed sober, and did a lot of jobs in the community," I continued. "It was part of his punishment, and a way of earning the respect of his neighbours again. His wife forgave him a couple of months ago. They've been working and saving money together. They've got enough, now, and they're leaving today on a holiday."

"Well, there are worse things for people to celebrate," Didier decided, permitting himself a little shoulder and hip roll in time to the throbbing drums and snake-flutes. "Oh, I almost forgot. There is a superstition, a famous superstition attached to that Hassaan Obikwa. You should know about it."

"I'm not superstitious, Didier," I called back over the thump and wail of the music.

"Don't be ridiculous!" he scoffed. "Everyone in the whole world is superstitious."

"That's one of Karla's lines," I retorted.

He frowned, pursing his lips as he strained his memory to recall.

"It is?" "Absolutely. It's a Karla line, Didier."

"Incredible," he muttered. "I thought it was one of mine. Are you sure?"

"I'm sure."

"Well, no matter. The superstition, about him, is that everyone who meets Hassaan Obikwa, and exchanges names with him in a greeting, will one day find himself a client of his-either a living client or a dead one. To avoid this fate, you don't tell him your name when you meet him the first time. No-one ever does.

You didn't tell him your name, did you?"

A roar went up from the crowd surrounding us. Joseph and Maria were close. As they approached, I saw her radiant, hopeful, brave smile and his competing expressions of shame and determination.

She was beautiful, with her thick hair trimmed short and styled to match the modern cut of her best dress. He'd lost weight, and looked fit, healthy, and handsome. He wore a blue shirt and new trousers. Husband and wife pressed against one another tightly, step for step, all four hands balled into a bouquet of clenched fingers. Family members followed them, holding a blue shawl to catch notes and coins thrown by the crowd.

Prabaker couldn't resist the call to dance. He leapt off the bench and joined the thick tangle of jerking, writhing bodies that preceded Joseph and Maria on the track. Stumbling and tottering on his platform shoes, he skipped to the centre of the dancers. His arms were outstretched for balance as if he was crossing a shallow river on a path of stones. His yellow shirt flashed as he whirled and lurched and laughed in the dance.

Didier, too, was drawn into the avalanche of revelry that ploughed through the long lane to the street. I watched him glide and sway gracefully into the party, swept along in the rhythmic dance until only his hands were visible above his dark, curly hair.

Girls threw showers of flower petals plucked from chrysanthemums.

They burst in brilliant white clusters, and settled on all of us in the converging crowd. Just before the couple passed me, Joseph turned to look into my eyes. His face was fixed between a smile and a frown. His eyes were burning, glistening beneath the tight brows of his frown, while his lips held a happy smile. He nodded twice before looking away.

He couldn't know it, of course; but with that simple nod of his head, Joseph had answered the question that had remained with me, as a dull ache of doubt, since the prison. Joseph was saved. That was the look simmering in his eyes as he nodded his head. It was the fever of salvation. That look, that frowning smile, combined shame and exultation because both are essential-shame gives exultation its purpose, and exultation gives shame its reward. We'd saved him as much by joining in his exultation as we had by witnessing his shame. And all of it depended upon our action, our interference in his life, because no man is saved without love.

What characterises the human race more, Karla once asked me, cruelty, or the capacity to feel shame for it? I thought the question acutely clever then, when I first heard it, but I'm lonelier and wiser now, and I know it isn't cruelty or shame that characterises the human race. It's forgiveness that makes us what we are. Without forgiveness, our species would've annihilated itself in endless retributions. Without forgiveness, there would be no history. Without that hope, there would be no art, for every work of art is in some way an act of forgiveness. Without that dream, there would be no love, for every act of love is in some way a promise to forgive. We live on because we can love, and we love because we can forgive.

The drums staggered toward the distant street. Moving away from us, the dancers romped and rolled on the rhythm, their swaying heads like a field of wildflowers weaving back and forth on waves of wind. As the music dwindled to an echo in our minds, the day to-day and minute-to-minute of slum life slowly reclaimed the lanes. We gave ourselves to our routines, our needs, and our harmless, hopeful scheming. And for a while, a little while, ours was a better world because the hearts and smiles that ruled it were almost as pure and clean as the flower petals fluttering from our hair, and clinging to our faces like still, white tears.

CHAPTER EIGHTEEN

The rocky cusp of coastline bordering the slum began in mangrove swamp, at its left, and swept through deeper water around a long new-moon curve of white-crested wavelets to Nariman Point. The monsoon was at full strength, but just at that moment no rain fell from the grey-black ocean of the lightning-fractured sky.

Wading birds swooped into the shallow swamp, and nestled among the slender, trembling reeds. Fishing boats plied their nets on the ragged waves of the bay. Children swam and played along the bouldered, pebble-strewn shoreline. On the golden crescent, across the small bay, apartment towers for the rich stood shoulder to shoulder to shoulder, all the way to the embassy district at the Point. In the large courtyards and recreation areas of those towers, the wealthy walked and took the air. Seen from the distant slum, the white shirts of the men and colourful saris of the women were like so many beads threaded by a meditating mind on the black strings of asphalt paths. The air, there, on that rocky fringe of the slum was clean and cool. The silences were large enough to swallow occasional sounds. The area was known as the Colaba Back Bay. There were few places in the city better suited to the spiritual and physical stocktaking that a wanted man worries himself with, when the omens are bad enough.