Fiona’s mother had said that morning she just wanted Fiona and her sisters to be safe. Happy would be nice, too, she thought, suddenly feeling depressed.

Jeremiah opened a side drawer in the desk and pulled out a stack of brochures and an Ireland guidebook. “I’ve been collecting these for you. There’s a brochure on our Dublin hotel.”

“Does it serve tea on Christmas Eve?”

“Sure does.” He came back around to Fiona and handed her the stack. “Are you sure you’re okay? You look-”

“I’m fine,” she said quickly, realizing she was about to cry. She brushed a stray tear and tried to smile. “Is your brother in Dublin cute?”

“He thinks so.”

Fiona laughed, but more tears escaped, and she thanked Jeremiah and took the steps down to Morrigan’s. It was at ground level, with full-size windows looking out on Charles Street. She found herself eye-to-eye with a dirty-faced toddler in a stroller. He waved at her, and she waved back, instantly feeling better.

She set her harp on the small stage. She and her friends had performed at Morrigan’s a half-dozen times over the summer. Her father didn’t know. She thought he’d object. Scoop and now Abigail knew, but Fiona hadn’t asked them not to tell her dad. Then it’d seem like she was keeping it a secret instead of just not having gotten around to telling him.

She sat at a table under a window with her brochures and ordered a Coke Zero. She wasn’t sure which friends would show up, but it didn’t matter. They all could play more than one instrument and would manage with whatever they had. Morrigan’s patrons always seemed to enjoy her ensemble’s performances.

She opened up one of the brochures to a photograph of a country lane that reminded her of her cousin Keira’s paintings. Fiona knew something terrible had happened in Ireland, too, but no one would tell her anything except that Keira was safe.

Keira was as excited as Fiona was about their trip to Ireland and had said she couldn’t wait to take her younger cousin to Irish pubs for live music. “You can join in, and we can get your dad and Simon to sing-just not my mum and me.” Keira’s mother, Fiona’s aunt Eileen, had come home from studying in Ireland in college pregnant with Keira. She’d had some kind of mad, mysterious affair in the same ruin, apparently, where Keira had found her Celtic stone angel. The angel had disappeared, but Fiona had no doubt her cousin had seen it. Keira believed that whatever had happened to it, it was where it was meant to be.

As Fiona finished her Coke, a man she didn’t recognize walked over to the stage area and pointed to her harp. “It looks like an angel’s harp,” he said in a British accent.

Fiona felt a shiver in her back. She’d just been thinking about Keira’s stone angel. “There are several different kinds of harps,” she said.

“And can you play all of them, Miss O’Reilly?”

Now the hairs on her arms and the back of her neck stood on end, and her breathing got shallow and her mouth went dry. But she didn’t move.

The man pulled out the chair across from her and sat down. “It’s all right, love. I’m a friend.”

“I’ve never met you. I’ll scream if you try anything.”

He smiled, winked at her. “You do that, love. Scream loud. How was your harp practice at the Garrison house?”

“How-”

“It’s a beautiful day for a stroll, isn’t it?”

Fiona thought she’d pass out. To calm herself, she looked up at a poster of the brightly painted Georgian doors of Dublin. They were already on her list of sights to see at Christmas.

“Have a sip of your drink,” the Brit said.

“It’s not alcoholic. I’m under twenty-one.”

There were several people in the bar. Jeremiah was just up the stairs. Fiona reminded herself she wasn’t alone. Feeling more in control, she focused on the man across from her. “You followed me?”

“Yes, love. I can follow you anytime, anywhere. You’ll never know if I’m there or not there.” He leaned back in his chair. “When and where did you last see Simon Cahill?”

“Why do you want to know?”

“He’s an old friend.”

“I don’t believe you. Did you have anything to do with the fire at my dad’s?”

His eyes narrowed on her, and he leaned toward her. “I asked you a question, love. Best you answer.”

“Yesterday. At my dad’s.” Fiona wanted to sound strong and defiant but thought she sounded weak, afraid. She cleared her throat. “It was after the fire. Late. That’s when I saw Simon last.”

The Brit had gray eyes that seemed to see right through her. “You’re telling the truth,” he said, satisfied. “That’s smart. What about Director March?”

“I just got a glimpse of him yesterday. I didn’t talk to him.”

“And your friend Lizzie Rush?” He paused, watching Fiona. “When did you see her last?”

“She’s not-I barely know her.”

“When, love?”

She didn’t want to tell him anything more.

“I can ask someone else. Her cousin up-”

“No, don’t,” Fiona broke in. “Leave Jeremiah alone. It was a few days ago. I don’t remember the exact day.”

“Here?”

“Yes.” Fiona gulped in a breath, sweating now. “I have no idea where she is now. My friends and I perform here on occasion. I don’t know the Rushes at all, really.”

The Brit smiled. “Like your Irish music, do you? Well, Miss O’Reilly, I have a different sort of job for you.” He pointed up at the window behind her, toward the street. “I want you to go back to the Garrison house. Call no one. Tell no one. Do you understand?”

Fiona nodded, her heart pounding.

“There’s an alley off a side street just before you reach the house. Don’t go into it. Stop and call your copper dad and tell him to come and have a look. Will you do that for me, love?”

“Yes.”

Fight to escape. That was what her dad had taught her. He’d also taught her not to leave one crime scene for another. “It almost never works out,” he’d said, “but use your fear as your guide. Let it help you.”

The Brit reached across the table and tucked a finger under her chin, forcing her to meet his eye. “A man is in grave danger. Only you can get him help in time.”

“Who is it?”

He ignored her. “When you speak with your dad, tell him Abigail is alive and unharmed. Will you do that for me, too, love?”

“Abigail,” Fiona said. “Where-”

He tapped her chin with one finger. “Now, don’t start. Just listen and do as I say. Tell your dad that he and his colleagues in law enforcement have an imaginative and dangerous enemy.”

“You.”

“I’m no one’s enemy.” He sat back again, his eyes hard. “No one’s friend, either. Can you remember what I just said, love?”

“Yes. Yes, I can remember.”

“There you go. Don’t follow me. Don’t have anyone else follow me.” He nodded toward the street. “Lizzie Rush will be arriving very soon from Ireland. If you see her in time, she can go with you.”

“How do you know she-”

He winked. “You’d be surprised what I know.”

“I didn’t see you yesterday. No one did.”

“I know. Now you have seen me, but it’s all right. I’m not going to hurt you. I especially enjoyed your Irish music. Special quality it has, doesn’t it? Even for a Londoner like myself.”

“What do you want with Abigail?”

“Nothing. I’m her only hope. I must leave now. If you do anything to interfere, she’ll be dead before nightfall. You need to stay calm and do as I ask.” The Brit stood up, looming over Fiona as he reached a hand out to her. “On your feet on three. Count with me. It’ll help you focus. One. Two. Three.”

She got up without his assistance. Should she scream? Kick him? Create a scene? If a man was dying…

She raised her chin to the Brit. “My sisters are under police protection.”

He smiled. “You will be now, too. Alley. Your dad. Abigail. You can remember?”

“Why are you doing this?”

“It’s important not to leave loose ends.”

Fiona didn’t breathe or speak as he trotted lightly up the steps and back out to Charles Street.