Rebecca cut down Pinckney Street, walking past a house where Louisa May Alcott had lived, past prestigious Louisburg Square, down to the intersection of West Cedar. It would have been shorter to have gone straight down Mt. Vernon to West Cedar, but that would have entailed walking past the Winston house, which Rebecca preferred to avoid. She had yet to bump into Annette Winston Reed. It was just as well. Rebecca was convinced that Annette had been the chief instigator behind the removal of the historic Eliza Blackburn house from the walking tour of Beacon Hill earlier that spring, something Annette couldn’t have known its current owner had been trying to accomplish for years. Thomas Blackburn made no secret of his distaste at having a guide gather a group of tourists in front of his home, then relate its history and architecture, tell anecdotes about his family and, invariably, close with a sorrowful comment on the “reduced circumstances of Mr. Thomas Blackburn” that had led to the peeling paint on the shutters and trim, the scuffed door, the unpolished brass fittings, the small crack in the lavender glass in the side panel.
Over the years assorted neighbors and historical commissions and even a few politicians had written him letters or told him outright to fix up the place. He’d silenced them by threatening to paint his door vermilion. If a tour guide were particularly courageous-and there were those few-she would tell her group the gory details of the scandal that had led to Thomas Blackburn’s public downfall. In his enthusiasm for “getting the facts,” he had recklessly sent his son Stephen and fellow Beacon Hill resident and friend Benjamin Reed into a fatal Vietcong ambush in the Mekong Delta. Thomas had accepted full responsibility for the incident, but that didn’t halt the failure of his fledgling company or keep President John F. Kennedy from passing him over as his next ambassador to Saigon. Instead the president sent another Boston Brahmin, Henry Cabot Lodge, and Thomas Blackburn had retreated from public life in ignominy.
It all made for juicy walking-tour talk. Thomas had caught one guide at it and ran out of the house, furious not that she’d brought up the touchy subject, but that she’d gotten several of her facts wrong. “People must distinguish,” he’d told Rebecca, “between historical fact and one’s own analysis.”
Nothing annoyed Thomas Blackburn more than sloppy thinking.
Using the key he’d grudgingly given her, Rebecca entered the house through the front door. If shabby on the outside, the place was in reasonable condition on the inside, but certainly no showpiece. How like her grandfather, though, not to care about appearances. She headed straight back to the garden, one of Beacon Hill’s “hidden gardens,” and found him fussing over a tray of wilted seedlings at a bent-up black iron table and trying to blame her cat for their sad condition. “I saw that creature pawing them,” he told Rebecca.
“Oh, you did not. Sweatshirt hasn’t even been out of the house.”
Thomas scowled. Not only did he dislike her cat, but he also had no use for the name Rebecca had chosen. He refused to see the connection between a gray cat and a gray sweatshirt.
“Are they dead?” she asked.
“No thanks to your cat, no. They’re simply in a slight state of shock.”
“From being overwatered, looks like.”
Thomas made no comment, if for no other reason than he would never acknowledge that she might know more about gardening than he did. He was an intrepid gardener, but not a particularly talented or lucky one. His tiny walled garden didn’t help matters. It was little more than a brick courtyard surrounded by raised beds that he and previous generations of Blackburns had planted with shrubs, perennials and annuals. A weeping birch and red maple added beauty and shade, but made the tricky prospect of sunlight trickier still.
“Don’t you want to know why I came back early?” she asked.
“Boredom, I should think. You’ve been painting your fingernails again.”
She knew she should have gotten rid of her red nails before she’d left her studio. She thrust a copy of The Score at him.
Thomas glanced at the two photographs and grimaced, turning away from his seedlings. He looked at his only granddaughter. “Rebecca, I’m sorry.”
She was surprised. “You?”
“None of you would have gone to Saigon if it hadn’t been for me.”
By none, she wondered, did he mean not just her and Jared, but also Tam, Quang Tai, her own father, Benjamin Reed? Rebecca didn’t ask. Over the years, she’d learned not to. She wasn’t afraid of broaching the subject: she just knew it wouldn’t do any good.
“Come,” her grandfather said, “let’s have some coffee and talk.”
Talk? She wondered if he meant his version of “talk” or hers. Rebecca didn’t say a word.
He heated the morning’s leftover coffee in a pan, filled two cups with the rancid stuff, added milk from a jug and handed one to Rebecca, then returned to the garden and fell absently into one of the old Adirondack chairs he’d had outside for as long as she could remember. She sat across from him and tried the coffee. Worse than rotgut. But she didn’t complain, watching her grandfather as he studied her. She could guess what he saw: a talented, rich woman of almost thirty-four settled neither in life nor in love. But could he guess what she saw? A man of seventy-nine, lanky and white-haired, not so straight-backed as he’d once been, not so proud and cocksure. Yet he still radiated the strength of character that came with the knowledge, the terrible self-understanding, that he’d made mistakes. Awful mistakes. His arrogance had left him childless, his six grandchildren fatherless and his daughter-in-law a widow at twenty-eight, and no man should have to live with that. But he had, for twenty-six years.
His thin hair lifted in a cool breeze, and he asked, “Why did you come to me?”
“I don’t know.”
“Don’t dissemble, Rebecca. You do know.”
She looked away. “When Sofi told me about the pictures,” she began slowly, “my first reaction was anger and embarrassment at having the past dredged up again. I didn’t even want to see a copy of The Score. But then…” She sighed, turning back to her grandfather. “I wondered if this wasn’t the opportunity for us to talk. We never have, you know. Not about Saigon in 1975, and not about the Mekong Delta in 1963.”
“Rebecca-”
“Grandfather, have you ever lied to me?”
He didn’t hesitate. “No. Except about the cat…”
“Never mind the cat. About Vietnam.”
“No, Rebecca. I never lied to you.”
She leaned forward. “But you haven’t told me everything, either, have you?”
“My mistakes and my triumphs are my own to live with, not yours. If you’re asking me do I have regrets, I’ll answer you. Yes. Yes, I have many regrets. And not only about your father and Benjamin. I’ve been to the Vietnam Memorial, and I’ve looked at those fifty-eight thousand names and thought about the men and women and children I knew in Indochina who are all dead. And I’ve asked myself what I might have done differently during my years there to prevent what came later. More arrogance on my part, perhaps. But perhaps not. The point is, I’ll never know. If I’ve learned anything in my study of history and my seventy-nine years on this planet, it’s that we have no power to change what’s past.”
Rebecca didn’t listen easily to his words. “What about the future?”
He pulled his thin lips together. “I don’t have a crystal ball. I’ve often wished I did. We can only do our best and carry on.”
“That’s it, then?”
“There’s nothing I can tell you that will change anything.”
“Grandfather,” Rebecca said, controlling her impatience, “I’m tired of ‘carrying on’ without all the facts. That my picture can still make the front page of a supermarket tabloid just reminds me that 1963 and 1975 aren’t going away. They’re going to keep haunting us-me. And I have a right to know the whole truth.”