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The Crackpots

Madness is in the eye of the beholder.

Having done exhaustive research on sociopathic behavior for a two-hour NBC dramatic special recently, I won’t give you the faintest murmur of an objection that there are freaks and whackos walking the streets; they’re as liable to shoot you dead for chuckles as they are to assist you in getting your stalled car moving out of the intersection. One reliable estimate of the number of potential psychomotor epileptics undetected in our midst is 250,000 in the United States alone. And if you’ve read Michael Crichton’s TERMINAL MAN you know that the “brain storm” caused by psychomotor epilepsy can turn a normal human being into a psychopathic killer in moments. No, I won’t argue: there are madfolk among us.

But the madness of which I speak is what the late George Apley might have called “eccentricity.” The behavioral pattern outside the accepted norm. Whatever the hell that might be. The little old man sitting on the park bench having an animated conversation with himself. The girl who likes to dress as an exact replica of Betty Boop. The young guy out on the sidewalk playing an ocarina and interspersing his recital with denunciations of the city power and water authority. The old lady who dies in her two-room flat and the cops find sixty years’ worth of old newspapers plus two hundred thousand dollars in a cigar box. (One of the wooden ones, the old ones you simply can’t find any more because they don’t make them. They’re great for storing old photos and comic character buttons. If you have one you don’t want, send it along to me, willya?) The staid businessman who gets off by wearing his wife’s pantyhose. The little kid who puts a big “S” on a bath towel and, shouting, “Up, up and awaaayyy!” jumps off the garage roof.

They’re not nuts, friends, they’re simply seeing it all through different eyes. They have imagination, and they know something about being alone and in pain. They’re altering the real world to fit their fantasies. That’s okay.

We all do it. Don’t say you don’t. How many of you have come out of the movie, having seen Bullitt or The French Connection or Vanishing Point or The Last American Hero or Freebie and the Bean, gotten in your car, and just about done a wheelie, sixty-five mph out of the parking lot? Don’t lie to me, gentle reader, we all have weird-looking mannerisms that seem perfectly rational to us, but make onlookers cock an eyebrow and cross to the other side of the street.

I’ve grown very fond of people who can let it out, who can have the strength of compulsion to indulge their special affectations. They seem to me more real than the faceless gray hordes of sidewalk sliders who go from there to here without so much as a hop, skip, or a jump.

One morning in New York last year, I was having a drug-store breakfast with Nancy Weber, who wrote THE LIFE SWAP. We were sitting up at the counter, on revolving stools, chewing down greasy eggs and salty bacon, talking about how many dryads can live in a banyan tree, when the front door of the drug store (the now-razed, much-lamented, lovely Henry Halper’s on the corner of 56th and Madison, torn down to build, I suppose, an aesthetically-enchanting parking structure or candidate for a towering inferno) opened, and in stormed a little old man in an overcoat much too heavy for the weather. He boiled in like a monsoon, stood in the middle of the room and began to pillory Nixon and his resident offensive line of thugs for double-teaming Democracy. He was brilliant. Never repeated himself once. And this was long before the crash of Nixon off his pedestal. Top of his lungs. Flamboyant rhetoric. Utter honesty, no mickeymouse, corruption and evil a-flower in the land of the free! On and on he went, as everyone stared dumbfounded. And then, without even a bow to the box seats, out he went, a breath of fresh air in a muggy world. I sat there with a grin on my face only a tape measure could have recorded. I applauded. Superduper! Nancy dug it, I dug it, and a bespectacled gentleman three down from us — burnt toast ignored — dug it. The rest of the people vacillated between outrage and confusion, finally settling on attitudes best described by a circling finger toward the right ear. They thought he was bananas. Well, maybe, but what a swell madness!

Or take my bed, for instance.

When you come into my bedroom, you see the bed up on a square box platform covered with deep pile carpeting. It’s in bright colors, because I like bright colors. Now, there’s a very good, solid, rational reason why the bed is up there like that. Some day I’ll tell you why; it’s a personal reason; in the nature of killing evil shadows. But that isn’t important, right here. What is important is the attitude of people who see that bed for the first time. Some snicker and call it an altar. Others frown in disapproval and call it a pedestal, or a Playboy bed. It’s none of those. It’s very functional, and serves an emotional purpose that is none of their business, but Lord, how quick they are to label it the way they see it, and to lay their value judgment on it and me. Most of the time I don’t bother explaining. It isn’t worth it.

But it happens all the time, and every time it happens I think about this story. Madness is in the eye of the beholder. What seems cuckoo to you may be rigorously logical to someone else. Remember that as you read.

HE WAS STANDING ON A STREET CORNER, wearing a long orange nightgown and a red slumber-cap with a tassel. He was studiously picking his nose.

“Watch him!” cried Furth. “Watch what he does! Get the technique accurately!”

For this I studied four years to become an expert? thought Themus.

Furth looked at the younger man for the first time in several minutes. “Are you watching him?” The elder Watcher nudged his companion, causing Themus’s dictobox to bump unceremoniously against his chest.

“Yes, yes, I’m watching,” answered Themus, “but what possible reason could there be to watch a lunatic picking his nose on a public street corner?” Annoyance rang in his voice.

Furth swung on him, his eyes cold-steel. “You watch them, that’s your job. And don’t ever forget that! And dictate it into that box strapped to your stupid shoulders. If I ever catch you failing to notice and dictate what they’re doing, I’ll have you shipped back to Central and then into the Mines. You understand what I’m saying?”

Themus nodded dumbly, the attack having shocked and surprised him, so sudden and intensive was it.

He watched the Crackpot.

His stomach felt uneasy. His voice quavered as he described in minute detail, as he had been taught, the procedure. It made his nose itch. He ignored it. Soon the Crackpot gave a little laugh, did a small dance step, and skipped out of sight across the street and around the corner.

Themus spoke into the Communicator-Attachment on his box: “Watcher, sector seventy, here. Male, orange nightgown, red slumber-cap, coming your way. Pick him up, sixty-nine. He’s all yours. Over.”

An acknowledging buzz came from the Attachment. Themus said, “Out here,” and turned the Attachment off.

Furth, who had been dictating the detailed tying of a can on the tail of a four-legged Kyben dog by a tall, bald Crackpot, concluded his report as the dog ran off barking wildly, muttered, “Off,” into the dictobox and turned once more to Themus. The younger Watcher tightened inside. Here it comes.