“That will still leave two,” Herb says.

“But it will be tougher for two to watch the whole house. If I get one, then I’ll have a better chance at getting away, getting help.”

No one argues. I pull out my Kimber, offer it to Harry.

“If they get in,” I say.

“You know I suck lefty.”

“Latham’s never shot a gun, Mom can’t fit her fingers in the trigger guard, and Herb just took enough codeine to kill Keith Richards.”

Harry takes the gun.

“You’ve got five rounds left. Use them wisely.”

Harry nods, then says, “When we get out of this. I want to go to one of those department store portrait studios. Get a family photo. I’ve never been in a family photo.”

I consider making some sort of comment about waiting for the DNA test first, but instead I pat his shoulder.

“Hematoma!” he yelps.

“I’ll be back in a minute,” I say. “Everyone stay put.”

Then I slip out into the hallway.

10:42 P.M.

KORK

I GIVE THE DRAIN JOINT one last turn and it comes loose. My fingers are torn and bloody, and my hands feel like lead weights. I raise them up, pull the handcuff chain between the sink and the pipe, and then I’m free.

I don’t waste time celebrating the victory. Jack had turned off the lights in the kitchen, so it’s tough to see, but I locate the utensil drawer from memory. I feel forks and spoons and assorted cooking supplies until I find what I’m after – a lever action corkscrew. The curly end fits nicely into the keyhole of my cuffs, and I have them off within a few seconds.

Even if the house wasn’t surrounded by snipers, running wouldn’t be an option. Before I leave here, Jack Daniels, and everyone in this house, must die.

I bump against the counter and spread my hands over the top, seeking out the knife rack.

10:46 P.M.

SWANSON

SWANSON IS TEMPTED to move farther away. Those two shots the woman cop fired from the garage came very near him, kicking up dirt just a few feet in front of his face. But he’s the one who gave the order to get in closer, so he’s determined to stick it out.

He and Pessolano shoot the last of the outside lights, then change back to night scopes. The constant juggling of scopes bugs Swanson. A lot of things about this situation bug Swanson. But this will all be over soon. When the cop fires her last rifle round, he’s going to order his men to break into the house and finish the job point-blank. Enough of this long-distance bullshit.

In concept, The Urban Hunting Club was brilliant. Dazzle the police and the media with three sex offenders who all die at the same time. Do it from a distance, so there’s less likelihood of witnesses, and no personal contact with the targets. Kill three more offenders a few days later, to make it seem like the targets are random. Write a note to the newspapers, explaining the goal of ridding Chicago of perverts. Then disappear into legend.

Swanson even thought about the far future, forty years from now, making a deathbed confession and stunning the world. Explaining he did it all for his precious Jen. Making a grand speech about how it is every private citizen’s duty to protect the people he loves. Along with the right to bear arms, there is a responsibility to use those arms for truth, justice, and the American way.

It would have been a damn good speech.

But Munchel had to fuck everything up. Now TUHC are cop killers. Instead of being admired by millions, they’ll be hunted forever, chased to the ends of the earth. They’ll be called psychos instead of vigilantes. In the TV movie, Swanson will be played by Harvey Keitel or Christopher Walken, instead of Ben Affleck or Bruce Willis.

It’s all gone to hell. Best to get it over with as quickly as possible.

Swanson sights down the night-vision scope, looking into the dark house through the front bay window. He’s moved ten feet to the right, away from the spot where the cop came close to hitting him. The stretch of grass he’s on is slightly elevated. Not quite a knoll, but raised enough so he can see into the living room and look down from a slight angle.

He sees green. A world of blurry, indistinct, phosphorescent green.

Though he doesn’t admit it to the guys, the starlight scope isn’t the easiest thing to use. With Swanson’s whole field of vision monochromatic, the only way to identify people is by shape and movement. Earlier in the night, Swanson put three rounds into a chair, thinking it was a crouching body. And he also discovered that the house has a cat in it, which kept darting back and forth, messing up his concentration and his aim.

The ever-increasing wind has also been a factor, throwing off several shots that were otherwise on the money. That fat cop should be dead three times over. Swanson knew Pessolano felt the same frustration, because the Desert Storm vet had been only fifteen yards away, and Swanson heard him swear after every miss.

Swanson also knows he’s jerking the trigger. Every shot, the butt of the TPG-1 slams into his shoulder. The area has been tender for several weeks, from all of the practice, and the bruise hasn’t ever healed. After the dozens of rounds fired to night, it hurts like crazy. Swanson flinches every time he fires, and this tiny movement is throwing off his aim.

Add in the pressure of getting done quickly, and the fact that Swanson isn’t a very good marksman to begin with, and it’s no wonder he hasn’t been able to hit anything.

But that is all about to change. The next person who appears in Swanson’s scope is going to die. He can feel it.

Swanson blinks, takes a deep breath, and adjusts his grip on the TPG-1. He aims the starlight scope on the hallway, ready to shoot the first thing that moves.

Something blurs past his line of fire. Swanson adjusts, finding the figure again, watching it disappear into the garage. He holds there… holds… holds… holds…

The figure appears again.

Swanson fires.

He misses – the target is moving too fast. It’s the woman cop, and she has the rifle. She ducks behind the couch.

Swanson pulls back the bolt, ejecting the empty cartridge, loading another one. He re-aims at the sofa and puts a bullet through the middle, where she was just a second ago.

I got her, he thinks. I must have.

Movement, in the lower right quadrant of his scope. He adjusts, sees someone squatting by the window.

The woman cop.

Swanson pulls the trigger. Nothing happens. He didn’t load the next bullet yet.

Stupid bolt action rifle. Why didn’t Pessolano buy semiauto -

Swanson feels a sharp tug in his chest. He hears the shot at the same time.

Did she just-?

The pain runs Swanson over like a truck. Someone has him in a giant nutcracker and is squeezing his ribs, making it impossible to draw a breath. He touches his breastbone, looks at his fingers.

Blood. A lot of blood.

This isn’t happening. This can’t be happening.

Swanson crawls away from his gun. His breath comes back, and the oxygen burns and stabs at his insides. A weak cry escapes his throat.

He fumbles in the darkness for his belt, finds his radio, brings it to his face.

“… shot…” he manages to whisper.

No one answers.

“… I… got… shot…”

No reply. Why won’t they answer?

Swanson looks into the woods. Where’s the truck? Where did they park it? He has to get to a hospital. Has to get there so they can take this bullet out of his chest.

“I didn’t catch that, Swanson. Can you repeat?”

He stares at the radio. Presses the talk button.

“… shot… been shot… need… help…”