She woke up on the floor. The place was dark, the deck hard and cold. Breathing sounded loud and ragged in the harsh steel container of the room, but it was only her own, coursing through her nostrils. The tape over her mouth still clamped her lips. Her breath quieted slowly while she sat, trying to ease the ache in her shoulders.

It was late. She didn't know how long she'd slept, but she knew it had been some hours; early morning by now, if not later.

She'd been secured against a metal bench, her hands attached to its leg by the plastic strap of the restrainer. As soon as she awoke she hurt; her backside had been spread in the same position for so long she felt welded to the deck, her shoulders ached, her wrists and hands felt numb, and the places on her breasts where they'd touched her with their cigarettes burned as though the glowing red coals were still there, sizzling through her flesh. Between her legs wasn't as bad as she'd expected. Sucre had been small and the rest had added their own lubrication with each violation. The pain didn't matter so much; it was the feeling of being used, of mattering so little as another human being, and so much as a warm, slippery container, to be taken and crowed over; look what I've done; I did this even though she didn't want to.

The ship hummed around her. She couldn't see a thing. The light in the corridor outside, between the engine room itself and the Nadia's steering-gear compartment, must be turned off as well. She tried to remember how the room had looked when they brought her in, but couldn't. Too complicated, for one thing; full of machinery, lathes and drills and benches with vices and tools. It ought to be an ideal place to escape from, but she didn't know how to begin.

She felt what she could, starting with her fingers.

And stopped.

The rear flange of the L-shaped leg supporting the bench, which the restrainer was looped around, was ragged. It rasped against her fingers, hurting. Blood welled on her fingers, making them slick then sticky. She explored the jagged edge. She pulled forward and moved her wrists quickly up and down, then stopped and felt the inner surface of the restrainer where it had been rubbing against the metal. The material felt roughened. She put it back where it had been and sawed up and down as hard and fast as she could.

She could hear it, and after a while she could smell it too, and that seemed like a good sign.

She was almost free when she heard steps, and the light outside in the corridor went on. She stopped for a second, then resumed her sawing, frantic with the effort. Footsteps clanged against metal, stopped at the door. She threw her hands up and down, drawing her spine back to the metal edge of the bench with the effort of forcing the restrainer against the leg.

The door swung open just as the restrainer snapped.

10: Average Adjuster

Light swamped in. She scuttled to the left, behind another bench. But too late; she knew it was too late. There was too much light and she must have been seen.

She expected the soldier to shout out, but he didn't. There was a noise like a chuckle, and the sound of a hand moving over metal. Something clinked on the far wall. The soldier spoke to her in Spanish but she couldn't make out the words. She peeped over the top of the bench. The opened white loop of the plastic restrainer lay by the leg of the bench she'd been attached to; it ought to be obvious, but the man hadn't reacted yet. He slapped the metal bulkhead at the side of the door, cursing. Looking for the light, but still it didn't come on.

She realised then that her eyes had adjusted over the hours, and his were still tuned to the wash of luminescence in the corridor outside and in the rest of the ship. She was looking for a weapon, but couldn't see anything on the surface of the bench she was hiding behind, or anywhere near by. A wrench; a big screwdriver or a length of angle iron; there ought to be hundreds of things she could use but she couldn't see any of them. She looked round in desperation as the soldier said something else and came further into the workshop. She peeped over the top of the bench again, hoping she'd missed something on its surface. The man was smoking; she could see the red glowing tip of the cigarette, being transferred from mouth to hand. Señorita…

Behind her she glimpsed something long and thin and glinting; stacked rods of some sort. She reached back, grasped. The soldier bumped into something, cursed in the semi-darkness.

It was like taking hold of a skeletal arm; two thin pipes, cold as bone and close together; ulna and radius. She felt up to a knurled collar like a cold brass knuckle. That was when she realised what she was holding. The soldier made a sound like hand rubbing flesh through cloth and said again, Señorita? The red tip of the cigarette glowed brighter, waving around in the darkness in front of the man. Light from the corridor reflected from his rifle.

She felt the end of the brasswork, then the twin hoses. They led back a few coiled metres to the tanks. They were upright but in the shadow of the door. She was still under the level of the bench. Her fingers crept up to the valves. She'd seen Broekman do this; even Philippe. She found the taps, whirled them round. The hiss of escaping gas sounded like a whole family of disturbed snakes. The soldier stopped, hesitated, then changed direction, came towards her. 'Hello…? he said. The glowing cigarette tip came closer, brandished like a sword.

When he was close enough, and the smell of the unignited gases was wafting back over her, making her dizzy, she threw herself forward, still holding the brass limbs of the oxyacetylene torch.

The gases flared on the tip of the cigarette, igniting with a whoosh and blowing flame towards the surprised soldier, flashing through the air in a vivid yellow ball. The man's hair caught; she saw his face, mouth opening, eyes closing as his brows sizzled and shrivelled and flamed blue. His burning hair lit up the beret stuffed underneath his left epaulette, the two grenades attached to his chest, the Kalashnikov strapped over his right shoulder and the belt with the oily black holster hanging over his left hip. He drew in a breath and screamed as his hair sputtered and crackled and lit up the whole workshop.

He lit the place well enough for her to see a massive wrench hanging on the wall not a metre away. She stepped smartly to it, unclipped and swung it in one movement. His scream had barely started and he had hardly moved — the cigarette he'd dropped hadn't even hit the deck — before the jaws of the wrench buried themselves in his skull, and he slammed into the metal deck as though he'd thrown himself there. His hair billowed yellow and blue for a moment, then sizzled out against his scalp, crisping it brown-black in places. The fumes stank, made her gag, and only then did she slowly pull the black tape from her mouth.

The last lick of flame, slowly consuming a set of curls over the soldier's left ear, was extinguished by the black ooze of blood welling from where the circular head of the wrench had hit.

She watched. Thought: How do I feel?

Cold, she decided. So cold. She kicked him over, pulled the assault rifle free and hoisted it, checking the safety was off. No noise from the open doorway. She waited for a few seconds then put the gun down and reached forward to take the man's uniform off. She hesitated before she touched him, then stood, hefted the wrench and smashed it into his forehead. Only after that did she strip him.

She whistled under her breath as she did it; Sousa.

She didn't mean to impersonate a soldier, she was just sick of the torn, soiled yukata. She wanted to be clothed again.