It wasn’t yet Sunday night, but J. D. Ewell and Cooter Falsey visited the ROM anyway, to familiarize themselves with the museum’s layout.

“Nine dollars to get in!” exclaimed Falsey once they’d crossed through the Rotunda to the admissions desk, and he’d had a chance to consult the appropriate sign.

“They’re just Canadian dollars,” said Ewell. “It’s like a buck and a half U.S.” He reached into his wallet and pulled out two of the garish purple Canadian ten-dollar bills he’d gotten as change from his U.S. fifty for last night’s dinner at the Red Lobster. He gave them to the middle-aged woman behind the desk, and she handed him back a receipt, a two-toned two-dollar Canadian coin, and two rectangular plastic clips that said “ROM” on them, with a little crown above the central “O.” Ewell stared at them.

“You attach them to your shirt,” said the woman, helpfully. “They show you’ve paid.”

“Ah,” said Ewell, handing one to Falsey and clipping the other one on.

The woman gave them a glossy brochure. “Here’s a map of the galleries,” she said. “And there’s a coatroom over there.” She pointed to her right.

“Thank you kindly,” said Ewell.

They stepped forward. A dark-skinned man wearing a brown turban and a security officer’s blue blazer, white shirt, and red tie, was standing at the top of the four wide steps that led out of the Rotunda. “Where’s the Bogus Shale?” asked Ewell.

The guard smiled, as if Ewell had said something funny. “Back there; the entrance is by the coat check.”

Ewell nodded, but Falsey had continued going forward. Just ahead, two giant staircases rounded out onto this level, one on the left and one on the right. It was easy to see that each set of stone steps went up three floors, and the one on the right continued down into the basement. Each staircase encircled a huge totem pole of dark wood. Falsey had stopped by one of the totems and was staring up. The pole rose all the way to the ceiling and was topped by a carved eagle. The wood was devoid of paint, and had long vertical cracks in it.

“Will you look at that?” said Falsey.

Ewell glanced at it. Pagan symbols of a heathen people. “Come on,” he said.

The two walked back through the Rotunda. Next to the coat check was a set of open glass doors, with a carved-stone sign above them that said Garfield Weston Exhibition Hall; there were wheat sheaves on either side of the Weston name. Above this was a dark-blue fabric banner proclaiming in white letters:

Along the sides of the doors were logos and names of the corporate sponsors who had made the exhibition possible, including Bank of Montreal, Abitibi-Price, Bell Canada, and the Toronto Sun.

Falsey and Ewell entered the gallery. A mural depicting a supposedly ancient ocean bottom dominated one wall, with all sorts of bizarre critters swimming around. Display cases with angled glass tops lined the other walls and a central room divider.

“Look,” said Ewell, pointing.

Falsey nodded. The cases jutted out from the walls; there was space underneath each one. Explosives could easily be planted there — but they’d probably be spotted, if not by adults, certainly by little kids.

There were perhaps a hundred people milling around, looking at the fossils or listening to video presentations about their discovery. Ewell pulled a small, spiral-bound notebook out of his hip pocket and began making notes. He walked through the gallery, counting the number of cases — there were twenty-six. Falsey, meanwhile, discreetly noted the three security cameras, two that were fixed, and one that panned back and forth. They would present a problem — but not an insurmountable one.

Ewell didn’t care what the fossils themselves looked like, but young Falsey did. He examined each case in turn. They contained slabs of gray shale held in place by little Plexiglas posts. It would be a tricky problem; although shales could shatter if dropped, they could also be quite strong. Unless the explosions were designed just right, the display cases might be damaged but the rocks with their bizarre fossils might escape unscathed.

“Mommy,” said a little boy, “what are those?” Falsey looked at where the child was pointing. At the back of the room were two large models: one showed a creature with numerous stiltlike legs and waving tentacles coming off its back. The other showed a creature walking on tubular legs with a forest of spikes rising up from its body.

The child’s mother, a pretty woman in her twenties, peered at a placard, then explained for her son. “Well, dear, see, they weren’t quite sure how this creature looked, because it’s so strange. Originally, they couldn’t even tell which way was up, so it’s been modeled two different ways here.”

The child seemed satisfied by the answer, but Falsey had to fight to keep from speaking. The fossil was an obvious lie, a test of faith. That it didn’t look right no matter which way you put it was proof that it had never really been alive. It tore his heart out to see a young mind being led astray by all this trickery.

Falsey and Ewell spent an hour in the gallery, completely familiarizing themselves with it. Falsey sketched the contents of each display case so that he knew exactly how the fossils were deployed within. Ewell noted the alarm systems — they were obvious if you knew what you were looking for.

And when they were done, they exited the museum. Outside, there was a large group of people, many sporting buttons depicting the traditional big-headed black-eyed gray alien; they’d been there when Falsey and Ewell had entered, too — UFO nuts and religious fanatics, waiting for a glimpse of the alien or its ship.

Falsey bought a tiny, oily bag of popcorn from a street vendor. He ate some and tossed the rest, kernel by kernel, at the numerous pigeons that were waddling along the sidewalk.

“Well,” said Ewell, “what do you think?”

Falsey shook his head. “No place to hide bombs. And no guarantee that even if we could hide them that the rock slabs would be damaged by the explosions.”

Ewell nodded reluctantly, as if he’d been forced to the same conclusion. “It means we’ll have to take direct action,” he said.

“I’m afraid so.” Falsey turned and faced the imposing stone facade of the museum, with its wide steps leading up to the glass entrance doors and the triptych of stained-glass windows rising up above those doors.

“Too bad we didn’t get to see the alien,” Falsey said.

Ewell nodded, sharing Cooter’s disappointment. “The aliens may believe in God, but they haven’t yet found Christ. Imagine if we could be the ones to introduce them to the Savior . . .”

“That would be glorious,” said Falsey, his eyes wide. “Absolutely glorious.”

Ewell pulled out the city map they’d been using. “Well,” he said, “it looks like if we take the subway four stops south, that will put us purty near the place where they tape The Red Green Show.” He tapped the large red square labeled “CBC Broadcasting Ctr.”

Falsey smiled, all thoughts of greater glory temporarily banned from his mind. They both loved The Red Green Show and had been surprised to learn it was made here in Canada. There was a taping tonight, and tickets were free. “Let’s go,” he said. They walked over to the entrance stairwell and descended below the street.

All right, I’ll admit it. There’s one good thing about dying: it causes you to be introspective. As Samuel Johnson said, “When a man knows he is to be hanged in a fortnight, it concentrates his mind wonderfully.”

I knew why I was resisting the notion of intelligent design so much — why almost all evolutionists do. We had fought for more than a century against creationists, against fools who believed that the Earth was made in 4004 B.C. during six literal twenty-four-hour days; that fossils, if they had any validity at all, were remnants of Noah’s flood; that a deceptive God had created the universe with starlight already en route to us, giving the illusion of great distances and great age.