True, the news reports erroneously claimed that The Sculptor had found his material for the Christ figure on Arlington Street in Boston. And if the FBI did in fact know about RounDaWay17’s Craigslist account, they most certainly hadn’t revealed it to the press. No, The Sculptor was not worried about that-knew that it would be impossible for them to trace RounDaWay17’s online activity now that The Sculptor had hacked into, changed, and deleted the young man’s account.
No, it was the gnawing not-knowing of exactly how Dr. Hildy and the FBI had figured out the location of his Pietà that worried him the most.
At least everything is ready, he said to himself. That’s some comfort.
In the beginning, when he first began experimenting with the pieces of the women, The Sculptor would travel all over New England picking the locks at the backs of funeral homes and stealing just enough formaldehyde to get him by-just enough so it would not be missed. But The Sculptor observed in his travels that many of the funeral homes produced their own formaldehyde, and later, after he accidentally stumbled upon a picture of Rhode Island native Tommy Campbell on the Internet-when he saw the resemblance to Michelangelo’s Bacchus, when he understood that it was his destiny to have the wide receiver for his first exhibit-in addition to putting his Pietà on hold, The Sculptor decided to start producing his own twenty-nine percent formaldehyde solution in the small lab he had set up off the wine cellar to manufacture his epinephrine and his high-powered tranquilizers. Using a technique of methanol conversion that he learned on the Internet, there in the cool damp bowels of his family home he could prepare and store not just his formaldehyde, but all his chemicals; and when he was ready, he could transfer them to barrels and wheel them up and out of the back hatchway door for use in the carriage house.
It was a very efficient system.
However, as was the case with the Plastination process in the carriage house, more than the actual acquisition of his chemicals-the majority of which had been either distilled from common household products or stolen barrel by barrel from warehouses that weren’t even locked-the biggest problem for The Sculptor in his cellar lab was always the ventilation. And despite the numerous exhaust vents that he had installed, despite the gas mask that he always wore, after working for long hours in his cramped laboratory The Sculptor would sometimes begin to feel dizzy. And on those rare occasions when he would accidentally touch the epinephrine-highly concentrated synthetic epinephrine that he had also learned to manufacture from his hours of study on the Internet-he would start to sweat, would feel his heart speed up and his head go all loopy. The Sculptor, however, did not mind such temporary changes within his body-the dizziness, the speedy heartbeat-as in a way, he thought, it helped him connect to his creations.
But The Sculptor did not like the change he felt within his body today; nor did he like the emotions bubbling up inside of him when he thought of Dr. Hildy. And as he slid two more plates onto his weight bar, The Sculptor could not help but feel as if the pretty art history professor had betrayed him.
The Sculptor had been smart enough to know from the beginning that Dr. Catherine Hildebrant would be at the very least an unwilling accomplice in his plan. But after all he had done for her, after he had specifically used her ex-husband for the body of his Virgin as a favor to her-that same man who had betrayed her, that same poopy-head who The Sculptor had followed for years, who he knew was having sexual relations behind the good doctor’s back-yes, Dr. Hildy could have at least held off on telling the FBI about his Pietà until it was in place.
The Sculptor blasted out six more reps on his bench, and when he returned the bar to the rack, it was as if his mind at once had cleared. And in a flash of insight, The Sculptor suddenly understood the brutal but simple reality that, if indeed it had been Dr. Hildy who had led the FBI to his Pietà, then there was a good chance that Dr. Hildy might do the same with his David. Hence, although it had never been part of his original plan, The Sculptor understood all at once that the best thing to do in order to guarantee a smooth exhibit of his David was to get rid of Dr. Catherine Hildebrant.
And much to his surprise, The Sculptor suddenly felt a lot better.
Chapter 38
“I want to go back to Providence,” said Cathy Hildebrant. She and Sam Markham stood before Burrell’s desk like a pair of high school delinquents in the principal’s office-contrite, fearful, yet defiant.
“I can’t allow it,” said Burrell. “That would be like throwing you to the wolves.”
“I don’t care. I can be more help to you working with Sam on the street.”
“But Cathy, you’ve been watching the television these last couple of weeks-been reading the papers and the news reports online. You know the press is looking for you, is dying to pick your bones.”
“I’m not worried about that. I’ll keep a low profile.”
“But with the murder of your ex, don’t you see that they all blame you? We can’t protect you from them anymore. It’s an entirely different situation now-they don’t want to just talk to you about The Michelangelo Killer, they want to get closer to him through you. I know you’ve been following the news. The press and the public are just waiting for The Sculptor’s next exhibit. They all know what it’s going to be-the goddamn statue of David. Christ, it’s only a matter of time before every young male with muscles in Rhode Island starts going into a panic, starts going into hiding.”
“I understand that but-”
“I can’t guarantee your safety down there, Cathy,” Burrell said, rising. “Hell, I shouldn’t even have you as a consultant on the case anymore.”
“She’ll be fine with me, Bill,” said Markham. “We can set her up in a room in my building-I’ll be personally responsible for her, twenty-four-seven.”
“Both of you were at the teleconference today, Sam. Both of you understand now what this guy is all about. We can tie him to at least nine murders, including Gabriel Banford and the two policemen. That’s at least nine. Who knows how many of Rachel’s missing prostitutes are his. Who knows how many more there are that we don’t know about-prostitutes, young men, women, children. He doesn’t hunt in one demographic, Sam. He chooses his victims according to some sick plan that parallels the artistic output of Michelangelo. I mean, Christ, what’s to say he won’t come after Cathy next?”
“I can’t stay in hiding all my life,” Cathy said.
“No, but you can goddamn well stay there a little longer.”
An awkward silence fell over the office as the SAC turned his back on them-staring absently out his window to the Boston skyline.
“I understand what you’ve been going through, Cathy. I understand that you’ve been cooped up with us for almost two weeks now. I know it must make you feel isolated, helpless, and a little stir crazy-being away from the people and the places you love. That’s to be expected. But at least there’s the buffer of distance between you and the killer; at least the press doesn’t know where you are. If you go back to Providence, if you start working the streets with Markham again, someone might spot you, might notify the press. And if the media finds out where you are, then The Sculptor might find out, too.” Burrell turned to face her. “Look, Cathy, if you can just hold out a little longer, if you can just sit tight until we get something solid-”
“You can’t hold me here against my will.”
“You’re right,” said Burrell. “But I can fire you from the case if you choose to leave protective custody. Is that what you want me to do?”